Notion Mobile 3.2 User Guide en 26072023

U SER G U I DE
V3.2
Table of Contents
Table of Contents i
Introduction 1
Quickstart 2
Do More… 2
What is Studio One+? 3
See the Quickstart Tutorial here: 4
Installation and Activation 4
Installing Notion Mobile From an App Store 4
Updates 4
Welcome Page 5
Installing Sounds 6
Welcome Pack 6
Unlock with Studio One+/ In-app purchase 7
Can I remove/delete my my.presonus account? 7
Restore purchases 7
Choosing your language 7
Start Page 8
Score Setup 9
Creating a new Score 9
Layout Setup 14
View Options 14
Customize View 16
Move / Zoom 17
Entering Notes 18
Step Entry 20
Real Time Recording 22
Handwriting Recognition 22
Selecting and Editing Notes 26
Making a selection 26
Changing pitch of a selection 27
Copy & Paste & More… 27
Context Menu 29
Using the Tools Grid 32
Playback 35
Chord Symbol Playback 36
Set as Tacet 36
Swing 36
Mixer 37
Audio Devices 37
Export and Print Scores 38
Keyboard shortcuts 39
List of Sounds 44
Soundset Name / Contents 44
Acknowledgements 48
Table of Contents
Introduction
Thank you for downloading Notion™ Mobile, and welcome to the Notion Mobile 3.2 User Guide.To view this guide as a PDF document,
please download from here:https://presonus.com/products/Notion-Mobile/downloads
In the iOS App Store for over 10 years, Notion iOS has now become Notion Mobile — adding new platforms, new devices and new oppor-
tunities. You can now truly compose anywhere on any device, including those running iOS (iPhone and iPad), Android (phones, tablets
and Chromebooks), Windows (tablets, Surface, computers) and macOS. Notion Mobile is available from the major app stores: Google
Play Store, Apple iOS and macOS App Stores, Amazon App Store, Samsung Galaxy Store, and Microsoft Store.
Notion Mobile is fully compatible with Notion files created in Notion iOS, and in Notion Desktop (macOS, Windows). With the new net-
work transfer feature (part of the optional Feature Bundle) Notion can also directly transfer scores between any device on the same net-
work (regardless of platform) that is running Notion Mobile, Notion 6 desktop, or Studio One 6.
Introduction 1
Quickstart
Check out this series of Quickstart tutorials on YouTube.
Do More…
You can unlock more features and sounds in Notion Mobile either by purchasing the Feature Bundle on any platform, or by simply sign-
ing in with your Studio One+ membership.
Notion 6 Desktop is our flagship notation product, with more notation features, layout control, third-party VST instrument and effects sup-
port, live performance mode, video windows, sequencer staff, Score Library, a deeper sound library, and more. It’s available for pur-
chase for macOS and Windows, or comes as part of a Studio One+ membership.
l Learn more about Notion Desktop here.
Quickstart 2
What is Studio One+?
Studio One+ is the ultimate toolkit for composers, and includes Studio One Professional, our flagship DAW (Digital Audio Workstation),
Notion Desktop for macOS and Windows, tons of Add-ons sounds and content, community collaboration functions, exclusive training
videos, and more.
l Learn more about Studio One+ here.
PreSonus is committed to constant product improvement, and we value your suggestions highly. We believe the best way to achieve our
goal of constant improvement is by listening to the real experts: our valued customers. We appreciate the support you have shown us
through the purchase of this software.
What is Studio One+? 3

See the Quickstart Tutorial here:
Installation and Activation

Installing Notion Mobile From an App Store
To get Notion Mobile on your device, follow these links or log in to your device’s respective app store:
l iOS Devices: Apple App Store
l macOS Devices: Apple Mac App Store
l Windows Devices: Microsoft Store
l Android Devices: Google Play Store or Samsung Galaxy Store
l Amazon Devices: Amazon App Store
Once you've opened your device's app store, search for "Notion Music."
Look for the Notion Mobile app (and its distinctive icon) in the search results, tap "Get" or "Install."
To save space on your device, the initial app will download with just the Steinway piano sound — the rest of the sounds can be added/re-
moved later as you wish (see below: Installing Sounds)
Updates
Updates to Notion Mobile are handled via your respective App Store — go to your account or search again for Notion Mobile within the
app store to download an update. Alternatively, set your apps to automatically update whenever an update is available — this setting can
be usually found in your app store.

Welcome Page
On first open, Notion Mobile will display a Welcome Page. From here, you can quickly create your first score by hitting the plus button or
try out one of the included demo scores. Or you take a moment to unlock all of Notion Mobile’s optional features and sounds by pur-
chasing the in-app purchase, or signing in with your Studio One+ membership.
Welcome Page 5
Installing Sounds
Notion Mobile comes bundled with a core set of specially recorded sample instruments - to install them, navigate to the Application
Menu>Sound Installation. You can either install the available Core sounds, or just the individual Core Soundsets that you want. You can
also install the Soundsets from your Score Setup menu — just click the download icon. If you want to free up space on your device, you
can also remove Soundsets from this menu.
To unlock the expansion sounds, you can either make the single in-app purchase from the link provided, or sign-in with your Studio One+
membership. (See below)
The Welcome Pack soundset is available as a reward once Notion has been registered at my.presonus.com — there is no charge for
registering Notion. (See below)
Welcome Pack
To receive the Welcome Pack (which includes an exclusive soundset, multi-voice input, and access to the Notion forums, you will need to
register your app with PreSonus — there is no charge for doing so.
Click the button on the Welcome Page, or go to Application Menu>Account>Register. Then sign-in with your My.PreSonus account, or
click the link to create a free account if you don’t already have one.
Installing Sounds 6
Unlock with Studio One+/ In-app purchase
To unlock optional features and content, you will need to either make the in-app purchase on each platform you use Notion (e.g. Android,
Windows, macOS, iOS), or sign in with your Studio One+ Membership.
This purchase includes: handwriting recognition, network transfer for device-to-device sharing of scores, all expansion Soundsets, and
exciting new features to arrive in the future!
Can I remove/delete my my.presonus account?

Yes you can, you can download all your data and permanently delete your my.presonus account. Please bear in mind that this will delete
your account and any hardware or software registered product keys will be irretrievably deleted. Full instructions here.
Restore purchases
If you have made the optional in-app purchase and you can’t see your previously unlocked features or sounds, then you may need to
refresh the purchase state of the app.
l First, make sure you are signed in to the device with the same account that you purchased with (this is the number 1 reason for
this issue to happen!)
l Next, make sure you actually made the purchase on the platform you are currently using — note the in-app purchases are per
platform (i.e. an in-app purchase made on Android will not carry over to Apple iOS).
l Finally, just tap "Restore Purchase" from: Application Menu >> Manage Features
Choosing your language

The language in which your device is set will generally dictate which language Notion will display in. You may be able to override this at
the app level, depending on the platform. Go to the Application Menu >> Language to do so.
Unlock with Studio One+/ In-app purchase 7

For starting a new score by clicking the plus button, click here.
Start Page
Notion Mobile’s Start Page gives you quick access to your most recently opened files. You can remove files from this Recents List as well
as permanently delete them — hit the Edit button and make a selection to either remove or delete.
Depending on the platform, you can also right click the filename, and then elect to remove from the Recents List, or open the file’s loc-
ation.
To find a file in your Recents List, tap the Search icon, and start typing until a match is found.
To open an existing Notion file or import a MIDI or MusicXML or MXL file, tap the File Browser button. This will open up your system’s
browser where you can navigate to the location of your desired document. Notion will open or import the file, and then save any changes
in the original location or in place — it won’t move the files into another location.
The Application Menu in the top right of the Start Page, gives you access to Global options for Notion. These include:
l Audio Setup Options including sample rate and audio device selection where possible. Visit the Playback chapter to learn
more about setting up your audio devices.
l Appearance Options including dark/light, icon size, palette size and side. Visit the Layout Setup chapter to learn more.
l Edit Options including automatic mode switching when using supported styli, and auditioning notes on input. Visit the Select-
ing and Entering Notes chapter to learn more.
l Network Options to allow Notion and Studio One documents to be received sent over the network Audio options, including
sample rate, audio device selection where possible. Visit the Export and Print Scores chapter to learn more.
l Sound Installation lets you manage which of the included Core soundsets you wish to download or remove, as well as down-
load the optional Expansion soundsets. Visit the Installation and Activation chapter to learn more.
l Manage Features for optionally registering with PreSonus to receive your welcome pack, as well as signing in with your Studio
One+ membership to unlock all features and content. Visit the Installation and Activation chapter to learn more.
l Language to change the application language
l The About screen displays your current version number.
Start Page 8
Score Setup
Creating a new Score
To create a new score, tap the ‘plus’ (+) icon on the Start Page.
You will then be prompted to enter a filename:
l You don’t need to enter anything here, you can just use “Untitled.”
l The initial filename set will also show as the Title in the score itself
l The Title can later be independently edited if needed by double tapping it
l Changing the Title does not change the filename (and vice versa, if you later change the filename, this won’t affect the Title)
Above the filename, is the location that the new file will be saved in. Tap the down arrow for more options:
l Select… opens the device file browser. You can then navigate to the location where you want to save the file. Depending on the
platform, not all cloud locations will be available for a new score — but a score can be moved once created, and then opened in
place from that cloud location
l Select Default selects the default location for Notion scores on your platform
Choose Instruments… is selected by default — once you tap OK, this will then open the instrument picker. However, you can elect to
use a template score...

Using a Template Score
l Hide the on-screen keyboard if it is still showing after entering your filename (if applicable) to see the whole Template list
l Select the Template you want
l Tap OK in the top right
l You can also add your own Templates to this list — Export and Print Scores
Opening a Demo Score

Once you’ve tapped the ‘plus’ (+) icon on the Start Page, you’ll be able to see a ‘Demos’ tab, alongside ‘Templates’
Tap to show a list of included demo scores - select one to open and start playing. If you make a change to the demo score, this will auto-
matically create a copy in your default save folder and be added to the Recents List on the Start Page. (The original demo score is not
changed)

Add Instruments
Once you’ve clicked OK and selected Choose Instruments, the score will open and Instrument picker will automatically open up
l Scroll up or down this list of instruments. You can also use the fixed row of instrument family shortcut icons at the bottom of this
picker to jump to the right place
l Tap an instrument to select — tap again to deselect
l To select more than one of each instrument, tap the plus icon in the corner of the instrument.
l When you are done, tap Add in the top right corner
The selected instruments will be added to the score. The Score Setup window is now in view — here you can change various aspects of
the instruments and the order (see below), but if everything looks good, tap OK in the top right corner, or tap away from the window to dis-
miss it.

Add and Edit Instruments
In the Score Setup window, if you wish to add more instruments, tap the + (plus) icon — this will open the instrument picker again.
Tap the Edit icon to remove instruments — tap the instrument(s) to select, then tap Delete. To change the score order of instruments,
use the three-line icon on the right to grab and drag instruments into your desired order
On the right hand side of Score Setup, is a Score / Part toggle — this will allow you to switch to viewing either the full score or an indi-
vidual part. When viewing a part, use the eye icon next to each instrument to change the part currently viewed. When viewing the Full
Score, the eye icon is used to show/hide parts in the full score itself.
If you don’t have the sound sample pack installed for an instrument you have selected, a blue round Download icon will appear — tap to
download the containing Soundset. Note you don’t need to have the sound downloaded / purchased to be able to write for that instru-
ment, as Notion will default to a piano sound if it’s not present.
Instrument Setup
In the Score Setup window, tap the arrow to the left of one of your chosen instruments to see more setup options. They include:
l Instrument - tap to change the instrument of the staff
l Name - change the full instrument name
l Short Name - change the abbreviated name
l Staff Type - select which type of staff to show for the instrument
l Standard - single 5-line staff
l Tablature - guitar tablature with a line for every instrument string and numbers instead of noteheads

l Standard+TAB - two linked staves allowing you to simultaneously see both standard and tablature notation for a single
instrument
l Grand staff - two linked staves representing left and right hands
l Drumset - a five-line staff with percussion clef
l Single Line - a one-line staff
l Tab Options (only shows if a tablature option is selected above)
l Tab type - choose from a selection of instrument presets and tunings
l Tab strings - displays the tuning of the instrument, but can be overtyped for a custom tuning
l Circles in TAB - option to show a circle around whole or half notes
l Show Stems in TAB - option to hide rhythmic stems for tablature notes
l Voice Stem Mode - if there are multiple voices in a staff, this allows you to decide how the stems should be handled
l Separate Up/Down - the default treatment of every upper voice note points up and every lower voice note points down.
l Joined Stems - wherever the two voices share the same rhythm, join the two notes with a stem in the same direction.
At points where there are rhythmic differences, return to default separate up/down treatment.
l Separate per Measure will treat the voices as a joined stem option, but whenever there is an exception anywhere in a
measure, then the entire measure is treated as Separate up/down.
l Show Key Signature this will hide the key signature at the start of each system, and automatically add accidentals to notes
where necessary. This is most commonly used for French Horns.
l Transposition (only shown if a pitched instrument is selected) - Notion will automatically set this up for you when you select a
transposing instrument from score setup. However you can also manually choose what note should sound and in what octave
when a notated C is played. E.g. A French Horn in F playing a notated C, would sound F in the same octave lower. A Tenor Sax-
ophone in Bb playing a notated C, would sound Bb one octave lower.
l Show Instrument Key (only shown if a pitched instrument is selected) will show/hide the displayed key of the instrument, e.g.
Clarinet in Bb / Cl.1 in Bb

