Royal Blood – Showbams

The Kills give us the chills at The Wiltern on their ‘God Games Tour’

March 18, 2024 by Josh Herwitt Leave a Comment

The Kills with Heartworms //
The Wiltern – Los Angeles
March 14th, 2024 //

It has been a wet winter in Southern California this year, and some of us are still drying off from all the rain that bombarded us over the past three months.

But with the clouds finally parting and clear skies paving the way for the impending spring (and warmer temperatures naturally), spending 90 minutes up close and personal with The Kills was not such a bad way to celebrate the end of one season and the start of another.

The last time I packed up my camera gear was almost two months ago when Texas post-rock quintet Explosions in the Sky came to town and performed two nights at The Wiltern where we witnessed the second date (read our show review here), and my next opportunity in the photo pit just happened to be back at the same historic theater that has stood for more than 90 years now in the heart of Koreatown.

Alison “VV” Mosshart (vocals, guitars, dictaphone, production) and Jamie “Hotel” Hince (vocals, guitars, dictaphone, organ, harmonica, electric viola, drum machine, production) have been at it for more than two decades themselves, releasing their sixth studio album God Games to critical acclaim last October and embarking on a North American tour that spanned 31 concerts across six weeks beginning in early February at Santa Ana’s The Observatory.

Shortly after London post-punk outfit Heartworms led by singer-songwriter Jojo Orme had wrapped up their opening set, fans had either found space on the tiered floor or taken their assigned seats up in the balcony as the clock struck 9 p.m. And as we waited for Mosshart and Hince to make their entrances, I couldn’t help but remember when I drove 45 miles east on a weeknight one summer to watch The Kills strut their stuff in Pomona (read our show review here). Fortunately my commute for this engagement was much shorter, though I have no regrets about making the trek out to The Glass House more than eight years ago.

The British-American rock duo had yet to release 2016’s Ash & Ice at that point, but we did hear three of the LP’s tracks — including lead single “Doing It to Death” that has since become one of The Kills’ most popular songs alongside “Future Starts Slow” off 2011’s Blood Pressures and “Black Balloon” on 2008’s Midnight Boom. Mosshart and Hince, meanwhile, have managed to cook up another hit on God Games with the gritty opener “New York”, and hearing it live for the first time at The Wiltern was certainly one of the evening’s highlights for us — not to mention other new material such as “Love and Tenderness” and “LA Hex” that sounds more like balladry than the higher-tempo, full-throated bangers loyal listeners have come to expect from them. Heck, maybe that’s one reason why Hince has even traded in his boots for a pair of white penny loafers (and they look good on him, too).

God Games, in that regard, undoubtedly shows The Kills continuing to take some chances and expand their sonic horizons without guitars. And for an act consisting of only two full-time members, it sure does deliver enough sound that you might think a full band was onstage in a similar way that Royal Blood do after seeing the UK two-piece occupy the same space in November and command a sold-out audience with a full-blown mosh pit breaking out (read our show review here). Sure, it would be epic if a drummer and bassist could be part of The Kills’ live show in the future, but with touring costs rising and a number of advancements in technology affording musicians a lot more flexibility, it would most likely take playing much larger venues for them to make a move like that — and we are more than A-OK if they don’t ever headline arenas or stadiums.

There wouldn’t be any pushing or shoving among audience members on this occasion considering The Kills’ music doesn’t really lend itself to that sort of aggressive behavior, but with a trio of backup singers joining them for “Blank”, “Better Days” and “My Girls My Girls” from God Games during what proved to be a four-song encore in LA, you got the sense that the return of Mosshart and Hince to their adopted hometown represented a special moment for them. This wasn’t the final stop of the “God Games Tour” unfortunately, yet that didn’t matter at the end of the day. Because when music like The Kills’ constantly replays in your head long after the show ends (and as I write these words), you know quite simply that it’s damn good.

Setlist:
Kissy Kissy
U.R.A. Fever
Love and Tenderness
103
Going to Heaven
Baby Says
New York
Wasterpiece
Kingdom Come
Hard Habit to Break
God Games
DNA
Black Balloon
LA Hex
Doing It to Death
Future Starts Slow

Encore:
Blank
Better Days
My Girls My Girls
Sour Cherry

Filed Under: Editor's Picks, Featured, Photos Tagged With: Heartworms, Royal Blood, The Glass House, The Kills, The Observatory, The Wiltern

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2023

December 30, 2023 by The Bam Team 1 Comment

It’s hard to believe that 2023 marked the first time since Earth was rocked by a global pandemic three years ago that COVID-19 was no longer a public health emergency. After everything we have endured since 2020, we could finally breathe (no pun intended) a sigh of relief. And over the last 12 months, the live music industry continued its recovery, with fans packing stadiums, arenas, amphitheaters, theaters, bars and clubs all around the world to experience one of life’s great pleasures.