Layout Setup
View Options
You can switch between three different views for composing in Notion Mobile. Tap the Score Setup in the top left of the screen, then Lay-
out. Then select one of the three views, and whether to view score or part — this will immediately change the view of the score in the
background.
l Screen view [F8] - a borderless view, with systems scrolling up/down
l Print view [F7] - allows you to see the page outlines as it will print, depending on the page size you have set. Repeatedly press-
ing the keyboard shortcut [F7] will toggle between Print View with pages horizontally across and pages vertically down.
l Continuous view [F6] - a continuous fixed system, scrolling from left to right
l Full Screen / Single Part view [F5] - toggle between showing the full score or a single part
Various display options are then available below. These options will apply to whatever the currently selected view is — not all options
apply to all views, these will be grayed out as appropriate.
Tap the desired view you wish to adjust first (Screen / Print / Continuous / Full Score or Part), then the options will update appropriately:
l View Options
l Notation Zoom - this changes the display size in Screen view

l Notation Font - switch between standard font and jazz font for the notation
l Notation Size - adjust size of the notation font
l Paper Format - change the paper size or add a custom size (cm)
l Orientation - switch between portrait or landscape orientation
l Transpose Mode - switch between viewing instruments in their transposed key, in concert tuning (score in C with
octave transposing instruments shown in their written octave), or concert pitch (score in C with octave transposing
instruments shown in their sounding octave)
l Print Cue Notes - choose to show or hide cue notes when physically printing
l Chord Summary - if your score has chords in it, you can choose to show a summary of all the chords automatically, at
the bottom of the first page
l Hide Cuts - will collapse any marked cuts so they are hidden, ready for printing
l Reveal Hidden Items - will reveal any score elements (e.g. dynamics) that have previously been hidden
l Multi-measure rests (Parts view only) - this will collate multiple measure rests in a part, into a single multi-measure
rest. Select the minimum number of individual measure rests to be shown, before they are collated
Layout Setup 14
l Show Out of Range Notes - will turn out-of-range notes red for a given instrument. Notes will still print black
l Show Voice Colors - will show the four voices in different colors for ease of identification
l Voice 1 notation remains in a standard black color.
l Voice 2 notation appears in a dark purple color.
l Voice 3 notation appears in a light fuchsia color.
l Voice 4 notation appears in a green color.
l Text Styles - this will change the appearance of lyric text. Choose the font, the style and size.
l Lyrics - this will change the global appearance of lyric text. Choose the font, the style and size. Individual lyrics can still
be given a custom style - right click the word(s) and select Context Menu>Text
l Text - this will change the appearance of lyric text. Choose the font, the style and size. Individual text boxes can still be
given a custom style - right click the word(s) and select Context Menu>Text
l Score Systems
l Titles First System - choose whether to show instrument full names on the first system, or name abbreviations or none
at all.
l Titles Following System - choose whether to show instrument full names from the second system onward, or name
abbreviations, or none at all.
l Staff Spacing - adjust the vertical spacing between staves
l System Spacing - adjust the vertical spacing between systems
l Break marks - choose to hide or show the optional system break mark symbol (the two diagonal lines that sit between
systems)
l Measure Limit - adjust how many measures will be displayed on each system. Note that fewer measures may be
shown if there are too many notes to fit - adjust the notation font size as described above if this is a problem.
l Measure Numbers - choose whether measure numbers are shown per system, per measure, or not at all.
l Page Margins - adjust the page margins (in inches).
l Page Text - you can add and edit the style of special text items, such as Title, Copyright, Subtitle, Composer etc, as well as add
new text elements. To add a line break, use Enter or Shift+Enter (depending on platform).
l Add Page Text
l Type
l Text
l Placement
l Show on Pages
l Font
l Font style
l Font size
l To remove a page text entry, tap it, then tap Remove Selected.
View Options 15
Customize View
As well as the notation layout options seen in Layout Setup, Notion Mobile has several general Appearance Options, to customize the
app to your preferences and workflow.
Tap the Application Menu (the three-dot menu icon on the right-hand side) and select Options.
Here you will see the following options:
l Light Color Scheme The default for scheme for the app is a dark mode, but you can elect to have light colors for the menu bar,
palette, dialogs and menus
l Dark Score This inverts the colors of the actual score area, giving light notes on a dark background - great for minimizing
screen glare in low light environments
l Right Side Tools You can choose to put the vertical Tools palette onto the right hand side of the screen, rather than the left
l Small UI This decreases the size of the icons in the palette and in the transport, giving you even more space for your score,
whatever the size of screen.
Extended Palette
Tap the icon at the bottom of the palette to change the number of visible columns. If you have space on your screen, you can see two
columns. Note that his view includes a permanent ‘Handwriting Tool’ icon, so if you don’t have a stylus that automatically switches (such
as the Apple Pencil or Surface Pen), this is where you can enter/exit handwriting mode
Extended Palette
You can change the width of the piano keys on the onscreen keyboard to three different widths — see Entering Notes for more inform-
ation.
Customize View 16
Move / Zoom
You can move the page around and zoom in or out freely — to do so depends on what type of device you are using, and whether you are
using handwriting recognition.
l On a touchscreen when in normal entry or in automatic handwriting mode (i.e. using an Apple Pencil or Surface Pen):
l To zoom, pinch two fingers together to zoom out, or apart to zoom in
l To scroll, use one finger to drag the page around
l On a touchscreen when in manual handwriting mode (i.e. using a normal stylus or finger to handwrite notes):
l To zoom, pinch two fingers together to zoom out, or apart to zoom in
l To scroll, use two fingers to drag the page around
l With a keyboard shortcut:
l To zoom in, use [Ctrl +]
l To zoom out, use [Ctrl -]
l (For macOS and iOS, substitute Cmd for Ctrl)
l With a mouse scroll wheel on desktop:
l Use the scroll wheel to move vertically up/down
l Use [Shift+Scroll Wheel] to move horizontally left/right*
l Use [Ctrl+Scroll Wheel] to zoom in/out
*Note: if this is not working, check if Scroll Lock is on.
Move / Zoom 17
Entering Notes
There are a number of methods for getting notes into Notion Mobile, including playing in real time, handwriting, importing MusicXML, or
simply tapping notes in. The note entry method you choose will depend on not just your preference, but also on the context — fast, florid
passages are quicker and more accurately entered with step-time, for example. It will also depend on what peripherals you might have —
for example, you can draw with an Apple Pencil, enter keyboard shortcuts with an attached keyboard, or play note pitches with a MIDI
Bluetooth piano keyboard.
l Tap (or click) notes in.
This is the easiest way to get started entering notes.
l Tap the Note Tool in the tool palette.
l Tap in the score by hand where you want to enter the note.
l That’s it!
Changing Durations

l Tap the Note Tool once to select the currently-shown duration.
l Tap again to show all options to select a different duration.
l To quickly change duration in a single gesture, press+swipe the Note Tool to open it, then release on the desired duration. This
works whether you are tapping a touchscreen or clicking with a mouse.
l If you have an attached keyboard (either wired or Bluetooth), then you can also use Keyboard shortcuts to change the note
duration.
Changing Pitch when Entering Notes

l On touchscreens, a long press on the score will display a crosshair under your finger. You can now accurately drag up and down
to get the pitch you desire before letting go to enter the note.
l During this long press, you can also drag slightly left or right — this will add an accidental to your note, sharpening or flattening it
accordingly.
l If you are entering drum notes on a drumset staff, the drum label will also appear under your finger with the crosshairs (e.g. “Tom
14”) — you can also drag slightly left or right which will add a variation and change the notehead or stem. (e.g. “e.g. Tom 14 Rim-
shot”)
Enter a Note on Tablature

l Select the duration you want, then tap on the string required.
l A text box will appear and if you’re using a touchscreen, the on-screen keyboard will appear.
l Enter the fret number and tap Enter.
Entering Notes 19
Enter a Rest
l Select a duration with the Note Tool.
l Tap the rest icon.
l To go back to note entry, tap the rest icon again or the Note Tool.
l Rests can also be selected with keyboard shortcuts — the shortcut for the duration simply toggles between Note and Rest as
you repeatedly press it.
l You also change existing notes to rests and vice versa — just select the passage or item(s) and then select Notes>Toggle Note
or Rest. Alternatively, simply tap Shift+Backspace.
Step Entry
Step Entry allows you to enter notes step by step, one after the other, in arbitrary time. The rhythmic duration is entered either by select-
ing from the Note Tool in the palette or with keyboard shortcuts (if you have a keyboard connected). There are then various ways of enter-
ing the pitch:
Step Entry with an Onscreen Instrument
l Tap the onscreen instrument piano icon in the top right corner.
l When the icon is blue, long press or swipe the icon to quickly change from piano keyboard to either a guitar fretboard or drum
pads. (You can also change the shown instrument by swiping on the Step Entry icon on the instrument itself — see below).
l Tap either of the Step Entry icons — there is one in the main transport area at the top of the screen in the middle, and one at the
bottom, at the left of the onscreen instrument.
l Select the desired duration from the Note Tool or with a keyboard shortcut.
l Tap the onscreen instrument to enter the notes.
l To enter a chord rather than single notes, tap the chord icon in the instrument then build the chord in the instrument. Tap the
right arrow icon in the transport to enter.
l To repeat the previously entered chord, tap the chord icon with an arrow — this will be able to be selected once the first chord
has been entered.
l To enter a rest during Step Time, select the desired duration, then either tap the rest icon in the palette or use the keyboard short-
cut; Space Bar.
l To add a tie during Step Time, enter the first note of the tie, then either tap the Tie Tool in the palette, or use the keyboard short-
cut; T . Then enter the second note of the tie.
l To navigate left and right, use the right and left arrow icons in the transport area or use the navigation keyboard shortcuts.
l If you are entering notes for a transposing instrument into a transposing score, you can choose to play the sounding pitch (trans-
posing yourself), or let Notion transpose for you. Go to Record Setup>Transpose Input.
Step Entry 20
Piano Keyboard
l To shift octaves, either tap the +/- icons, or swipe the keyboard at the top of the keys. A blue swipe area will then appear which
will allow you to drag the keyboard left and right, even while you are using it for real-time recording (see below).
l You can adjust the width of the keys to suit your screen size and personal preference. There are three different widths — tap the
width icon to toggle between them.
Guitar Fretboard
l To shift the fretboard, tap the +/- icons.
Drum Pads
l A set of 12 colour-coded Drum Pads are available when a drum instrument is selected. Tap the Drum Pads to enter — the
respective noteheads and e.g. tremolos will be added automatically.
l To change which drums are shown on the pads, right click or long press on a pad, and make your selection. Scroll down the list
to select ‘Reset Pads’ to go back to the default.
l If a pitched instrument is selected, the Drum Pads will show pitches and their octaves instead (e.g. A4) - these can be entered by
tapping. To change the octave, tap the Up / Down Pads.
Step Entry with a MIDI instrument

l Connect your MIDI instrument to your device, either wired or via Bluetooth.
l In Notion, go to the Application Menu>Record Setup, and select your MIDI instrument from the drop-down list.
l Tap the Step Entry icons at the top of the screen in the transport area.
l Select the desired duration from the Note Tool or with a keyboard shortcut.
l Enter your notes / chords with the attached keyboard.
Step Entry 21
l To enter a rest during Step Time, select the desired duration, then either tap the rest icon in the palette or use the keyboard short-
cut; Space bar.
l To add a tie during Step Time, enter the first note of the tie, then either tap the Tie Tool in the palette, or use the keyboard short-
cut; T. Then enter the second note of the tie.
l To navigate left and right, use the right and left arrow icons in the transport area or use the navigation keyboard shortcuts.
l If you are entering notes for a transposing instrument into a transposing score, you can choose to play the sounding pitch (trans-
posing yourself), or let Notion transpose for you. Go to Record Setup>Transpose Input.
Real Time Recording

Real time recording is possible with Notion, allowing you to enter notes and durations while playing to a metronome click. This method is
best for simple music — if a passage is intricate, then change the metronome mark to reduce the tempo for input, or use a different note
entry method, such as Step Entry. You can use either the onscreen instruments or an attached MIDI instrument for entry — hit the record
button in the transport and play. Once you have stopped, Notion will analyse your performance and turn it into notation.
Setting Record Options

l Go to the Application Menu>Record Options.
l Select the connected MIDI instrument if desired.
l Switch metronome click on or off — this is for both recording and playback.
l Select how many bars Notion will count in before you start recording.
l Select ‘Transpose Input’ to adjust whether Notion should transpose your MIDI instrument on note entry.
l The next options determine how Notion analyses your performance. By default this is set up to optimise MIDI keyboard entry —
tap the Presets button to switch between MIDI Guitar and MIDI keyboard.
l Min Velocity sets the minimum MIDI velocity of a note from 1 to 127. Notion will disregard notes under the level set
here.
l Min Duration sets the minimum duration in milliseconds of a note. Notion will disregard notes under the duration set.
l Split Point: If you are entering notes on a Grand Staff (where a single instrument has two staves, one for each hand
e.g. piano, harp, marimba), you can set the split point at which Notion will send and notate notes to either hand. This is
by default set for piano at C4, middle C.
l Tuplets determine whether Notion should use tuplets in its analysis (tuplets can mean not just triplet notes, but other
groups too).
l Multi-channel guitar: if you have a multi-channel MIDI guitar controller, this tells Notion to listen for one channel per
string.
Default metronome click duration
Notion will follow the printed metronome mark when playing the metronome click. This is important to remember, especially if there’s a
change of time signature later in the piece. For example, a piece could start at quarter note = 90 in 3/4, but then later change to 6/8.
Unless a new metronome mark is added, then the metronome will continue clicking at 3x quarter notes per measure. In this case, a new
metronome mark should be added at the change of time signature, to dotted quarter note = 60 — you will then hear two clicks per
measure as expected.
Handwriting Recognition
You can also use your own handwriting as a note entry tool. Notion’s handwriting engine is powered by MyScript™ which has analyzed
thousands of different music handwriting styles — this means there are no custom gestures to learn nor does the software need to “learn”
Real Time Recording 22