Seeing people come together to celebrate music — no matter where it is — is always a beautiful thing to witness, and we feel fortunate to have been there for some stellar moments in live music this year while also sharing many in this space. There was a three-hour marathon by King Gizzard & the Lizard Wizard, the long-awaited return of Mr. Bungle and Les Claypool’s Fearless Flying Frog Brigade to the road (and stage), Goose winning over new fans and Run the Jewels commemorating their 10th anniversary with a star-studded residency tour to name only a few of them.

But with coronavirus in the rearview mirror and 2024 arriving soon, it’s time for us to uncork our annual “Best of” lists as we have done since this blog first started (see our 2022 picks here). As we always say, we will be the first to admit we didn’t attend every show or hear all of the albums released in 2023, but recapping the year that was can be still a fun and yet challenging exercise, too.

So, without further ado, Showbams presents The Bam Team’s five favorite shows, albums and songs from 2023.

Listen to The Bam Team’s favorite songs of 2023:

My Morning Jacket - Red Rocks Amphitheatre

My Morning Jacket with M. Ward at Red Rocks Amphitheatre // Photo by Josh Herwitt

Josh Herwitt // Los Angeles

Top 5 Shows of 2023
1. My Morning Jacket at Red Rocks Amphitheatre – Morrison, CO – August 25th-26th
Picking the same band at the same music venue around the same time on the calendar for the second straight year might not seem all that interesting to those who happen to be reading this. But having the opportunity to photograph one of my favorite bands at one of the world’s best places to catch a concert was too special not to highlight here. From Jim James showing up early to play with M. Ward during his opening sets to the latter sitting in with the Louisville-bred outfit both nights, MMJ shows at Red Rocks just hit a little bit different and 2023 was no exception. Friday’s performance marked the first of several dates to honor the 20th anniversary of It Still Moves, while Saturday’s was particularly memorable this year with a cover of Traffic’s “Feelin’ Alright?” featuring a guest appearance by Nathaniel Rateliff and a four-part “Cobra” sandwich during the encore that reminded us how magical taking in a concert can be at “the birth canal of the universe” as James calls it.

2. Queens of the Stone Age at The Forum – Inglewood, CA – December 16th
3. King Gizzard & the Lizard Wizard at Hollywood Bowl – Los Angeles, CA – June 21st
4. Jack White at The Belasco – Los Angeles, CA – January 13th
5. Les Claypool’s Fearless Flying Frog Brigade at The Wiltern – Los Angeles, CA – July 14th

Top 5 Albums of 2023
1. Queens of the Stone Age – In Times New Roman…
The last few years have been filled with a tidal wave of emotional pain for Josh Homme. From his public divorce and custody battle to the deaths of friends and colleagues, it’s not surprising that the lead single on Queens of the Stone Age’s eighth studio album was entitled “Emotion Sickness”. But the fact that the 10-track LP didn’t make the cut for any year-end consideration by most of the major music media outlets is almost unconscionable to me. Regardless of what they think, In Times New Roman… to us is another masterpiece with Homme showcasing more vulnerability than we have ever seen from him before. Plus, after 25 years we can’t imagine finding a better cast of sidekicks in modern rock than what Queens have with Troy Van Leeuwen (guitar, keyboards, backing vocals), Michael Shuman (bass, keyboards, backing vocals), Dean Fertita (keyboards, guitar, backing vocals) and Jon Theodore (drums, percussion). There are only a few great rock bands out there that are still innovating and pushing boundaries, and In Times New Roman… proved QOTSA are once again unquestionably one of them.

2. Gorillaz – Cracker Island
3. Royal Blood – Back to the Water Below
4. Say She She – Silver
5. Slowdive – everything is alive

Top 5 Songs of 2023
1. Queens of the Stone Age – “Paper Machete”
As much as I liked the first two singles that were released off In Times New Roman…, it was the third hit that became an instant earworm for me this past summer. “Paper Machete” is the album’s shortest track at slightly more than three minutes, but it has that old-school QOTSA sound from Homme’s early days in the stoner-rock group Kyuss and a killer guitar solo by Van Leeuwen we would be remiss not to mention. And though some might consider it to be a diss track if there ever was one in rock ‘n’ roll, we will say that the lyrics beautifully paint a picture of “pain and misery” — as Homme sings toward the song’s finish line — in a metaphorical sense. Who said you need a lot of time to make a statement? Not Homme (or us).

2. Gorillaz – “Cracker Island” feat. Thundercat
3. Royal Blood – “Tell Me When It’s Too Late”
4. The Chemical Brothers – “No Reason”
5. Explosions in the Sky – “Moving On”

Andrew Pohl // San Francisco

Top 5 Shows of 2023
1. Botch at The Regency Ballroom – San Francisco, SF – December 12th
Holy hell, this show left me with zero face…. like, my face was not present afterwards. Both opener Kowloon Walled City and Botch dished out massive sets of music that thankfully sounded crisp, even given the Regency’s typical boomy nature. This was Botch’s last show of their reunion tour, and they showed zero signs of wear, delivering an incredible performance. Fun point of the night was Botch bassist Brian Cook calling out members of the crowd who claim to have attended their shows at Gilman Street and The Stork Club back in the day, saying “you’re lying because NO ONE was there.” Can you imagine that?

2. Sunny Day Real Estate at The Regency Ballroom – San Francisco, CA – April 8th
3. Hammered Hulls at The Ivy Room – Albany, CA – May 5th
4. The Postal Service & Death Cab for Cutie at The Greek Theatre – Berkeley, CA – October 10th
5. High Vis at Neck of the Woods – San Francisco, CA – July 30th

Top 5 Albums of 2023
1. Samiam – Stowaway
I knew that Samiam were going to be releasing new music this year, and I was already really hyped to hear it. Stowaway sees the band picking up right where they left off, with catchy, singalong choruses and a masterclass in post-hardcore musicality. It’s a tremendous effort from a band that already has proven beyond a shadow of a doubt that it knows how to create incredible LPs.

2. Paint It Black – Famine
3. Flying Raccoon Suit – Moonflower
4. Snooper – Super Snõõper
5. Black Pumas – Chronicles of a Diamond

Top 5 Songs of 2023
1. Militarie Gun – “Very High”
2023 was a huge year for Militarie Gun. Their new album is a monster and made my Top 10, but this track may have been the one that stuck with me the most over the last 12 months. It’s got a killer hook and has that always welcome “all killer, no filler” quality to it. The chorus captures a bit of a Stone Roses essence without sounding like they are aping that sound at all. Overall, my feel good hit of the summer — and entire year.

2. Samiam – “Crystalized”
3. Fat Heaven – “Quarter Life Crisis”
4. The Blackburns – “Chill City Population You”
5. Cory Hanson – “Wings”

Tierra Whack at The Broad // Photo by Joseph Gray

Rochelle Shipman // Los Angeles

Top 5 Shows of 2023
1. Ron Gallo at Gold-Diggers – Los Angeles, CA – September 21st
I caught about 60 seconds of Gallo’s set at South by Southwest in a rush to a different stage, and those few seconds played on a loop in my mind for weeks. Six months later, I finally got a chance to see the Philadelphia garage rock star up close, and he blew what little was left of my mind with some relatable hard truths and a blazing performance. It was somehow both perfectly measured and chaotic; he even shredded using a barstool as his guitar pick at one point.

2. Little Simz at The Novo – Los Angeles, CA – October 3rd
3. Kari Faux at The Echo – Los Angeles, CA – November 7th
4. Tierra Whack at The Broad – Los Angeles, CA – August 26th
5. The Cure at North Island Credit Union Amphitheatre – Chula Vista, CA – May 20th

Top 5 Albums of 2023
1. Little Simz – NO THANK YOU
Technically a mid-December surprise release in 2022, this album got cheated out of inclusion on any year-end list so I’m making it right. It’s an absolute fireball follow-up to 2022’s Sometimes I Might Be Introvert, and if it wasn’t crystal clear before, Little Simz is here to stay. Fingers crossed that she will have mercy on us and keep rolling out some of the other bangers in the vault she has been hoarding.

2. Ron Gallo – FOREGROUND MUSIC
3. Islands – And That’s Why Dolphins Lost Their Legs
4. Avey Tare – 7s
5. Noname – Sundial

Top 5 Songs of 2023
1. Tele Novella – “Hard-Hearted Way”
There’s something about the magic in Natalie Ribbons’ voice that makes you feel like the main character in the newest Wes Anderson movie. It’s whimsical and romantic, bringing a sweetness to a song that’s named after being anything but. Not a single track is worth a skip on the Texas duo’s newest LP Poet’s Tooth, but this one remains a strong and emotional standout.

2. Little Simz – “Gorilla”
3. Ron Gallo – “AT LEAST I’M DANCING”
4. Lando Chill – “Believe Me Lonely”
5. slowthai – “Never Again”

Filed Under: Best of, Best of 2023, Editor's Picks, Featured Tagged With: Avey Tare, Black Pumas, Botch, Death Cab For Cutie, Flying Raccoon Suit, Gold-Diggers, Greek Theatre Berkeley, Hammered Hulls, High Vis, Hollywood Bowl, Islands, Jack White, Kari Faux, King Gizzard & The Lizard Wizard, King Gizzard and the Lizard Wizard, Kyuss, Lando Chill, Les Claypool, Les Claypool's Fearless Flying Frog Brigade, Little Simz, My Morning Jacket, Neck of the Woods, Noname, North Island Credit Union Amphitheatre, Paint It Black, Queens of the Stone Age, Red Rocks Amphitheatre, Ron Gallo, Royal Blood, Run The Jewels, Samiam, Say She She, Slowdive, slowthai, Snooper, South by Southwest, Sunny Day Real Estate, Tele Novella, The Belasco, The Broad, The Broad Museum, The Cure, The Echo, The Forum, The Ivy Room, The Novo, The Postal Service, The Regency Ballroom, The Stone Roses, The Wiltern, Tierra Whack

After going viral this year, Royal Blood play The Wiltern again & show a sold-out crowd in LA why they are one of rock’s most exciting acts

November 13, 2023 by Josh Herwitt 1 Comment

By Josh Herwitt //

Royal Blood with HotWax //
The Wiltern – Los Angeles
November 9th, 2023 //

For any of you reading this who were unfamiliar with Royal Blood prior to May 28th, there’s probably a good chance that you have heard of them now.