your own personal style. Notion can convert notes, rests, chords, articulations, measure lines, accidentals, time signatures, measure
lines, ledger lines, slurs, ties, clefs. See below for a full diagram of items. Handwriting is supported on all platforms (Windows, macOS,
iOS, Android) and all devices (phone, tablet, computer) and you can use a stylus or even your finger. Pressure sensitivity is also sup-
ported for active styli. If you are not using Notion Mobile on a touchscreen, you can optionally use a graphics tablet for handwriting too.
Handwriting recognition is available on standard 5-line notation staves (i.e. not single-line percussion staves nor tablature) — it is a paid
feature unlockable via the in-app purchase, or by signing in with your Studio One+ account.
Handwriting With an Active Stylus (e.g. Apple Pencil / Microsoft Surface Pen)
Notion can automatically detect the difference between an active stylus and a finger.
l If you are using this type of stylus, then by default, handwriting is automatically engaged for your stylus leaving your finger free
for normal note input and score navigation.
l You can still opt to manually switch between modes - go to Application Menu>Options and select Pencil Handwriting ‘Off’. You
can then manually switch modes by using the Handwriting Tool icon which is visible in the Extended Palette view (Application
Menu>Options>Extended Palette).
l Pressure sensitivity is enabled for these type of styli, meaning that as you draw, the line thickness varies depending on how hard
you press. Although this information is ultimately discarded on conversion, drawing feels much more natural, and is also more
accurate.
l With an Apple Pencil 2nd generation, you can double tap outside of a measure to force the recognition process, instead of wait-
ing for the fixed length timer.
l With an active stylus you can also ‘lasso’ select whilst in handwriting mode, by drawing around multiple objects. Notion will auto-
matically detect freehand selection compared to handwritten notation, and switch mode accordingly.
Handwriting with Finger / Standard Stylus

l Tap the Handwriting Tool in the palette (the ‘pencil’ icon).
l You can now draw into your score.
l After a short period of inactivity, Notion will analyze your handwriting and turn it into digital notation.
l To navigate or zoom your score whilst in Handwriting mode without drawing unwanted lines, drag and pinch using two fingers at
the same time.
Delete
To delete whilst in handwriting mode, just scribble over the notehead to remove the note completely, or scribble over the individual
attached element (e.g. an accent). Alternatively, you can select the item and use the Erase Tool as normal — but that’s not as thera-
peutic.
Voices
You can write in different voices with handwriting — just select the voice first with the Voice Tool (see below).
Drums / percussion
Writing is also possible for drumset and percussion instruments that use a 5-line staff - on recognition the nearest note/-
technique/notehead will be entered. For example, if you write a quarter note on the top line of a drumset staff (i.e. for a hi-hat), on recog-
nition it will convert to a crosshead notehead automatically.
Handwriting Recognition Delay

You can adjust the period of time between the writing of the last note and the conversion to digital notation. The conversion delay ranges
from 0 seconds (or instantaneous conversion), up to 10 seconds after the period of inactivity has started.
l Go to Application Menu>Options>Recognition Delay.
l Adjust the slider and try different levels until you find one that works for you.
Handy Handwriting Hints

l Zoom in a little if you are having trouble entering notes and symbols accurately.
l Supported active styli are more accurate than your finger, and as they are pressure sensitive, they feel more like real writing.
l Experiment with the handwriting timer to suit your own preference.
l Mix up note entry methods — for example, use your finger or Step Entry to enter notes, then whip out your Apple Pencil to hand-
write the articulations. Notion will automatically detect your finger and Apple Pencil and switch modes accordingly.
l If you are adding notes to a bar that already has existing notes, then Notion will reanalyse the whole bar - this may be fine, but if
there are existing elements that are not supported by the handwriting engine (such as grace notes) then these will be ignored
and even discarded. In this case it would be better to use another note entry method to avoid having to re-enter these elements.
l For Grand Staff instruments that use multiple staves for a single instrument (e.g. harp/piano) it’s recommended to draw notes
into one staff at a time.
l Remember —drum, percussion and tablature staves are not supported!
Handwriting diagrams
Clefs Barlines / repeats
Note durations Chords / Accidentals
Rest durations Ties / Slurs
Tuplets Articulations
Time signatures Ledger lines
Voice Tool
You can enter up to four voices per staff in Notion Mobile (Voices 3 and 4 are available as part of the Welcome Pack — register for free to
unlock it). Notes in all entry methods will default into Voice 1. If you wish to enter in a different voice, tap the Voice Tool — you can access
the Voice Tool either in the main palette, or on the left hand side of an onscreen instrument. This will toggle between the last two voices
you select for quick switching. To select the other voices, just long press to open the options, or press+swipe+release.
l You can also choose voices with a keyboard shortcut.
l For existing notes, you can select the note, and then opt to send it to a specific voice. Open the Context Menu, then choose
Tools>Send to Voice X.
l If you have two voices already written and you want to swap the notes between them, just select the passage, open the Context
Menu, then choose Tools>Swap Voices.
Selecting and Editing Notes

You can quickly select and edit in Notion Mobile, and there are various methods of doing so to suit your preferred workflow. Once a selec-
tion has been made you can: drag to move the pitch; copy/cut/duplicate; apply an articulation to all notes; change notes to rests; add a
dynamic to the left hand side of the selection; change durations by tapping the duration palette; and much more.
Making a selection
Selecting individual elements
l Tap the Selection Tool .

l Tap an element (e.g. note, rest, dynamic etc) to select it - the element will turn orange.
l To select multiple non-contiguous elements (i.e. notes that are not next to each other), hold Shift as you click the noteheads.
Selecting a range
l With a mouse: Click and drag over the elements you want to select.
l With a touchscreen: Tap the screen and hold briefly, then drag your finger over the elements you want to select.
l To quickly select a whole measure, double-tap or double-click the measure.
l To increase the range, drag the two round handles of the selected area, or hold down Shift while you click to extend the range to
the measure you clicked in.

l With an active stylus (or ‘lasso select): whilst in Handwriting Mode, use your active stylus (e.g. Apple Pencil or Surface Pen) to
draw around selected elements. Notion will automatically select them.
Remove items from a selection

l [Shift+Click] the individual elements
l [Opt+Shift+Drag] to remove multiple elements from the selection.
Select All / Part

l To select the whole score, go to Context Menu>Select>Select All (Ctrl+A).
l To select the whole of the current part go to Context Menu>Select>Select Part (Ctrl+Shift+A).
l To Deselect all click away from the selected range, or go to Context Menu>Select>Deselect All (Ctrl+D) (See below for Context
Menu).
Changing pitch of a selection

Note that by default, Notion Mobile auditions notes as you drag them so you can hear your changes. You can disable this in Application
Menu>Options>Play Notes on Navigation.
Changing pitch of an individual note

l Tap and drag the note up/down to change pitch.
l Tap and drag the note left/right to change the accidental.
l For drumset, tap and drag the note left/right to change the notated playing technique.
Changing pitch of a selection of notes

l Tap on the note head or stem of one of the selected notes then drag up / down to change pitch diatonically.
Adjusting pitch with keyboard shortcuts

l Hold [Alt/Option] whilst dragging note(s) up or down to change only the accidental whilst keeping the pitch letter the same.
l [Up/Down] moves the notes diatonically.
l [Ctrl/Cmd + Up/Down arrows] moves the notes chromatically.
l [Shift+Up/Down arrows] moves the note(s) by an octave.
Using the Enharmonic tool

l To change enharmonics (e.g. to switch from F# to Gb) for selected note(s), open the Tools Grid, and tap the Enharmonics tool.
Alternatively, use the keyboard shortcut; [ E].
Changing the duration of a selection

l Tap a rhythmic duration in the palette to change the duration of the selected note(s).
l Use the keyboard shortcut for durations to change the duration of the selected note(s), e.g. E for eighth note (note you can use
letters or numbers for durations — see Chapter 16, Keyboard Shortcuts for more information.
Toggling between notes or rests

l You can quickly make existing notes into rests and vice versa, by using the Toggle Note or Rest tool. Make a selection, then go
to Context Menu>Tools>Toggle Note or Rest, or use the keyboard shortcut; [ Shift + Del].
l When going from rest to note, Notion creates pitches on the middle line — you can then repitch as you wish (see above).
Copy & Paste & More…

You can do a number of things with individually-selected elements or a range of objects. Make your selection first (see above), then:
Changing pitch of a selection 27

Edit Dialog
If you’ve double-tapped a measure to select it, an editing shortcuts dialog pops up. This is a quick way to access the most-used tools
once a selection has been made.
l Cut cuts the selected music but keeps it on the clipboard ready to be pasted.
l Copy copies the selected music, ready to be then pasted where required.
l Paste pastes the cut or copied selection at the current cursor position.
l Duplicate makes a copy of the current selection and pastes it at the end of the selection
l Transpose opens the Transpose dialog.
l … Opens the full Context Menu (see below).
Note that there are keyboard shortcuts for: Cut [Ctrl+X] , Copy [Ctrl+C] , Paste [Ctrl+V] , Paste Insert [Ctrl+Shift+V] and Duplicate [D]
.
Paste Reflow
When pasting a copied or cut selection in a different rhythmic position to the original, Notion will reflow the music over the barlines. Notion
will rewrite durations and add/remove ties as necessary.
Copy & Paste & More… 28

Context Menu
To open the Context Menu, you can either:

1. Right click (or long press on a touchscreen).
2. Double-tap to make a rectangle selection, then tap the three-dot icon. [...]
3. In the Extended palette, tap the Context Menu icon. (To view the two-column Extended Palette, go the the Application Menu>Op-
tions)
The Context Menu is adaptive and it will only display tools that are relevant to the contents of the selection — for example, Align Chord
Symbols in the Tool menu is only visible if there are actually two or more chord symbols within the selection.
Context Menu options include:
Edit
In addition to Cut/Paste/Copy/Duplicate, from the Edit menu you can also:
l Delete deletes the selection. Alternatively, use the keyboard shortcut; [Delete] , or tap the eraser icon on the palette.
l Paste Insert pastes without overwriting any following notes.
l Paste into Voice x pastes into another voice. Voices 3 and 4 are available as part of the Welcome pack, available for free on
registration.
l Delete Measures deletes all measures within a selection.
Select
l Select All
l Deselect All
l Select Part
l Select Chord Symbols
l Select Lyrics
l Select Voice x , where x is voice 1 to 4.
l Select Highest Notes - selects the highest notes of chords in a selection.
l Select Lowest Notes - selects the lowest notes of chords in a selection.
Context Menu 29
Tools
l Fill with Rests fills the currently-selected region with rests.
l Fill with Rhythm Slashes fills the currently selected region with stemless rhythm slashes.
l Make Tuplet makes selected notes into a tuplet.
l Remove Tuplet removes tuplet from selected notes.
l Quantize to Notation adjusts recorded MIDI duration and rhythm to match exactly the notation.
l Send to Voice x sends the selected notes into the desired voice. Voices 3 and 4 are available as part of the Welcome pack,
available for free on registration.
l Switch Staff moves notes from one hand to another in a grand staff instrument. (Note this is not the same as ‘Cross-staff’ nota-
tion where a note is still part of one staff but shows in another - this is available from the palette)
l Align Fingerings vertically aligns 2 or more fingering marks.
l Align Chord Symbolsvertically aligns 2 or more chord symbols above the staff.
l Swap Voices if there are two voices present in a selection, this tool will swap notes between the voices.
l Reset Tab numbers centers tablature numbers to around the 5th fret.
l Toggle Note / Rest turns all selected notes into their equivalent value rest, and vice versa. Or use the keyboard shortcut Shift +
Backspace.
l Remove Measure Rests removes whole measure rests in a selection.
l Show/Hide Rests shows or hides rests.
Articulations
l Articulations Above / Default / Below adjusts what side of the notehead an articulation should be shown in the selection
l Remove Articulations removes articulations from selection (or keyboard shortcut; [Ctrl+Backspace])
Note Stems
l Stems Up / Default / Below changes which side of the notehead the stem should be.
l Show Stems shows/hides stems of a note.
Attachments
l Attachments Above / Default / Below adjusts what side of the notehead an attachment should be shown in the selection.
l Show / Hide attachments shows or hides attachments.
l Shorten Tempo Marks abbreviates metronome marks where many may be displayed per measure (after having been imported
from a MIDI Tempo Track for example).
l Remove Tempo Marks
Notes
l Show as Rhythm Slash changes notes to rhythm slashes. Any chord symbols above rhythm slashes will sound in playback.
You can also hide the stems of quarter note slashes using Note Stems>Hide Stems as above.
l Show as Cues changes notes to cue note size.
l Show as Ghost Notes changes notes to ghost notes.
l Show as Grace Notes changes notes to Grace Notes.
l Show Grace Slash shows/hides the slash on the grace note (=appoggiatura).
l Set as Tacet when tacet, the notes will not playback (but still print normally).
l Remove Accidentals removes all accidentals from selection of notes.
Measure x (where x is the current measure number)
l Always / Never Show Measure Number forces display of the measure number. Even measure numbering is switched off in
the overall document options (and vice versa).
l Force New System forces a new system from the selected measure
l Force New Page forces a new page from the selected measure (in Print View only).
l Link to Next Measure always keeps the current measure and the one that follows together in the same system.
l Regular Measure turns the measure into a regular measure.
Context Menu 30
l Pickup Measure turns the measure into a pickup measure (or anacrusis). Then enter as many notes or rests you need in the
pickup measure.
l Partial Measure turns the measure into a partial measure, which enables you to split a long bar over a system for example.
Staff Groups
If you have more than one instrument staff selected, you can group them together in the following ways:
l Brace Group creates a ‘curly’ brace at the start of the system, usually for a grand staff instrument such as piano.
l Bracket Group creates a straight bracket at the start of the system, usually to group instruments of the same family together.
l Barline Group extends the barline through a number of staves, usually through instruments of the same family.
l Show Tempo Information optionally duplicates the metronome mark at the top of each group.
Adjust Dynamics
l Dynamic Adjustment adjusts the playback level of printed dynamics. Each whole number represents a dynamic step (e.g. mf,
f, ff).
l Adjust Notated Dynamics optionally also changes the printed dynamics. If off then this allows you to playback a different
dynamic to the printed one.
l Double at Interval adds notes to the current selection either above or below the existing notes
l Choose the interval, the interval quality, and in which octave to add them.
l Insert Measures inserts specified number of empty measures into the score.
l Text Style can be used to adjust the font, font size and style of the selected text
l Use Layout Style - uses the default global text style
l Make Custom Tuplet turns a group of notes into a custom tuplet - e.g. fit 5 notes into the space of 4
l Opt to show or hide brackets over the tuplet.
l Opt to show or hide the tuplet number, and opt to show number as a ratio (e.g. 5:4)
l Transpose
l Choose the interval, the interval quality, and by how many octaves to transpose
l Transpose key signature option - if every stave in a system is selected, then you can elect to transpose the key sig-
nature as well as the notes.
Context Menu 31
Using the Tools Grid
Tap the Tools Grid icon to open, then tap the tool you wish to use. Alternatively — and more quickly — swipe open the Tools Grid while
keeping your finger on the screen, then release on the tool you wish to use. Each tool also has its own keyboard shortcut, e.g. [C] for Clef
Tool. You can also use left/right arrow keys to navigate around the Tools Grid and tap Enter to select a tool.
If a selected tool has further options, these will then appear under the Tools Grid. By default, these are arranged in a single column, but if
you have a larger device, you can opt to use the Extended Palette which uses two columns — tap the icon at the bottom of the palette to
toggle between one or two columns. The further options when displayed, also have keyboard shortcuts — these use numbers 1-9. You
can also use [Alt+Left/Right arrow keys] to navigate the further options, or simply repeatedly press the main tool keyboard shortcut to
toggle around the options
Example using keyboard shortcuts to select a bass clef:
l Type [C] for clef, and then [2] for Bass Clef, or
l Type [CC]
Once selected, tap on the score where you want to use the tool, whether it's adding a time signature change or adding a staccato to an
existing note for example
Some of the tools can be applied to a selection of existing notes — for example, if you select a range of 16th notes you can then tap the
staccato articulation to apply to all of them. Same with dynamics — select the tool and tap an individual note to add a forté for example, or
make a selection of different instrument staves first before tapping the dynamic. Forté will then be added to the left of the selection for
each of the instruments in the selection.
To clear the tool selection, tap the selection icon at the top of the palette, or press the keyboard shortcut [Esc].
Tool List:
l Tie
l Select the tool then click on the first of two notes of the same pitch to either add or remove a tie.
l Articulations
l Accent, Tenuto, and Staccato articulations
l Accidentals
l Sharps, Flats, Double / Raised / Lowered (Quarter tones)
l Enharmonic
l Use on a selected note, or select the tool first then tap on the note - this changes the enharmonic spelling of a note, i.e.
will change an F# to a Gb.
l Slur
l Tap and drag to enter, or make a selection first and tap the tool
l Dynamics
l Tap to enter, or make a selection first to enter on multiple instrument staves
l Crescendi
l Tap and drag to enter, or make a selection first and tap the tool
l Sforzandos
l Clef
l Select the tool and tap the measure where you wish to change clef. Or double tap an existing clef to change it.
l Key Signature
l Select the tool and tap the measure where you wish to change key signature. Or double tap an existing key signature to
edit it. You can elect to show cancellation naturals alongside the new key signature, as well as whether to insert a key
signature only for the instrument staff selected
l If a key signature occurs at the beginning of a new system or page, then a courtesy key signature will appear at the end
of the previous system. If you wish to hide this, then long press or right click the key signature then go to Tools>Show
End of System Courtesies.