Mocking a lackluster and “pathetic” crowd at BBC Radio 1’s Big Weekend — it really was but you can judge for yourself here — before flipping them off might not have been the way Mike Kerr (lead vocals, bass, keyboards, piano, guitar) planned for the project he has fronted since early 2011 to go viral, but that quickly became his reality by the following day.

The music media, not surprisingly, seized on the moment, permeating our news feeds and timelines with an onslaught of headlines all pointing to Kerr’s onstage banter and behavior in Scotland. Merely a week later, he was on BBC Radio 1’s airwaves to address the incident with his sidekick Ben Thatcher (drums, percussion, piano), confessing that he “felt like a sort of pro wrestler” and “pantomime villain” during the performance but “meant no offense … and applause is optional.”

Despite all of the subsequent backlash Royal Blood received online, it hasn’t exactly put a dent in their ticket sales — at least in a major U.S. metropolis like LA with endless opportunities to see live music — less than six months later. Take last Thursday’s sold-out gig at The Wiltern for instance, as the English alt-rock duo packed one of the larger-sized venues that they are playing in North America this fall, with the historic theater filled from the reserved pit and GA floor sections up to the mezzanine and balcony for the band’s first time there in six years. It was also the first time in almost two decades visiting that I have witnessed a legitimate mosh pit break out.

Fresh off a nine-day break after their latest shows in the UK and Ireland last month, Kerr and Thatcher were primed for a big night under the bright lights of LA. Much like their appearance more than a year ago at what was then the brand-new Ventura Music Hall (read our show review here), these lads were once again joined by touring member Darren James (keyboards, backing vocals) as their newer studio material starting with 2021’s Typhoons sees them leaning more into synthesizers and keyboards than sticking with the original recipe of only bass and drums they cooked up for their first two albums. What results is a more dance-forward sound that has continued on their fourth LP Back to the Water Below, which was released in September and serves an excellent complement to the rest of their catalog.

The grungy, post-punk tendencies from their fellow countrymates in HotWax, who were making their debut in the states, proved to pair well with the evening’s main course, and by the time Royal Blood walked out around 9 p.m. to a thunderous applause like the ones they are used to, we were ready to scarf up everything that Kerr and Thatcher put on our plates. They fittingly began with “Mountains at Midnight” — the lead single on Back to the Water Below — and then took us back in time, unleashing the blistering one-two punch of “Boilermaker” and the ensuing “Lights Out” at one point to set the tone for the rest of the night.

Those of us who have caught Royal Blood on previous tours know what they’re capable of when they take the stage, but it’s always exciting to see how their new songs will play out in front of an audience. The fuzzed-out “Shiner in the Dark” and already fan favorite “Triggers” both delivered, and though you won’t necessarily find the album’s title represented in the tracklist like their previous two full lengths, it does come from a lyric during the piano-led single “Pull Me Through” with a groove that will have you singing along or at least nodding your head to by the final chorus, offsetting some of the machismo we have become accustomed to from both Kerr and Thatcher. There was “Tell Me When It’s Too Late” as we neared the finish line, with a triplet feel on the bass drum that the late John Bonham would be most likely proud of, and even though it’s the shortest track on Back to the Water Below at well under three minutes, it’s as big and bombastic as anything else they have done.

Since our last encounter, the core of Royal Blood’s setlist hasn’t changed with “Come on Over”, “Hook, Line & Sinker”, “Little Monster”, “How Did We Get So Dark?”, “Loose Change”, “Out of the Black”, “Ten Tonne Skeleton” and of course “Figure It Out” all making a return this time. While we can’t say we don’t enjoy hearing these songs when they are performed, it would be nice if Royal Blood mixed things up a little more or expanded upon what they have already recorded to make every show feel special. Yet, in fairness, they did bring out HotWax’s Tallulah Sim-Savage to play guitar on “Waves” at the start of their encore — something we hope they will consider doing more of in the future. We would also like to see their concerts extend past the 90-minute mark, even if it were only for a little bit longer, and there’s no question that should be the case in due time.

Regardless of our commentary on Royal Blood’s current live show, Back to the Water Below has easily ascended, alongside Queens of the Stone Age’s In Times New Roman…, to be one of our favorite rock albums of 2023. It shares the same accessibility 2014’s self-titled effort and 2017’s How Did We Get So Dark? have, and at the same time, sonically still manages to move the needle forward enough for now.

We can imagine at this point that Royal Blood would just like to forget BBC Radio 1’s Big Weekend, and we are definitely not interested in dwelling over past indiscretions anymore. Kerr and Thatcher have not only the bravado and charisma, but also the chops to stake their claim as a top-notch rock act for a long time. And hey, maybe a little notoriety never hurts, too.