l Time Signatures
l Select the tool and tap the measure where you wish to change time signature. Or double tap an existing time signature
to edit it. You can elect to show 4/4 as a common time symbol () or 2/2 as a cut time symbol () as well as whether to
insert a time signature only for the instrument staff selected.
l If a time signature occurs at the beginning of a new system or page, then a courtesy time signature will appear at the
end of the previous system. If you wish to hide this, then long press or right click the time signature then go to
Tools>Show End of System Courtesies.
l To hide a time signature completely, long press or right click the time signature, then go to Tools>Hide Time Signature.
l Tempo
l Metronome mark
l Swing Control
l Accel / Rit.
l Barline
l Repeats
l Double tap end repeat line for multiple repeat marking.
l Double tap first-time ending line for multiple first-time ending.
l Text
l Text box. To add a line break, use Enter or Shift+Enter (depending on platform)
l Lyrics. To add lyrics, select the tool then tap under the note you wish to begin. Start to type, or select ‘Paste’ if you have
text copied to the system clipboard that you wish to use in Notion. You can add hyphens for syllables, and underscores
for melisma on the final syllable of a word. To add further verses, tap under an existing verse - there is no limit to the
number of verses you can add.
l Rehearsal marks
l Chord
l Chord symbols and guitar chord diagrams
l Trills
l Tremolo
l Arpeggio Line
l Octave Line
l Glissandi
l Jazz Falls / Scoops
l Navigation flow (DC, Coda etc)
l For successful playback, all flow instructions need to be added in the correct order, for example:
l Segno>Fine>DS al Fine
l Segno>To Coda>DS al Coda>Coda
l Fingering Numbers
l You can add fingering numbers to single notes, or stack multiple fingerings vertically above or below chords. To enter a
finger substitution, hold ‘Shift’ as you enter the second number (depending on platform). You can re-align multiple fin-
gerings by making a selection of two or more fingerings then Context Menu>Tools>Align Fingerings.
l Ornaments
l Fermata
l Select the tool and tap it into the score.
l To adjust the playback of a fermata/caesura/breath mark/tenuto, double tap the symbol once it is in the score. You can
then adjust the playback length either by note duration, or by seconds.
l Beaming
l Cross Staff
l Beams a note across a grand staff instrument (such as piano or harp) into another hand.

l Instrument Change
l This allows you to change an instrument within the same staff, for example, a woodwind player changing from flute to
saxophone, or Bb Clarinet to A Clarinet. Tap where you want the change, then select the new instrument. Notion will
change the sound and transposition if required, adding a new key signature as appropriate. Notion will also add a new
channel in the mixer allowing instruments in the same staff to be mixed differently.
l Instrument Family Techniques
l Techniques that pertain across a family of instruments e.g. bends for guitar
l Instrument-Specific Techniques
l Techniques that pertain to the currently selected instrument staff

Playback
Notion Mobile comes with its own bespoke sample library — recorded by Notion for Notion, with the London Symphony Orchestra at
Abbey Road Studios.
l List of Sounds.
l See the Quickstart Tutorial here: .
Notion Mobile has the same instruments available as Notion Desktop, but in a smaller-sized library to save space on your mobile device.
Notion Desktop has all dynamic layers, articulations, and techniques included with a subset of those included in Notion Mobile.
If a particular Soundset is not installed on your device, then Notion will fall back on the Steinway Grand Piano to play any notes for that
given instrument. This way you can still compose on the go, without installing the full library with you on every device — just keep the
piano only, for example, on your phone to save space for photos and funny cat videos — but keep the full library on your tablet.
To play a score, place the cursor where you want to begin and then just hit the Play button, or use the keyboard shortcut; [Spacebar] .
Playback will commence from the blue cursor. To stop, tap the same button again.
To go back to the place you last started playback at, tap the Rewind button (either during playback or once stopped). To go back to the
beginning of the score (or Return to Zero ), tap the Rewind button twice or use the keyboard shortcut; [,] .
To stop the score from scrolling during playback, just manually drag the score once you’ve pressed Play .
If you only want to hear a few instruments, you can manually Mute or Solo in the Mixer, or simply make a selection in the score - Notion
will only play back the instruments and notes within the selection.

To turn the metronome on or off in playback, go to Application Menu>Record Setup>Metronome.
Chord Symbol Playback

Chord symbols that are placed over rhythm slashes will sound during playback, following their rhythm. You can also add articulations,
ties and dynamic marks to slashes to affect
playback. To stop chords from playing back, make a selection and Set as Tacet (as below).
Set as Tacet
Make a selection, then open the Context Menu and choose Notes>Set as Tacet. The notes will show in a grey color and will not playback
nor export to audio. (The notes will still print normally in black).
Swing
You can elect to have Notion play in a swing style — regular written 8th or 16th notes will be swung with a triplet feel. Open the Tools Grid
and select the metronome mark palette — you will then see the Swing tool icon underneath (a ‘shadow’ quarter note). Or use the key-
board shortcut; [Shift+S].
Tap on the score where you want the Swing feel to start. The Swing dialog will open — you can choose whether to swing 8ths or 16ths,
and can choose to apply Swing for all staves or just the staff you are attaching the Swing marking to. You can adjust the level of swing,
with straight being in the centre (value 0).
l To cancel the Swing playback, select Straight in the dialog.
l To adjust an existing Swing marking, tap it once for quick access to the swing control level, or twice to reopen the swing tool dia-
log.
Chord Symbol Playback 36

Mixer
To open, tap the Mixer icon in the top right of the screen, or use the keyboard shortcut [Ctrl/Cmd+M].
On the right of the mixer, you will see the master channel with overall volume and reverb controls as well as a global mute button.
Each instrument you add to your score will have a separate channel to the left of the master channel. For large scores you can swipe the
mixer left/right to view all the instruments — the master channel always remains visible on top on the right hand side.
Channel Controls:
l Solo or mute
l Adjust the panning of the instrument to adjust where it sounds between left and right
l The volume of the instrument
In addition, for electric guitar, there is also a Drive control to affect the amount of distortion in playback.
For fine tuning of Pan and Volume values, hold down Shift if you have a keyboard attached, while you drag.
Audio Devices
When using Notion Mobile on Windows or macOS, you can manually select the audio device to use for playback. Go to Application
Menu>Audio Setup to select your desired audio device.
For other devices and platforms, Notion Mobile will follow the default audio device.
Mixer 37
Export and Print Scores
With Notion Mobile can print, share, export and transmit your score in various formats.
To print, go to the Application Menu and select Print. Or use the keyboard shortcut [ Ctrl/Cmd+P]. This will bring up the system print dia-
log.
To export, go to the Application Menu and select Export Score. You can change the name of the exported document in the File Name
field, or just keep it the same as your original.
There is then a choice of Actions:
l Store File Exports to a location of your choice, in the required Format.
l Share… On mobile devices only, this brings up the standard device Share menu provided by the operating system. This allows:
saving to cloud providers; sending via email or social media; or sending to another app where supported.
l Save as Template This saves the score in its current form as a Notion template for you to select from the template list in the
New Score dialog.
l Transmit Part of the optional Feature Bundle, this allows you to directly transmit to any device in the same network running a
PreSonus application, including Notion Mobile, Notion Desktop, and Studio One Professional. Once unlocked, be sure to allow
the network transfer in each application — in Notion Mobile, go to Application Menu>Options>Network>Allow receiving doc-
uments.
The export Formats available then correspond to your choice of Action above .
l Score
l Notion file
l MusicXML file
l Compressed MusicXML file (mxl)
l MIDI file
l PDF file
l Full score
l Single PDF containing all parts
l Single PDF containing full score and all parts
l Audio
l WAV
l Mp3
l Audio formats available with the Feature Bundle:
l FLAC
l Opus
l M4a
Each audio format will show further export options as relevant to the selected format; bitrate, resolution, sample rate, compression, etc.
Export and Print Scores 38

Keyboard shortcuts
Notion Mobile includes cross-platform keyboard shortcuts.
l Numbers 1-9 are not just for note durations – they can directly choose any options of a selected tool
l e.g. Type [C] for clef, and then [2] for Bass Clef
l e.g. Type [<] for hairpin and then [4] for ‘decresc…’
l [Esc] takes you back to the Select Tool, and clears your cursor
l A legacy set of Notion duration shortcuts (e.g. [E] for eighth note) is included in Application Menu>Options>Edit>Letters for Dur-
ation
l For Mac, in the below shortcuts substitute [Ctrl] for [Cmd] and [Opt] for [Alt].
Keyboard Shortcuts - Durations
Default Alternative Duration

(Options Menu> (Toggle key for rest)
Letters for Duration)
1 Double whole note / rest
2 w Whole note / rest
3 h Half note / rest
4 q Quarter note / rest
5 e Eighth note / rest
6 s Sixteenth note / rest
7 t 32nd note / rest
8 64th note / rest
9 128th note / rest
. Augmentation dot / dots
T Alt + t Tie
Alt + 2-9 Tuplet Entry
Alt + 1 Clear Tuplet Entry
Keyboard Shortcuts – ALL
Esc Selection Tool
1 to 9 Tool Options
(inc. Note / Rest Durations, long to short)
Alt + Left/Right Cursor Select previous/next tool
A Arpeggios
B Toggle flats
C Clefs
D Duplicate
E (or Alt + E if using duration letters) Enharmonic
F Toggle Fortes
G Toggle Grace / Ghost
H (or Alt + H if using duration letters) Tremolos (Slashes)
I Barlines
J Tempo Tool
K Key Signature
L Lyric
M Time Signature
O Octave
P Toggle Pianos
R Tempo Change
S (or Alt + S if using duration letters) Slur
T (or Alt + T if using duration letters) Tie
W (or Alt + W if using duration letters) Fingering
X Toggle Noteheads
Shift + B Beam Tool
Shift + C Chord
Shift + D Pauses
Shift + F Mezzo Forte
Shift + G Bends
Shift + H Tremolos (Beams)
Shift + I Instrument Change
Shift + J Jump Marks
Shift + K Text Box
Shift + L Gliss Port.
Shift + M Metronome
Shift + N Guitar Technique
Shift + O String Techniques
Shift + P Mezzo Piano
Shift + Q Plucking
Shift + R Rehearsal Mark
Shift + S Swing
Shift + T Trills
Shift + U Jazz Bends
Shift + V Vibrato
Shift + W Whammy Bar
Shift + X Cross Staff
Shift + Y Slides
Shift + Z Arco Pizz.
Ctrl + A Select All
Ctrl + Shift + A Select Part
Ctrl + B Repeat last chord

(in Step Time)
Ctrl + C Copy
Ctrl + D Deselect All
Ctrl + E Export
Ctrl + Shift + F Flip Attachment
Ctrl + G Score Setup
Ctrl + L Layout / View Option
Ctrl + M Mixer
Ctrl + N New
Ctrl + O Open
Ctrl + P Print
Ctrl + Q Quit
Ctrl + R Step Record
Ctrl + Shift + R Real-time Record
Ctrl + S Save
Ctrl + Alt + S Save As
Ctrl + T Make Tuplet
Ctrl + V Paste
Ctrl + Shift + V Paste Insert
Ctrl + W Close
Ctrl + X Cut
Ctrl + Y / Ctrl + Shift + Z Redo
Ctrl + Z Undo
0 Naturals
# Sharps
- Tenuto
^ Accents
. Augmentation Dots / Staccato
< Crescendos
> Diminuendos
Ctrl + 1 Voice 1
Ctrl + 2 Voice 2
Ctrl + 3 Voice 3
Ctrl + 4 Voice 4
Ctrl + . Add augmentation dot to selected notes
Del Delete
Backspace Delete
Shift + Backspace Toggle Notes and Rests
Cursor arrows Navigate by note
Ctrl + Backspace Clear Articulations
Ctrl + Cursor arrows Navigate by measure
Cursor up/down when note(s) selected Transpose note(s) diatonically
Ctrl + cursor up/down when note(s) selected Transpose note(s) chromatically
Shift + cursor up/down when note(s) selected Transpose note(s) by an octave
Alt + drag notes up/down Changes accidental only
Alt + Home Home Page

(or Alt+Fn+left arrow)
Ctrl + + Zoom in
Ctrl + - Zoom out
[F5] Toggle score and selected part
[F6] Continuous View
[F7] Toggle Page Views
[F8] Screen View
[Space] Start/Stop
Record Ctrl+R
, Return to Zero
: Repeat Ending
% Toggle Measure Repeats
* Toggle Pedal Marks
List of Sounds
Notion Mobile’s sound library was recorded exclusively for Notion by the London Symphony Orchestra at Abbey Road Studios, where
the Steinway piano and classical guitar were also sampled. Other guitars and drum samples were recorded by Grammy-winning artists in
studios in the USA. Pipe organ and choir sounds are licensed from Soundiron.
Core Soundsets and the Welcome Pack are available to download for free from the Sound Installation menu. Add-on Soundsets are
available as part of the Feature Bundle — unlocked either through the in-app purchase, or by logging in with a valid Studio One+ mem-
bership. Check out the See the Quickstart Tutorial here: chapter for more info.
Soundset Name / Contents
Built-in
l Grand Piano (Steinway)
Welcome Pack - Register for free to download

l Solo Violin (1698 Antonius Stradivarius)
l Solo Viola (16th Century Antonio Brenzi)
l Solo Cello (c.1710 Matteo Gofriller)
l Solo Bass (1840’s Thomas Kennedy)
l Alto Saxophone (Selmer)
l Tenor Saxophone (Selmer)
l Glockenspiel (Bergerault)
Core Strings (free)

l Violins I & Violins II (section includes: 1698 Antonius Stradivarius, 1701 Johannes Tononi, 1708 Daniel Parker, 1725 Antonio
Maria Lavazza, 1725 Spiritus Sarsana, 1730 Paulo Antonio Testore, 1736 Guarneri, 1764 Richard Duke, 18th century Jean-Bap-
tiste Viullaume, 1907 Pierre Hel, 2003 Alexander Tzankow)
l Violas (section includes: 1876 Boullangier, 1823 Matthew Hardi, 1880s Joseph Hill (the grandson of “The Joseph Hill”), 1998
John Dilworth, 1912 Antoniazzi Romeo, 1756 North Italian Instrument, 1975 Antonio Capela, 1900 Nicholas Malthuis – Orleans,
late 16th century Antonio Brenzi).
l Cellos (section includes: 1899 Briggs, 1793 Celianatis, 1821 Thomas Kennedy – London, 1804 William Forster, 1822 Gilkes,
2000 Robert Hawsell, c.1710 Matteo Gofriller)
l Basses (section includes: 1840’s Thomas Kennedy, 1770 Forster, 1870 Shaw, 1839 Thomas Kennedy, 1850 Vuillaume, 1765
Lorenzo Carcassi)
Core Wind (free)

l Piccolo (Zentner black wood)
l Flute (Yamaha)
l Oboe (Howarth)
l Cor anglais (Howarth)
l Clarinet (Buffet RC Prestige)
l Bass Clarinet (Buffet)
l Bassoon (Heckel)
l Contrabassoon (Mollenhauer)
l Horn (Paxman)
l Trumpet (Yamaha Xeno)
l Trombone (Conn)
List of Sounds 44
l Bass Trombone (King)
l Tuba (Besson Sovereign)
Core Rhythm / Percussion (free)

l Acoustic Guitar
l Electric Bass
l Electric Guitar
l Drum Set
l Tambourine
l Snare Drum (Ludwig)
l Suspended Cymbal (Zildjian)
l Crash Cymbals (Zildjian)
l Bass Drum (B+H)
l Timpani
l Xylophone (Adams)
l Chorus (Olympus Micro Choir by Soundiron)
l Harp (Horngacher)
Section Sounds (add-on)

l Bassoon Duo
l Clarinet Duo
l Clarinet Section
l Flute Duo (Powell / Yamaha)
l Flute Section
l Oboe Duo
l Horn Section
l Trombone Section (Conn / King)
l Trumpet Section
Wind (add-on)
l Eb Clarinet (Buffet + glass mouthpiece)
l Alto Flute (Yamaha)
l Bass Flute
l Contrabass Clarinet
l Basset Horn
l Oboe d'amore
l Bass Oboe
l Baritone Saxophone (Selmer)
l Sopranino Saxophone (Selmer)
l Soprano Saxophone (Selmer)
l Contrabass Saxophone (Tubax)
l Euphonium (Besson)
l Piccolo Trumpet
l Bass Trumpet

l Soprano Trumpet
l Flugelhorn
l Cornet
l Wagner Tuba
l Alto Trombone
Jazz Woodwind (add-on)

l Jazz Alto Saxophone (Selmer)
l Jazz Baritone Saxophone
l Jazz Clarinet
l Jazz Soprano Saxophone
l Jazz Tenor Saxophone (Selmer)
Jazz Brass (add-on)

l Jazz Trumpet 1
l Jazz Trumpet 2
l Jazz Bass Trombone
l Jazz Tenor Trombone
Keyboards + More Guitars (add-on)

l Electric Piano
l Clavinet
l Techno Synth
l Organ (Lakeside Organ by Soundiron)
l Celeste (Schiedmayer)
l Harpsichord (Robert Goble & Son, 1972)
l Banjo
l Classical Guitar (Greg Smallman)
l Mandolin
l Upright Bass
l Ukulele (Collings)
Percussion (add-on)
l Sound Effects Bundle (Whip, Cuckoo, Ratchet, Siren, Car horn, Referee whistle, Siren, Whistle, Champagne bottle, Duck call,
Handclap, Wind machine, Rainstick, Church bell, Thunder sheet)
l Percussion Bundle (Temple blocks, Wine glasses, Hand bells, Concert toms, Saw, Almglocken, Nightingale whistle, Lions
roar, Bodhran, Flexatone, Slide whistle, Sizzle cymbal, Guiro, Cabasa, Tam-tam, Maracas, Castanets, Caxixi, Ganza, Drum
sticks, Brake drum, Chinese cymbal, Finger cymbals, Bell tree, Hammer, Vibraslap, Flower pots, Cuica, Log Drum, Agogo,
Vibrastick, Lead Pipe, Ocean Drum, Train Whistle, Water Gong, Tenor Drum, Piccolo Snare, Anvil, Sand Blocks, Side Drum)
l Crotales
l Marimba (Adams 5 oct)
l Roto Toms
l Tubular Bells (/Chimes) (Musser)
l Tuned Gongs
l Vibraphone (Musser)

l Claves
l Cowbell
l Gong (Paiste)
l Sleigh Bells
l Splash Cymbal
l Triangle
l Woodblocks
l Bongos

Acknowledgements
License information for third-party software used :
l Skia Graphics Library (macOS only)
l libpng
l zlib
l Expat XML Parser
l Perl Compatible Regular Expressions (PCRE)
l Ogg Vorbis libogg
l Ogg Vorbis libvorbis
l Opus Audio Codec
l opusfile Library
l FLAC Free Lossless Audio Codec
l LAME MP3 Encoder
l mpg123 MP3 Decoder
l libsamplerate
l MP4v2 Library
l WavPack Codec
l Apple Lossless Audio Codec (Windows and Android only)
l FDK-AAC Library (Android only)
l Oboe Audio Library (Android only)
l MyScript Handwriting Recognition Technology
l Nimbus Sans Novus Font
l Libre Baskerville Font
Skia Graphics Library

Copyright (c) 2011 Google Inc. All rights reserved.
Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following conditions are
met:
Redistributions of source code must retain the above copyright notice, this list of conditions and the following disclaimer.
Redistributions in binary form must reproduce the above copyright notice, this list of conditions and the following disclaimer in the doc-
umentation and/or other materials provided with the distribution.
Neither the name of the copyright holder nor the names of its contributors may be used to endorse or promote products derived from this
software without specific prior written permission.
THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIBUTORS "AS IS" AND ANY EXPRESS OR IMPLIED
WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A
PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE COPYRIGHT OWNER OR CONTRIBUTORS BE LIABLE
FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT
LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS
INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR
TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF
ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.
PNG Reference Library License version 2
l Copyright (c) 1995-2019 The PNG Reference Library Authors.
l Copyright (c) 2018-2019 Cosmin Truta.
Acknowledgements 48
l Copyright (c) 2000-2002, 2004, 2006-2018 Glenn Randers-Pehrson.
l Copyright (c) 1996-1997 Andreas Dilger.
l Copyright (c) 1995-1996 Guy Eric Schalnat, Group 42, Inc.
The software is supplied "as is", without warranty of any kind, express or implied, including, without limitation, the warranties of mer-
chantability, fitness for a particular purpose, title, and non-infringement. In no event shall the Copyright owners, or anyone distributing
the software, be liable for any damages or other liability, whether in contract, tort or otherwise, arising from, out of, or in connection with
the software, or the use or other dealings in the software, even if advised of the possibility of such damage.
Permission is hereby granted to use, copy, modify, and distribute this software, or portions hereof, for any purpose, without fee, subject
to the following restrictions:
1. The origin of this software must not be misrepresented; you must not claim that you wrote the original software. If you use this
software in a product, an acknowledgment in the product documentation would be appreciated, but is not required.
2. Altered source versions must be plainly marked as such, and must not be misrepresented as being the original software.
3. This Copyright notice may not be removed or altered from any source or altered source distribution.
zlib
zlib.h -- interface of the 'zlib' general purpose compression library version 1.2.12, March 27th, 2022
Copyright (C) 1995-2022 Jean-loup Gailly and Mark Adler
This software is provided 'as-is', without any express or implied warranty. In no event will the authors be held liable for any damages
arising from the use of this software.
Permission is granted to anyone to use this software for any purpose, including commercial applications, and to alter it and redistribute it
freely, subject to the following restrictions:
The origin of this software must not be misrepresented; you must not claim that you wrote the original software. If you use this software in
a product, an acknowledgment in the product documentation would be appreciated but is not required.
Altered source versions must be plainly marked as such, and must not be misrepresented as being the original software. This notice may
not be removed or altered from any source distribution.
Jean-loup Gailly Mark Adler

jloup@gzip.orgmadler@alumni.caltech.edu
Expat XML Parser

Copyright (c) 1998, 1999, 2000 Thai Open Source Software Center Ltd and Clark Cooper
Copyright (c) 2001, 2002 Expat maintainers.
Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the
"Software"), to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, dis-
tribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the fol-
lowing conditions:
The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.
THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO THE WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN
NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY,
WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE
SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.
PCRE LICENCE
PCRE is a library of functions to support regular expressions whose syntax and semantics are as close as possible to those of the Perl 5
language.
Acknowledgements 49
Release 8 of PCRE is distributed under the terms of the "BSD" licence, as specified below. The documentation for PCRE, supplied in the
"doc" directory, is distributed under the same terms as the software itself.
The basic library functions are written in C and are freestanding. Also included in the distribution is a set of C++ wrapper functions.
THE BASIC LIBRARY FUNCTIONS

---------------------------
Written by: Philip Hazel
Email local part: ph10
Email domain: cam.ac.uk
University of Cambridge Computing Service,

Cambridge, England.
Copyright (c) 1997-2010 University of Cambridge

All rights reserved.
THE C++ WRAPPER FUNCTIONS

-------------------------
Contributed by: Google Inc.
Copyright (c) 2007-2010, Google Inc.