Setlist:
Mountains at Midnight
Come on Over
Boilermaker
Lights Out
Shiner in the Dark
Hook, Line & Sinker
Triggers
Trouble’s Coming
Typhoons
Pull Me Through
Little Monster
How Did We Get So Dark?
Tell Me When It’s Too Late
Loose Change
Out of the Black

Encore:
Waves (with Tallulah Sim-Savage)
Ten Tonne Skeleton
Figure It Out

Filed Under: Editor's Picks, Featured, Live Music Reviews Tagged With: HotWax, Queens of the Stone Age, Royal Blood, The Wiltern, Ventura Music Hall

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2022

December 30, 2022 by The Bam Team Leave a Comment

After seeing what the live music industry endured the last two years due to the COVID-19 pandemic, 2022 was certainly a step in the right direction. For many artists and bands, this year marked the first since 2019 that they had the opportunity to step onstage — and that was a victory in and of itself.

While we aren’t completely out of the woods yet considering the coronavirus is still very much a part of our lives, there’s no signs of us returning to those dark and dire days of 2020. The shows simply must go on, and we are all better for it whether you’re a musician or just a fan.

Now as we turn to 2023 with cautious optimism, it’s time for us to share our annual “Best of” lists as we have done since this blog first began (see our 2021 picks here). We’ll be quick to admit we didn’t catch every show or hear all of the albums released in the past 12 months, but looking back on the year that was can not only be fun but also challenging with so much great music to consider.

So, without further ado, Showbams presents The Bam Team’s five favorite shows, albums and songs from 2022.

Listen to The Bam Team’s favorite songs of 2022:

Tool at Viejas Arena // Photo by Josh Herwitt

Josh Herwitt // Los Angeles

Top 5 Shows of 2022
1. My Morning Jacket at Red Rocks Amphitheatre – Morrison, CO – August 26th-27th
2022 will go down as easily one of my favorite years for live music. So many of the artists and bands I love toured after being forced to sit on the sidelines for at least two years, and as I look back on all of the shows I was fortunate enough to witness, it would be a shame to not mention the ones that aren’t already included here, whether it was Eddie Vedder, Baroness, Royal Blood, Interpol and The Shins at Just Like Heaven, Jack White (two nights), The Kills, Puscifer on my big day, Fleet Foxes, Big Gigantic Telefon Tel Aviv, Moderat, Khruangbin and Arctic Monkeys — plus Lorde — at the debut of Primavera Sound LA, The Mars Volta, Bonobo, Foals, Modest Mouse performing The Lonesome Crowded West from start to finish to celebrate the LP’s 25th anniversary or The Smile closing out their North America tour. But this year’s No. 1 spot once again goes to My Morning Jacket, which have become my top live band over the last decade among some very stiff competition (see the rest of the bands listed below to get a better idea). With back-to-back dates in SoCal at the Santa Barbara Bowl and Hollywood Forever (read our review here) serving as a preview for what would come the following week, the Louisville-bred rockers left no stone unturned in their return to Red Rocks. If there was ever an act to catch — not once but twice — at the legendary amphitheater after visiting it more than a dozen times in my life so far, this was the one for me and MMJ proved it over two sold-out gigs with no repeats as always.

2. The War on Drugs at Shrine Auditorium – Los Angeles, CA – February 26th
3. Pearl Jam at The Forum – Inglewood, CA – May 6th
4. Tool at Viejas Arena – San Diego, CA – January 19th
5. Nine Inch Nails at Santa Barbara Bowl – Santa Barbara, CA – September 13th

Top 5 Albums of 2022
1. The Smile – A Light for Attracting Attention
It wasn’t until last year during a surprise performance for the concert video “Live at Worthy Farm” when we first learned of the latest side project from Radiohead members Thom Yorke and Jonny Greenwood with Sons of Kemet drummer Tom Skinner. But after putting out six singles off their debut LP that came out back in May, it was clear the three-piece wasn’t messing around. Across all 13 tracks on A Light for Attracting Attention, it’s safe to say there isn’t one worth skipping, reaffirming why Yorke remains one of the best songwriters out there in the last 30 years. And with him and Greenwood switching off between guitar, bass and synthesizer among a bevy of other instrumentation including vocoder, piano and harp, their talents are as palpable as they have ever been before. After all, hearing Yorke croon “Don’t mess with me” toward the beginning of “The Smoke” is an edict — literal or not — many would have a tough time disputing at this point.