THE "BSD" LICENCE

-----------------
met:
l Redistributions of source code must retain the above copyright notice, this list of conditions and the following disclaimer.
l Redistributions in binary form must reproduce the above copyright notice, this list of conditions and the following disclaimer in
the documentation and/or other materials provided with the distribution.
l Neither the name of the University of Cambridge nor the name of Google Inc. nor the names of their contributors may be used to
endorse or promote products derived from this software without specific prior written permission.
PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE COPYRIGHT OWNER OR CONTRIBUTORS BE LIABLE
Ogg Vorbis
FLAC Free Lossless Audio Codec

libogg
libvorbis
Copyright (c) 2002-2020 Xiph.org Foundation
Acknowledgements 50
l Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following con-
ditions are met:
Neither the name of the Xiph.org Foundation nor the names of its contributors may be used to endorse or promote products derived from
this software without specific prior written permission.
THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIBUTORS ``AS IS'' AND ANY EXPRESS OR
IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS
FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE FOUNDATION OR CONTRIBUTORS BE LIABLE
Opus Audio Codec and opusfile Library

Copyright © 2011-2017
met:
l Neither the name of Internet Society, IETF or IETF Trust, nor the names of specific contributors, may be used to endorse or pro-
mote products derived from this software without specific prior written permission.
THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIBUTORS ``AS IS'' AND ANY EXPRESS OR
IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS
FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE COPYRIGHT OWNER OR CONTRIBUTORS BE
LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING,
BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR
BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT
LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS
SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.
LAME MP3 Encoder - lame.sourceforge.net
GNU LIBRARY GENERAL PUBLIC LICENSE

Version 2, June 1991
Copyright (C) 1991 Free Software Foundation, Inc.

59 Temple Place, Suite 330, Boston, MA 02111-1307 USA
Everyone is permitted to copy and distribute verbatim copies of this license document, but changing it is not allowed.
[This is the first released version of the library GPL. It is numbered 2 because it goes with version 2 of the ordinary GPL.]
Preamble
The licenses for most software are designed to take away your freedom to share and change it.
By contrast, the GNU General Public Licenses are intended to guarantee your freedom to share and change free software--to make sure
the software is free for all its users.
This license, the Library General Public License, applies to some specially designated Free Software Foundation software, and to any
other libraries whose authors decide to use it.
Acknowledgements 51
You can use it for your libraries, too.
When we speak of free software, we are referring to freedom, not price.
Our General Public Licenses are designed to make sure that you have the freedom to distribute copies of free software (and charge for
this service if you wish), that you receive source code or can get it if you want it, that you can change the software or use pieces of it in
new free programs; and that you know you can do these things.
To protect your rights, we need to make restrictions that forbid anyone to deny you these rights or to ask you to surrender the rights.
These restrictions translate to certain responsibilities for you if you distribute copies of the library, or if you modify it.
For example, if you distribute copies of the library, whether gratis or for a fee, you must give the recipients all the rights that we gave you.
You must make sure that they, too, receive or can get the source code.
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And you must show them these terms so they know their rights.
Our method of protecting your rights has two steps: (1) copyright the library, and (2) offer you this license which gives you legal per-
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We wish to avoid the danger that companies distributing free software will individually obtain patent licenses, thus in effect transforming
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To prevent this, we have made it clear that any patent must be licensed for everyone's free use or not licensed at all.
Most GNU software, including some libraries, is covered by the ordinary GNU General Public License, which was designed for utility pro-
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We concluded that weaker conditions might promote sharing better.
However, unrestricted linking of non-free programs would deprive the users of those programs of all benefit from the free status of the lib-
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This Library General Public License is intended to permit developers of non-free programs to use free libraries, while preserving your
freedom as a user of such programs to change the free libraries that are incorporated in them.
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Note that it is possible for a library to be covered by the ordinary General Public License rather than by this special one.
Acknowledgements 52
GNU LIBRARY GENERAL PUBLIC LICENSE
TERMS AND CONDITIONS FOR COPYING, DISTRIBUTION AND MODIFICATION

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Acknowledgements 54
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Acknowledgements 55
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END OF TERMS AND CONDITIONS
mpg123 MP3 Decoder - www.mpg123.de
GNU LESSER GENERAL PUBLIC LICENSE

Version 2.1, February 1999
Copyright (C) 1991, 1999 Free Software Foundation, Inc. 51 Franklin Street, Fifth Floor, Boston, MA 02110-1301 USA Everyone is per-
mitted to copy and distribute verbatim copies of this license document, but changing it is not allowed. [This is the first released version of
the Lesser GPL. It also counts as the successor of the GNU Library Public License, version 2, hence the version number 2.1.]
Preamble
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You can use it too, but we suggest you first think carefully about whether this license or the ordinary General Public License is the better
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You must make sure that they, too, receive or can get the source code.
Acknowledgements 56
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We protect your rights with a two-step method: (1) we copyright the library, and (2) we offer you this license, which gives you legal per-
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GNU LESSER GENERAL PUBLIC LICENSE

TERMS AND CONDITIONS FOR COPYING, DISTRIBUTION AND MODIFICATION
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Acknowledgements 57
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Acknowledgements 58
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Acknowledgements 59
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of our free software and of promoting the sharing and reuse of software generally.
NO WARRANTY
Acknowledgements 60
15. BECAUSE THE LIBRARY IS LICENSED FREE OF CHARGE, THERE IS NO WARRANTY FOR THE LIBRARY, TO THE EXTENT
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DAMAGES.
libsamplerate
Copyright (c) 2012-2016, Erik de Castro Lopo <erikd@mega-nerd.com>
met:
1. Redistributions of source code must retain the above copyright notice, this list of conditions and the following disclaimer.
2. Redistributions in binary form must reproduce the above copyright notice, this list of conditions and the following disclaimer in the doc-
umentation and/or other materials provided with the distribution.
PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE COPYRIGHT HOLDER OR CONTRIBUTORS BE LIABLE
MOZILLA PUBLIC LICENSE

Version 1.1
---------------
1. Definitions.
1.0.1. "Commercial Use" means distribution or otherwise making the Covered Code available to a third party.
1.1. "Contributor" means each entity that creates or contributes to the creation of Modifications.
1.2. "Contributor Version" means the combination of the Original Code, prior Modifications used by a Contributor, and the Modifications
made by that particular Contributor.
1.3. "Covered Code" means the Original Code or Modifications or the combination of the Original Code and Modifications, in each case
including portions thereof.
1.4. "Electronic Distribution Mechanism" means a mechanism generally accepted in the software development community for the elec-
tronic transfer of data.
1.5. "Executable" means Covered Code in any form other than Source Code.
1.6. "Initial Developer" means the individual or entity identified as the Initial Developer in the Source Code notice required by Exhibit A.
1.7. "Larger Work" means a work which combines Covered Code or portions thereof with code not governed by the terms of this License.
1.8. "License" means this document. =
1.8.1. "Licensable" means having the right to grant, to the maximum extent possible, whether at the time of the initial grant or sub-
sequently acquired, any and all of the rights conveyed herein.
Acknowledgements 61
1.9. "Modifications" means any addition to or deletion from the substance or structure of either the Original Code or any previous Modi-
fications. When Covered Code is released as a series of files, a Modification is: A. Any addition to or deletion from the contents of a file
containing Original Code or previous Modifications.
B. Any new file that contains any part of the Original Code or previous Modifications.
1.10. "Original Code" means Source Code of computer software code which is described in the Source Code notice required by Exhibit A
as Original Code, and which, at the time of its release under this License is not already Covered Code governed by this License.
1.10.1. "Patent Claims" means any patent claim(s), now owned or hereafter acquired, including without limitation, method, process, and
apparatus claims, in any patent Licensable by grantor.
1.11. "Source Code" means the preferred form of the Covered Code for
making modifications to it, including all modules it contains, plus any associated interface definition files, scripts used to control com-
pilation and installation of an Executable, or source code differential comparisons against either the Original Code or another well known,
available Covered Code of the Contributor's choice. The Source Code can be in a compressed or archival form, provided the appropriate
decompression or de-archiving software is widely available for no charge.
1.12. "You" (or "Your") means an individual or a legal entity exercising rights under, and complying with all of the terms of, this License or
a future version of this License issued under Section 6.1. For legal entities, "You" includes any entity which controls, is controlled by, or is
under common control with You. For purposes of this definition, "control" means (a) the power, direct or indirect, to cause the direction or
management of such entity, whether by contract or otherwise, or (b) ownership of more than fifty percent (50%) of the outstanding shares
or beneficial ownership of such entity. 2. Source Code License.
2.1. The Initial Developer Grant.
The Initial Developer hereby grants You a world-wide, royalty-free, non-exclusive license, subject to third party intellectual property
claims:
(a) under intellectual property rights (other than patent or trademark) Licensable by Initial Developer to use, reproduce, modify, display,
perform, sublicense and distribute the Original Code (or portions thereof) with or without Modifications, and/or as part of a Larger Work;
and
(b) under Patents Claims infringed by the making, using or selling of Original Code, to make, have made, use, practice, sell, and offer for
sale, and/or otherwise dispose of the Original Code (or portions thereof).
(c) the licenses granted in this Section 2.1(a) and (b) are effective on the date Initial Developer first distributes Original Code under the
terms of this License.
(d) Notwithstanding Section 2.1(b) above, no patent license is granted: 1) for code that You delete from the Original Code; 2) separate
from the Original Code;
or 3) for infringements caused by: i) the modification of the Original Code or ii) the combination of the Original Code with other software or
devices.
2.2. Contributor Grant.
Subject to third party intellectual property claims, each Contributor hereby grants You a world-wide, royalty-free, non-exclusive license
(a) under intellectual property rights (other than patent or trademark) Licensable by Contributor, to use, reproduce, modify, display, per-
form, sublicense and distribute the Modifications created by such Contributor (or portions thereof) either on an unmodified basis, with
other Modifications, as Covered Code and/or as part of a Larger Work; and (b) under Patent Claims infringed by the making, using, or
selling of Modifications made by that Contributor either alone and/or in combination with its Contributor Version (or portions of such com-
bination), to make, use, sell, offer for sale, have made, and/or otherwise dispose of: 1) Modifications made by that Contributor (or por-
tions thereof); and 2) the combination of Modifications made by that Contributor with its Contributor Version (or portions of such
combination).
(c) the licenses granted in Sections 2.2(a) and 2.2(b) are effective on the date Contributor first makes Commercial Use of the Covered
Code.
(d) Notwithstanding Section 2.2(b) above, no patent license is granted: 1) for any code that Contributor has deleted from the Contributor
Version; 2) separate from the Contributor Version; 3) for infringements caused by: i) third party modifications of Contributor Version or ii)
the combination of Modifications made by that Contributor with other software (except as part of the Contributor Version) or other
devices; or 4) under Patent Claims infringed by Covered Code in the absence of Modifications made by that Contributor.
3. Distribution Obligations.
3.1. Application of License.
The Modifications which You create or to which You contribute are governed by the terms of this License, including without limitation Sec-
tion 2.2. The Source Code version of Covered Code may be distributed only under the terms of this License or a future version of this
License released under Section 6.1, and You must include a copy of this License with every copy of the Source Code You distribute. You
Acknowledgements 62
may not offer or impose any terms on any Source Code version that alters or restricts the applicable version of this License or the recip-
ients' rights hereunder. However, You may include an additional document offering the additional rights described in Section 3.5.
3.2. Availability of Source Code.
Any Modification which You create or to which You contribute must be made available in Source Code form under the terms of this
License either on the same media as an Executable version or via an accepted Electronic Distribution Mechanism to anyone to whom
you made an Executable version available; and if made available via Electronic Distribution Mechanism, must remain available for at
least twelve (12) months after the date it initially became available, or at least six (6) months after a subsequent version of that particular
Modification has been made available to such recipients. You are responsible for ensuring that the Source Code version remains avail-
able even if the Electronic Distribution Mechanism is maintained by a third party.
3.3. Description of Modifications.
You must cause all Covered Code to which You contribute to contain a file documenting the changes You made to create that Covered
Code and the date of any change. You must include a prominent statement that the Modification is derived, directly or indirectly, from Ori-
ginal Code provided by the Initial Developer and including the name of the Initial Developer in (a) the Source Code, and (b) in any notice
in an Executable version or related documentation in which You describe the origin or ownership of the Covered Code.
3.4. Intellectual Property Matters (a) Third Party Claims. If Contributor has knowledge that a license under a third party's intellectual prop-
erty rights is required to exercise the rights granted by such Contributor under Sections 2.1 or 2.2, Contributor must include a text file with
the Source Code distribution titled "LEGAL" which describes the claim and the party making the claim in sufficient detail that a recipient
will know whom to contact. If Contributor obtains such knowledge after the Modification is made available as described in Section 3.2,
Contributor shall promptly modify the LEGAL file in all copies Contributor makes available thereafter and shall take other steps (such as
notifying appropriate mailing lists or newsgroups) reasonably calculated to inform those who received the Covered Code that new know-
ledge has been obtained.
(b) Contributor APIs. If Contributor's Modifications include an application programming interface and Contributor has knowledge of pat-
ent licenses which are reasonably necessary to implement that API, Contributor must also include this information in the LEGAL file.
(c)Representations. Contributor represents that, except as disclosed pursuant to Section 3.4(a) above, Contributor believes that Con-
tributor's Modifications are Contributor's original creation(s) and/or Contributor has sufficient rights to grant the rights conveyed by this
License.
3.5. Required Notices.
You must duplicate the notice in Exhibit A in each file of the Source Code.
If it is not possible to put such notice in a particular Source Code file due to its structure, then You must include such notice in a location
(such as a relevant directory) where a user would be likely to look for such a notice. If You created one or more Modification(s) You may
add your name as a Contributor to the notice described in Exhibit A.
You must also duplicate this License in any documentation for the Source Code where You describe recipients' rights or ownership rights
relating to Covered Code. You may choose to offer, and to charge a fee for, warranty, support, indemnity or liability obligations to one or
more recipients of Covered Code. However, You may do so only on Your own behalf, and not on behalf of the Initial Developer or any
Contributor. You must make it absolutely clear than any such warranty, support, indemnity or liability obligation is offered by You alone,
and You hereby agree to indemnify the Initial Developer and every Contributor for any liability incurred by the Initial Developer or such
Contributor as a result of warranty, support, indemnity or liability terms You offer.
3.6. Distribution of Executable Versions.
You may distribute Covered Code in Executable form only if the requirements of Section 3.1-3.5 have been met for that Covered Code,
and if You include a notice stating that the Source Code version of the Covered Code is available under the terms of this License, includ-
ing a description of how and where You have fulfilled the obligations of Section 3.2. The notice must be conspicuously included in any
notice in an Executable version, related documentation or collateral in which You describe recipients' rights relating to the Covered
Code. You may distribute the Executable version of Covered Code or ownership rights under a license of Your choice, which may con-
tain terms different from this License, provided that You are in compliance with the terms of this License and that the license for the
Executable version does not attempt to limit or alter the recipient's rights in the Source Code version from the rights set forth in this
License. If You distribute the Executable version under a different license You must make it absolutely clear that any terms which differ
from this License are offered by You alone, not by the Initial Developer or any Contributor. You hereby agree to indemnify the Initial
Developer and every Contributor for any liability incurred by the Initial Developer or such Contributor as a result of any such terms You
offer.
3.7. Larger Works.
You may create a Larger Work by combining Covered Code with other code not governed by the terms of this License and distribute the
Larger Work as a single product. In such a case, You must make sure the requirements of this License are fulfilled for the Covered Code.
4. Inability to Comply Due to Statute or Regulation. If it is impossible for You to comply with any of the terms of this
License with respect to some or all of the Covered Code due to statute, judicial order, or regulation then You must: (a) comply with the
terms of this License to the maximum extent possible; and (b) describe the limitations and the code they affect. Such description must be
Acknowledgements 63
included in the LEGAL file described in Section 3.4 and must be included with all distributions of the Source Code. Except to the extent
prohibited by statute or regulation, such description must be sufficiently detailed for a recipient of ordinary skill to be able to understand it.
5. Application of this License.
This License applies to code to which the Initial Developer has attached the notice in Exhibit A and to related Covered Code. 6. Versions
of the License.
6.1. New Versions.
Netscape Communications Corporation ("Netscape") may publish revised and/or new versions of the License from time to time. Each ver-
sion will be given a distinguishing version number.
6.2. Effect of New Versions.
Once Covered Code has been published under a particular version of the License, You may always continue to use it under the terms of
that version. You may also choose to use such Covered Code under the terms of any subsequent version of the License published by
Netscape. No one other than Netscape has the right to modify the terms applicable to Covered Code created under this License.
6.3. Derivative Works.
If You create or use a modified version of this License (which you may only do in order to apply it to code which is not already Covered
Code governed by this License), You must (a) rename Your license so that the phrases "Mozilla", "MOZILLAPL", "MOZPL", "Netscape",
"MPL", "NPL" or any confusingly similar phrase do not appear in your license (except to note that your license differs from this License)
and (b) otherwise make it clear that Your version of the license contains terms which differ from the Mozilla Public License and Netscape
Public License. (Filling in the name of the Initial Developer, Original Code or Contributor in the notice described in Exhibit A shall not of
themselves be deemed to be modifications of this License.)
7. DISCLAIMER OF WARRANTY.
COVERED CODE IS PROVIDED UNDER THIS LICENSE ON AN "AS IS" BASIS, WITHOUT WARRANTY OF ANY KIND, EITHER
EXPRESSED OR IMPLIED, INCLUDING, WITHOUT LIMITATION, WARRANTIES THAT THE COVERED CODE IS FREE OF
DEFECTS, MERCHANTABLE, FIT FOR A PARTICULAR PURPOSE OR NON-INFRINGING. THE ENTIRE RISK AS TO THE
QUALITY AND PERFORMANCE OF THE COVERED CODE IS WITH YOU. SHOULD ANY COVERED CODE PROVE DEFECTIVE IN
ANY RESPECT, YOU (NOT THE INITIAL DEVELOPER OR ANY OTHER CONTRIBUTOR) ASSUME THE COST OF ANY
NECESSARY SERVICING, REPAIR OR CORRECTION. THIS DISCLAIMER OF WARRANTY CONSTITUTES AN ESSENTIAL PART
OF THIS LICENSE. NO USE OF ANY COVERED CODE IS AUTHORIZED HEREUNDER EXCEPT UNDER THIS DISCLAIMER.
8. TERMINATION.
8.1.
This License and the rights granted hereunder will terminate automatically if You fail to comply with terms herein and fail to cure such
breach within 30 days of becoming aware of the breach. All sublicenses to the Covered Code which are properly granted shall survive
any termination of this License. Provisions which, by their nature, must remain in effect beyond the termination of this License shall sur-
vive.
8.2. If You initiate litigation by asserting a patent infringement claim (excluding declatory judgment actions) against Initial Developer or a
Contributor (the Initial Developer or Contributor against whom You file such action is referred to as "Participant") alleging that:
(a) such Participant's Contributor Version directly or indirectly infringes any patent, then any and all rights granted by such Participant to
You under Sections 2.1 and/or 2.2 of this License shall, upon 60 days notice from Participant terminate prospectively, unless if within 60
days after receipt of notice You either: (i) agree in writing to pay Participant a mutually agreeable reasonable royalty for Your past and
future use of Modifications made by such Participant, or (ii) withdraw Your litigation claim with respect to the Contributor Version against
such Participant. If within 60 days of notice, a reasonable royalty and payment arrangement are not mutually agreed upon in writing by
the parties or the litigation claim is not withdrawn, the rights granted by Participant to You under Sections 2.1 and/or 2.2 automatically ter-
minate at the expiration of the 60 day notice period specified above.
(b) any software, hardware, or device, other than such Participant's Contributor Version, directly or indirectly infringes any patent, then
any rights granted to You by such Participant under Sections 2.1(b) and 2.2(b) are revoked effective as of the date You first made, used,
sold, distributed, or had made, Modifications made by that Participant.
8.3. If You assert a patent infringement claim against Participant alleging that such Participant's Contributor Version directly or indirectly
infringes any patent where such claim is resolved (such as by license or settlement) prior to the initiation of patent infringement litigation,
then the reasonable value of the licenses granted by such Participant under Sections 2.1 or 2.2 shall be taken into account in determining
the amount or value of any payment or license.
8.4. In the event of termination under Sections 8.1 or 8.2 above, all end user license agreements (excluding distributors and resellers)
which have been validly granted by You or any distributor her eunder prior to termination shall survive termination.
9. LIMITATION OF LIABILITY. UNDER NO CIRCUMSTANCES AND UNDER NO LEGAL THEORY, WHETHER TORT (INCLUDING
NEGLIGENCE), CONTRACT, OR OTHERWISE, SHALL YOU, THE INITIAL DEVELOPER, ANY OTHER CONTRIBUTOR, OR ANY
DISTRIBUTOR OF COVERED CODE, OR ANY SUPPLIER OF ANY OF SUCH PARTIES, BE LIABLE TO ANY PERSON FOR ANY
Acknowledgements 64
INDIRECT, SPECIAL, INCIDENTAL, OR CONSEQUENTIAL DAMAGES OF ANY CHARACTER INCLUDING, WITHOUT LIMITATION,
DAMAGES FOR LOSS OF GOODWILL, WORK STOPPAGE, COMPUTER FAILURE OR MALFUNCTION, OR ANY AND ALL OTHER
COMMERCIAL DAMAGES OR LOSSES, EVEN IF SUCH PARTY SHALL HAVE BEEN INFORMED OF THE POSSIBILITY OF SUCH
DAMAGES. THIS LIMITATION OF LIABILITY SHALL NOT APPLY TO LIABILITY FOR DEATH OR PERSONAL INJURY RESULTING
FROM SUCH PARTY'S NEGLIGENCE TO THE EXTENT APPLICABLE LAW PROHIBITS SUCH LIMITATION. SOME
JURISDICTIONS DO NOT ALLOW THE EXCLUSION OR LIMITATION OF INCIDENTAL OR CONSEQUENTIAL DAMAGES, SO THIS
EXCLUSION AND LIMITATION MAY NOT APPLY TO YOU.
10. U.S. GOVERNMENT END USERS.
The Covered Code is a "commercial item," as that term is defined in 48 C.F.R. 2.101 (Oct. 1995), consisting of "commercial computer
software" and "commercial computer software documentation," as such terms are used in 48 C.F.R. 12.212 (Sept. 1995). Consistent
with 48 C.F.R. 12.212 and 48 C.F.R. 227.7202-1 through 227.7202-4 (June 1995), all U.S. Government End Users acquire Covered
Code with only those rights set forth herein.
11. MISCELLANEOUS.
This License represents the complete agreement concerning subject matter hereof. If any provision of this License is held to be unen-
forceable, such provision shall be reformed only to the extent necessary to make it enforceable. This License shall be governed by Cali-
fornia law provisions (except to the extent applicable law, if any, provides otherwise), excluding its conflict-of-law provisions. With respect
to disputes in which at least one party is a citizen of, or an entity chartered or registered to do business in the United States of America,
any litigation relating to this License shall be subject to the jurisdiction of the Federal Courts of the Northern District of California, with
venue lying in Santa Clara County, California, with the losing party responsible for costs, including without limitation, court costs and reas-
onable attorneys' fees and expenses. The application of the United Nations Convention on Contracts for the International Sale of Goods
is expressly excluded. Any law or regulation which provides that the language of a contract shall be construed against the drafter shall
not apply to this License.
12. RESPONSIBILITY FOR CLAIMS.
As between Initial Developer and the Contributors, each party is responsible for claims and damages arising, directly or indirectly, out of
its utilization of rights under this License and You agree to work with Initial Developer and Contributors to distribute such responsibility on
an equitable basis. Nothing herein is intended or shall be deemed to constitute any admission of liability.
13. MULTIPLE-LICENSED CODE.
Initial Developer may designate portions of the Covered Code as "Multiple-Licensed". "Multiple-Licensed" means that the Initial
Developer permits you to utilize portions of the Covered Code under Your choice of the MPL or the alternative licenses, if any, specified
by the Initial Developer in the file described in Exhibit A. EXHIBIT A -Mozilla Public License.
``The contents of this file are subject to the Mozilla Public License Version 1.1 (the "License"); you may not use this file except in com-
pliance with the License. You may obtain a copy of the License at https://www.mozilla.org/MPL/
Software distributed under the License is distributed on an "AS IS" basis, WITHOUT WARRANTY OF ANY KIND, either express or
implied. See the License for the specific language governing rights and limitations under the License.
The Original Code is MPEG4IP.
The Initial Developer of the Original Code is Cisco Systems Inc.
Portions created by Cisco Systems Inc are
Copyright (C) Cisco Systems Inc. 2001. All Rights Reserved.
MP4v2 Library
Copyright (c) 1998 - 2022 David Bryant
met:
Redistributions of source code must retain the above copyright notice, this list of conditions and the following disclaimer. Redistributions
in binary form must reproduce the above copyright notice, this list of conditions and the following disclaimer in the documentation and/or
other materials provided with the distribution. Neither the name of Conifer Software nor the names of its contributors may be used to
endorse or promote products derived from this software without specific prior written permission.
PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE REGENTS OR CONTRIBUTORS BE LIABLE FOR ANY
DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED
TO, PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS
Acknowledgements 65
Apple Lossless Audio Codec (ALAC)
Apache License
Version 2.0, January 2004
http://www.apache.org/licenses/
TERMS AND CONDITIONS FOR USE, REPRODUCTION, AND DISTRIBUTION
1. Definitions.
"License" shall mean the terms and conditions for use, reproduction, and distribution as defined by Sections 1 through 9 of this doc-
ument. "Licensor" shall mean the copyright owner or entity authorized by the copyright owner that is granting the License.
"Legal Entity" shall mean the union of the acting entity and all other entities that control, are controlled by, or are under common control
with that entity. For the purposes of this definition, "control" means (i) the power, direct or indirect, to cause the direction or management
of such entity, whether by contract or otherwise, or (ii) ownership of fifty percent (50%) or more of the outstanding shares, or (iii) bene-
ficial ownership of such entity.
"You" (or "Your") shall mean an individual or Legal Entity exercising permissions granted by this License.
"Source" form shall mean the preferred form for making modifications, including but not limited to software source code, documentation
source, and configuration files.
"Object" form shall mean any form resulting from mechanical transformation or translation of a Source form, including but not limited to
compiled object code, generated documentation, and conversions to other media types."Work" shall mean the work of authorship,
whether in Source or Object form, made available under the License, as indicated by a copyright notice that is included in or attached to
the work (an example is provided in the Appendix below).
"Derivative Works" shall mean any work, whether in Source or Object form, that is based on (or derived from) the Work and for which the
editorial revisions, annotations, elaborations, or other modifications represent, as a whole, an original work of authorship. For the pur-
poses of this License, Derivative Works shall not include works that remain separable from, or merely link (or bind by name) to the inter-
faces of, the Work and Derivative Works thereof.
"Contribution" shall mean any work of authorship, including the original version of the Work and any modifications or additions to that
Work or Derivative Works thereof, that is intentionally submitted to Licensor for inclusion in the Work by the copyright owner or by an indi-
vidual or Legal Entity authorized to submit on behalf of the copyright owner. For the purposes of this definition, "submitted" means any
form of electronic, verbal, or written communication sent to the Licensor or its representatives, including but not limited to communication
on electronic mailing lists, source code control systems, and issue tracking systems that are managed by, or on behalf of, the Licensor
for the purpose of discussing and improving the Work, but excluding communication that is conspicuously marked or otherwise des-
ignated in writing by the copyright owner as "Not a Contribution."
"Contributor" shall mean Licensor and any individual or Legal Entity on behalf of whom a Contribution has been received by Licensor and
subsequently incorporated within the Work. 2. Grant of Copyright License. Subject to the terms and conditions of this License, each Con-
tributor hereby grants to You a perpetual, worldwide, non-exclusive, no-charge, royalty-free, irrevocable copyright license to reproduce,
prepare Derivative Works of, publicly display, publicly perform, sublicense, and distribute the Work and such Derivative Works in Source
or Object form.
3. Grant of Patent License. Subject to the terms and conditions of this License, each Contributor hereby grants to You a perpetual, world-
wide, non-exclusive, no-charge, royalty-free, irrevocable (except as stated in this section) patent license to make, have made, use, offer
to sell, sell, import, and otherwise transfer the Work, where such license applies only to those patent claims licensable by such Con-
tributor that are necessarily infringed by their Contribution(s) alone or by combination of their Contribution(s) with the Work to which such
Contribution(s) was submitted. If You institute patent litigation against any entity (including a cross-claim or counterclaim in a lawsuit)
alleging that the Work or a Contribution incorporated within the Work constitutes direct or contributory patent infringement, then any pat-
ent licenses granted to You under this License for that Work shall terminate as of the date such litigation is filed.
4. Redistribution. You may reproduce and distribute copies of the Work or Derivative Works thereof in any medium, with or without modi-
fications, and in Source or Object form, provided that You meet the following conditions:
You must give any other recipients of the Work or Derivative Works a copy of this License; and You must cause any modified files to
carry prominent notices stating that You changed the files; and You must retain, in the Source form of any Derivative Works that You dis-
tribute, all copyright, patent, trademark, and attribution notices from the Source form of the Work, excluding those notices that do not per-
tain to any part of the Derivative Works; and If the Work includes a "NOTICE" text file as part of its distribution, then any Derivative Works
that You distribute must include a readable copy of the attribution notices contained within such NOTICE file, excluding those notices that
do not pertain to any part of the Derivative Works, in at least one of the following places: within a NOTICE text file distributed as part of
the Derivative Works; within the Source form or documentation, if provided along with the Derivative Works; or, within a display
Acknowledgements 66
generated by the Derivative Works, if and wherever such third-party notices normally appear. The contents of the NOTICE file are for
informational purposes only and do not modify the License. You may add Your own attribution notices within Derivative Works that You
distribute, alongside or as an addendum to the NOTICE text from the Work, provided that such additional attribution notices cannot be
construed as modifying the License. You may add Your own copyright statement to Your modifications and may provide additional or dif-
ferent license terms and conditions for use, reproduction, or distribution of Your modifications, or for any such Derivative Works as a
whole, provided Your use, reproduction, and distribution of the Work otherwise complies with the conditions stated in this License.
5. Submission of Contributions. Unless You explicitly state otherwise, any Contribution intentionally submitted for inclusion in the Work
by You to the Licensor shall be under the terms and conditions of this License, without any additional terms or conditions. Not-
withstanding the above, nothing herein shall supersede or modify the terms of any separate license agreement you may have executed
with Licensor regarding such Contributions.
6. Trademarks. This License does not grant permission to use the trade names, trademarks, service marks, or product names of the
Licensor, except as required for reasonable and customary use in d escribing the origin of the Work and reproducing the content of the
NOTICE file.
7. Disclaimer of Warranty. Unless required by applicable law or agreed to in writing, Licensor provides the Work (and each Contributor
provides its Contributions) on an "AS IS" BASIS, WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied,
including, without limitation, any warranties or conditions of TITLE, NON-INFRINGEMENT, MERCHANTABILITY, or FITNESS FOR A
PARTICULAR PURPOSE. You are solely responsible for determining the appropriateness of using or redistributing the Work and
assume any risks associated with Your exercise of permissions under this License.
8. Limitation of Liability. In no event and under no legal theory, whether in tort (including negligence), contract, or otherwise, unless
required by applicable law (such as deliberate and grossly negligent acts) or agreed to in writing, shall any Contributor be liable to You for
damages, including any direct, indirect, special, incidental, or consequential damages of any character arising as a result of this License
or out of the use or inability to use the Work (including but not limited to damages for loss of goodwill, work stoppage, computer failure or
malfunction, or any and all other commercial damages or losses), even if such Contributor has been advised of the possibility of such
damages.
9. Accepting Warranty or Additional Liability. While redistributing the Work or Derivative Works thereof, You may choose to offer, and
charge a fee for, acceptance of support, warranty, indemnity, or other liability obligations and/or rights consistent with this License.
However, in accepting such obligations, You may act only on Your own behalf and on Your sole responsibility, not on behalf of any other
Contributor, and only if You agree to indemnify, defend, and hold each Contributor harmless for any liability incurred by, or claims asser-
ted against, such Contributor by reason of your accepting any such warranty or additional liability.
FDK-AAC Library
Software License for The Fraunhofer FDK AAC Codec Library for Android
© Copyright 1995 - 2018 Fraunhofer-Gesellschaft zur Förderung der angewandten Forschung e.V. All rights reserved.
1.INTRODUCTION
The Fraunhofer FDK AAC Codec Library for Android ("FDK AAC Codec") is software that implements the MPEG Advanced Audio Cod-
ing ("AAC") encoding and decoding scheme for digital audio. This FDK AAC Codec software is intended to be used on a wide variety of
Android devices.
AAC's HE-AAC and HE-AAC v2 versions are regarded as today's most efficient general perceptual audio codecs. AAC-ELD is con-
sidered the best-performing full-bandwidth communications codec by independent studies and is widely deployed. AAC has been stand-
ardized by ISO and IEC as part of the MPEG specifications.
Patent licenses for necessary patent claims for the FDK AAC Codec (including those of Fraunhofer) may be obtained through Via Licens-
ing (www.vialicensing.com) or through the respective patent owners individually for the purpose of encoding or decoding bit streams in
products that are compliant with the ISO/IEC MPEG audio standards. Please note that most manufacturers of Android devices already
license these patent claims through Via Licensing or directly from the patent owners, and therefore FDK AAC Codec software may
already be covered under those patent licenses when it is used for those licensed purposes only.
Commercially-licensed AAC software libraries, including floating-point versions
with enhanced sound quality, are also available from Fraunhofer. Users are encouraged to check the Fraunhofer website for additional
applications
information and documentation.
2.COPYRIGHT LICENSE
Redistribution and use in source and binary forms, with or without modification, are permitted without payment of copyright license fees
provided that you satisfy the following conditions: You must retain the complete text of this software license in redistributions of the FDK
AAC Codec or your modifications thereto in source code form.
Acknowledgements 67
You must retain the complete text of this software license in the documentation and/or other materials provided with redistributions of the
FDK AAC Codec or your modifications thereto in binary form. You must make available free of charge copies of the complete source
code of the FDK AAC Codec and your modifications thereto to recipients of copies in binary form.
The name of Fraunhofer may not be used to endorse or promote products derived from this library without prior written permission.
You may not charge copyright license fees for anyone to use, copy or distribute the FDK AAC Codec software or your modifications
thereto.
Your modified versions of the FDK AAC Codec must carry prominent notices stating that you changed the software and the date of any
change. For modified versions of the FDK AAC Codec, the term "Fraunhofer FDK AAC Codec Library for Android" must be replaced by
the term "Third-Party Modified Version of the Fraunhofer FDK AAC Codec Library for Android."
3.NO PATENT LICENSE
NO EXPRESS OR IMPLIED LICENSES TO ANY PATENT CLAIMS, including without limitation the patents of Fraunhofer, ARE
GRANTED BY THIS SOFTWARE LICENSE. Fraunhofer provides no warranty of patent non-infringement with respect to this software.
You may use this FDK AAC Codec software or modifications thereto only for purposes that are authorized by appropriate patent
licenses.
4.DISCLAIMER
This FDK AAC Codec software is provided by Fraunhofer on behalf of the copyright holders and contributors "AS IS" and WITHOUT ANY
EXPRESS OR IMPLIED WARRANTIES, including but not limited to the implied warranties of merchantability and fitness for a particular
purpose. IN NO EVENT SHALL THE COPYRIGHT HOLDER OR CONTRIBUTORS BE LIABLE for any direct, indirect, incidental, spe-
cial, exemplary, or consequential damages, including but not limited to procurement of substitute goods or services; loss of use, data, or
profits, or business interruption, however caused and on any theory of liability, whether in contract, strict liability, or tort (including neg-
ligence), arising in any way out of the use of this software, even if advised of the possibility of such damage.
5.CONTACT INFORMATION
Fraunhofer Institute for Integrated Circuits IIS
Attention: Audio and Multimedia Departments - FDK AAC LL
Am Wolfsmantel 33
91058 Erlangen, Germany
www.iis.fraunhofer.de/amm
amm-info@iis.fraunhofer.de
Oboe Audio Library
Apache License
Version 2.0, January 2004
http://www.apache.org/licenses/
TERMS AND CONDITIONS FOR USE, REPRODUCTION, AND DISTRIBUTION
1. Definitions.
"License" shall mean the terms and conditions for use, reproduction, and distribution as defined by Sections 1 through 9 of this doc-
ument.
"Licensor" shall mean the copyright owner or entity authorized by the copyright owner that is granting the License.
"Legal Entity" shall mean the union of the acting entity and all other entities that control, are controlled by, or are under common control
with that entity. For the purposes of this definition, "control" means (i) the power, direct or indirect, to cause the direction or management
of such entity, whether by contract or otherwise, or (ii) ownership of fifty percent (50%) or more of the outstanding shares, or (iii) bene-
ficial ownership of such entity.
"You" (or "Your") shall mean an individual or Legal Entity exercising permissions granted by this License.
"Source" form shall mean the preferred form for making modifications, including but not limited to software source code, documentation
source, and configuration files.
"Object" form shall mean any form resulting from mechanical transformation or translation of a Source form, including but not limited to
compiled object code, generated documentation, and conversions to other media types.
"Work" shall mean the work of authorship, whether in Source or Object form, made available under the License, as indicated by a copy-
right notice that is included in or attached to the work (an example is provided in the Appendix below).
Acknowledgements 68
"Derivative Works" shall mean any work, whether in Source or Object form, that is based on (or derived from) the Work and for which the
editorial revisions, annotations, elaborations, or other modifications represent, as a whole, an original work of authorship. For the pur-
poses of this License, Derivative Works shall not include works that remain separable from, or merely link (or bind by name) to the inter-
faces of, the Work and Derivative Works thereof.
"Contribution" shall mean any work of authorship, including the original version of the Work and any modifications or additions to that
Work or Derivative Works thereof, that is intentionally submitted to Licensor for inclusion in the Work by the copyright owner or by an indi-
vidual or Legal Entity authorized to submit on behalf of the copyright owner. For the purposes of this definition, "submitted" means any
form of electronic, verbal, or written communication sent to the Licensor or its representatives, including but not limited to communication
on electronic mailing lists, source code control systems, and issue tracking systems that are managed by, or on behalf of, the Licensor
for the purpose of discussing and improving the Work, but excluding communication that is conspicuously marked or otherwise des-
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Acknowledgements 69
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SIL OPEN FONT LICENSE Version 1.1 - 26 February 2007
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PREAMBLE
The goals of the Open Font License (OFL) are to stimulate worldwide development of collaborative font projects, to support the font cre-
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Acknowledgements 70
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End
Acknowledgements 71
Unless otherwise indicated below, the trademarks, service marks, and logos contained herein (the “Marks”) are owned or controlled by PreSonus Audio Electronics, Inc., or are used herein under license.
Be sure to check out www.presonus.com for the latest feature lists, compatibility, and computer requirements.
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©2022 PreSonus Audio Electronics, Inc. All Rights Reserved. Part# 70-62000184-A