2. Kendrick Lamar – Mr. Morale & the Big Steppers
3. Jack White – Fear of the Dawn
4. My Morning Jacket – MMJ Live Vol. 2: Chicago 2021
5. Bonobo – Fragments

Top 5 Songs of 2022
1. The Mars Volta – “Graveyard Love”
For fans of The Mars Volta, it has been a long wait since Omar Rodríguez-López and Cedric Bixler-Zavala hit the studio to record new material. Even with the project’s two constant members on good terms these days, it took more than a decade before anything would enter our earholes. But despite many of the prog-rock tendencies it demonstrated on earlier albums dating all the way back to 2003’s seminal De-Loused in the Comatorium, the duo’s seventh studio effort delves unexpectedly into new sonic territory. With a pop aesthetic running through it that surprisingly sees no song surpass the five-minute mark, The Mars Volta will undoubtedly be looked at as a departure from the days of “Cygnus…Vismund Cygnus” and “Cassandra Gemini” when Rodríguez-López and Bixler-Zavala were captivating At the Drive-In fans as well as new listeners. Nevertheless, its second single “Graveyard Love” stands tall as some of their best work to date and reminds us that these guys haven’t lost what made them so uniquely special.

2. The Smile – “Thin Thing”
3. Jack White – “Eosophobia”
4. Interpol – “Toni”
5. Moderat – “EASY PREY”

Andrew Pohl // San Francisco

Top 5 Shows of 2022
1. Yard Act at Rickshaw Stop – San Francisco, CA – April 21st
Funny story about this show … I had been hearing a lot of buzz about Yard Act, and I had only listened to one song played a few times on KEXP, which I really dug. I had been on the Rickshaw Stop’s email list, and the venue ran a contest for free tickets. I happened to win so I took a chance and opted to see Yard Act’s show that same week. Wanting to familiarize myself with their material more, I immediately dove head first into their album and was totally hooked, so I felt really good about this turn of events. I hadn’t been to a gig at Rickshaw Stop in many years and was eager to visit again, so it felt great to be back in a packed room again for an intimate evening of punk rock. The opening act Buzzed Light Beer fell a bit flat in my humble opinion, but once Yard Act took the stage, the room started buzzing with life. Lead singer James Smith’s command of the crowd is very nonchalant, but he also knows he has you hanging on every word. The set was fun and well-executed, and the UK quartet was clearly on its “A” game after a lengthy run of shows and in between weekend performances at Coachella. Much to the chagrin of those in attendance, Smith kept referring to the audience as “San Diego” (LOL), though he did tell us that he had some mushrooms the night before, so … you know. To round things out, Smith offered to do a magic trick during the last song of Yard Act’s set before their encore and coaxed fans to hand over any loose bills they had, which he pocketed and took backstage. As it turns out, he actually gifted the money to the bar staff, which I felt was a nice touch and very much on-brand.

2. THE FEST 20 – Gainesville, FL – October 28th–30th
3. Coheed & Cambria at Greek Theatre Berkeley – Berkeley, CA – August 14th
4. Bauhaus at The Masonic – San Francisco, CA – May 22nd
5. The Velvet Teen at Arlene Francis Center – Santa Rosa, CA – June 17th

Top 5 Albums of 2022
1. Pilot to Gunner – Hail Hallucinator
Brooklyn indie rockers Pilot to Gunner hadn’t put out an album for a decade, and to be honest, I hadn’t really paid much attention to them prior to Hail Hallucinator. The name was always out there and I had friends who were really into them, but I never got around to checking out their music for one reason or another. And not unlike many other bands that came before them (i.e. Seaweed, Far, The Murder City Devils), I am bummed that I was so late to the party. They are absolutely fantastic, and this record was easily my most listened-to during 2022. From start to finish, the 10-track LP hit all the marks for me in terms of stellar songwriting, original-sounding guitar work that still feels familiar and vocals carrying the torch of the early 2000’s indie/emo revival sound ala Hey Mercedes and Jimmy Eat World all while not completely aping either group. “Drop the Sun”, “We’re Blasting to Masses”, “Total Rager” and “Escape Season” are among its best tracks, but I simply love all of them from beginning to end.

2. Thee Sacred Souls – Thee Sacred Souls
3. Yard Act – The Overload
4. Soul Glo – Diaspora Problems
5. High Vis – Blending

Top 5 Songs of 2022
1. 3rd Secret – “I Choose Me”
The supergroup 3rd Secret surprised the music world when their debut self-titled LP arrived in mid-April. Comprised of members from Nirvana, Soundgarden, Hater and Giants in the Trees, the album is a tour de force brought to you by grunge and alt-rock royalty. Its lead single “I Choose Me” turns things up and right out of the gate you can’t help but feel a little washed over with nostalgia from guitarist Kim Thayil’s signature riffage in addition to the thundering cadence courtesy of bassist Krist Novoselic and drummer Matt Cameron. What makes the song — and the album — stand out to me, however, is the work of co-vocalists Jillian Raye and Jennifer Johnson. The pair deliver gorgeous singing atop the otherwise gritty instrumentation, harkening back to what made so many 90’s albums awesome with a beautiful balance of dark and light. I kept coming back to this song a lot throughout the year, and it made me really reflect on just how incredible the music that came out of the Pacific Northwest was when I was growing up. To hear this collection of musicians conjuring up those aural ghosts through a contemporary filter was not only refreshing, but also something that I was really looking for in 2022.