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U SER G U I DE

What is Studio One+? 3

Installation and Activation

See the Quickstart Tutorial here: 4

Can I remove/delete my my.presonus account?

Choosing your language

Unlock with Studio One+/ In-app purchase 7

See the Quickstart Tutorial here: 9

Opening a Demo Score

Creating a new Score 10

Creating a new Score 11

Creating a new Score 12

Creating a new Score 13

l Notation Zoom - this changes the display size in Screen view

See the Quickstart Tutorial here: 18

Changing Pitch when Entering Notes

Enter a Note on Tablature

Step Entry with an Onscreen Instrument

Step Entry with a MIDI instrument

Real Time Recording

Setting Record Options

Default metronome click duration

Real Time Recording 22

Handwriting with Finger / Standard Stylus

Handwriting Recognition Delay

Handy Handwriting Hints

Note durations Chords / Accidentals

Rest durations Ties / Slurs

Time signatures Ledger lines

Selecting and Editing Notes

Selecting individual elements

l Tap the Selection Tool .

See the Quickstart Tutorial here: 26

Remove items from a selection

Select All / Part

Changing pitch of a selection

Changing pitch of an individual note

Changing pitch of a selection of notes

Adjusting pitch with keyboard shortcuts

Using the Enharmonic tool

Changing the duration of a selection

Toggling between notes or rests

Copy & Paste & More…

Changing pitch of a selection 27

Copy & Paste & More… 28

To open the Context Menu, you can either:

Using the Tools Grid 32

Using the Tools Grid 33

Using the Tools Grid 34

See the Quickstart Tutorial here: 35

Chord Symbol Playback

Chord Symbol Playback 36

Export and Print Scores 38

Keyboard Shortcuts - Durations

Default Alternative Duration

1 Double whole note / rest

2 w Whole note / rest

3 h Half note / rest

4 q Quarter note / rest

5 e Eighth note / rest

6 s Sixteenth note / rest

7 t 32nd note / rest

8 64th note / rest

9 128th note / rest