2. Yard Act – “The Overload”
3. Thee Sacred Souls – “Can I Call You Rose?”
4. Cave In – “New Reality”
5. High Vis – “0151”

Animal Collective at Greek Theatre // Photo by Rochelle Shipman

Rochelle Shipman // Los Angeles

Top 5 Shows of 2022
1. PUP at The Fonda Theatre – Los Angeles, CA – April 21st
Two years and one full length after this show was originally supposed to occur, LA finally got to see PUP perform on their “Thank Fucking God” tour. Worth the wait would be a major understatement here as the Canadian punks transported us back to pre-pandemic times like nothing had ever happened — we were touching, we were screaming, we were moshing again! The night had such an innocent air to it. Despite the delay, 2019’s Morbid Stuff felt fresher than ever (and it still does).

2. Yaya Bey at Cafe Erzulie – Brooklyn, NY – June 16th
3. Animal Collective at Greek Theatre – Los Angeles, CA – May 20th
4. Vince Staples at The Fonda Theatre – Los Angeles, CA – August 23rd
5. Bright Eyes at Greek Theatre – Los Angeles, CA – June 23rd

Top 5 Albums of 2022
1. Lando Chill – if im being honest
The multi-hyphenate who’s based out of LA quietly dropped this mixtape early in the year, and it stood strong in my top spot from the start. With a sharp wit and silky delivery, Chill tears through pages of his diary without cutting a single corner. Thank God for vulnerability.

2. Smino – Luv 4 Rent
3. Pusha T – It’s Almost Dry
4. Yaya Bey – Remember Your North Star
5. Open Mike Eagle – Component System with the Auto Reverse

Top 5 Songs of 2022
1. Steve Lacy – “Bad Habit”
An earworm for the ages! This impossibly catchy tune took over TikTok and catapulted Mr. Lacy into the spotlight that he was born to occupy, whether he was ready for it or not. The cherry on top of his banner year was the singer-songwriter’s old iPhone (aka his instrument) landing on display in the Smithsonian.

2. Lando Chill – “guess”
3. Leggy – “Lipstick on the Mic”
4. Pusha T – “Brambleton”
5. Channel Tres – “Acid in My Blood”

Filed Under: Best of, Best of 2022, Editor's Picks, Featured Tagged With: 3rd Secret, Animal Collective, Arctic Monkeys, Arlene Francis Center, At the Drive-In, Baroness, Bauhaus, Big Gigantic, Bonobo, Bright Eyes, Buzzed Light Beer, Cafe Erzulie, Cave In, Channel Tres, Coheed & Cambria, Eddie Vedder, Far, Fleet Foxes, FOALS, Giants in the Trees, Greek Theatre, Greek Theatre Berkeley, Hater, Hey Mercedes, High Vis, Hollywood Forever, Interpol, Jack White, Jimmy Eat World, Jonny Greenwood, Just Like Heaven, Just Like Heaven 2022, Kendrick Lamar, Khruangbin, Lando Chill, Leggy, Moderat, Modest Mouse, My Morning Jacket, Nine Inch Nails, Nirvana, Open Mike Eagle, Peaches, Pearl Jam, Pilot To Gunner, Primavera Sound LA, Primavera Sound LA 2022, Primavera Sound Los Angeles, Primavera Sound Los Angeles 2022, Pup, Puscifer, Pusha T, Radiohead, Red Rocks Amphitheatre, Rickshaw Stop, Royal Blood, Santa Barbara Bowl, Seaweed, Shrine Auditorium, Smino, Smithsonian, Soul Glo, Soundgarden, Steve Lacy, Telefon Tel Aviv, THE FEST 20, The Fonda Theatre, The Forum, The Kills, The Mars Volta, The Masonic, The Murder City Devils, The Shins, The Smile, The Velvet Teen, The War on Drugs, Thee Sacred Souls, Thom Yorke, Tool, Trent Reznor, Viejas Arena, Viejas Arena at Aztec Bowl, Vince Staples, Yard Act, Yaya Bey, YouTube Theater

Royal Blood make a pit stop at brand-new Ventura Music Hall on their ‘Typhoons’ tour to remind us rock ‘n’ roll is still alive & well

May 11, 2022 by Josh Herwitt 2 Comments

By Josh Herwitt //

Royal Blood with cleopatrick //
Ventura Music Hall – Ventura, CA
May 4th, 2022 //

If you’re one of those people who thinks rock ‘n’ roll is on its way out, then you probably haven’t heard of Royal Blood before.

The English alt-rock duo comprised of Mike Kerr (lead vocals, bass, keyboards, piano, guitar) and sidekick Ben Thatcher (drums, percussion, piano) has been growing its fan base far outside the UK since forming more than a decade ago, so much so the two Brits have found themselves headlining larger venues “in the states” with each passing tour.

But the smallest room on Royal Blood’s 26-date North American trek that included five shows up and down California is no doubt the brand-new Ventura Music Hall, which hopes to be a legitimate pit stop for bands traveling from the Bay Area to Los Angeles and vice versa.

Opening its doors for the first time less than two months ago, the 635-person club has already hosted several notable acts across a range of genres — from the world sounds of Thievery Corporation to the punk rock of Flogging Molly and Bob Mould to the synthpop of Gary Numan and Hot Chip — while the addition of Royal Blood should only help build its credibility as one of the few spots to catch live music along the Central Coast. At half the size of the Ventura Theater, it offers a more intimate setting despite being mostly standing room with food available via local pop-up Ruff House BBQ and a massive ceiling fan to create a strong ventilation system (because we’re still in the midst of a global pandemic).

Ventura, furthermore, has been primed to have a new space for a while now. Home to outdoor clothing retailer Patagonia as well as a handful of top-notch craft breweries an hour north of LA and 30 minutes south of Santa Barbara, the once-sleepy beach town is often overlooked and could be something more than its past as other entertainment and dining options are introduced and established over time.

Much of the same can be said for Royal Blood after they last performed stateside in 2018. Since then, they’ve managed to reinvent some of that big, bombastic sound we first heard them unleash on 2014’s self-titled debut LP and 2018’s How Did We Get So Dark? by churning out even catchier melodies and dance-forward backbeats for their third studio effort Typhoons, which dropped more than a year ago to predominantly favorable reviews.

There might be no better track on Typhoons that manifests the sonic evolution of Royal Blood than its disco-flavored lead single “Trouble’s Coming”, and considering that it was the first song written for the album based on what Kerr has said in interviews, I would be surprised if it doesn’t become a staple at the band’s shows in the future.

On this night and this tour, we were treated to a performance from Kerr and Thatcher that spanned all three of their full lengths and more. There was “Typhoons” fittingly to open and “Boilermaker” to follow, the latter of which being the Josh Homme-produced track that you could argue is one of Royal Blood’s most electrifying songs right now (I did after naming it my favorite song of 2021). It has a similar energy to “Lights Out” and that might be why the first single — and one of the real standouts — off HDWGSD? came right after in the setlist.

Multiple deep cuts such as “Hook, Line & Sinker”, “Blood Hands” and “Loose Change” were also played, but hearing Royal Blood’s newest single “Honeybrains” that they uncovered right before hitting the road this spring was particularly praiseworthy for a group that has moved beyond a bass guitar and drums to incorporate more keyboards in their latest studio material. If it wasn’t evident to the crowd quite yet, Kerr made it upon his return to the stage after a short set break, as he took a seat at the piano and belted out the Typhoons finale “All We Have Is Now” to kickstart a furious, three-song encore that ended with Royal Blood cuts “Ten Tonne Skeleton” and “Out of the Black” sending us home after 90 minutes of ear-rattling and headbanging euphoria.

What has always amazed me about Royal Blood is how full their music sounds despite only having two permanent members who would serve as most bands’ rhythm section. And although you would have to think that Kerr and Thatcher will eventually explore adding other instrumentation — if not more full-time staff with Darren James brought on last year to be their touring keyboardist — into the fold, the 11-track Typhoons has provided them with that step forward. Where they go from here remains anyone’s guess as they help carry the torch for rock ‘n’ roll in 2022, but with another album cycle under their belts soon, those prospects feel just as exciting as where they’ve already been.

Setlist:
Typhoons
Boilermaker
Lights Out
Come on Over
Trouble’s Coming
Hook, Line & Sinker
Honeybrains
Little Monster
How Did We Get So Dark?
Blood Hands
Million and One
Limbo
Loose Change
Figure It Out

Encore:
All We Have Is Now
Ten Tonne Skeleton
Out of the Black

Filed Under: Editor's Picks, Featured, Live Music Reviews Tagged With: Bob Mould, Cleopatrick, Flogging Molly, Gary Numan, Hot Chip, Josh Homme, Majestic Ventura Theater, Patagonia, Queens of the Stone Age, Royal Blood, Ruff House BBQ, The Majestic Ventura Theater, Thievery Corporation, Ventura Music Hall, Ventura Theatre

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2021

December 28, 2021 by The Bam Team 3 Comments

The past 12 months have been interesting to say the least. While the COVID-19 pandemic continues to rage across the world after almost two years, 2021 did prove to be a little better than its predecessor on the calendar and a big reason for that was undoubtedly the return of live music during the second half of this year. For so many of us after being locked down at home, just having the chance to attend a concert or festival in person again provided some sense of normalcy to our everyday lives.

But as we look forward to hopefully better days in 2022, it’s time for us to unveil our annual “Best of” lists like we have done since this blog first began (see our 2020 picks here). No, we didn’t have time to catch every show or hear all of the albums released in the last 365 days, but forcing ourselves to make difficult decisions can be a fun exercise that helps us reflect on the year in music before turning the page.

So, without further ado, Showbams presents The Bam Team’s five favorite shows, albums and songs from 2021.

Listen to The Bam Team’s favorite songs of 2021:

My Morning Jacket (Jim James) at Santa Barbara Bowl

My Morning Jacket at Santa Barbara Bowl // Photo by Josh Herwitt

Josh Herwitt // Los Angeles

Top 5 Shows of 2021
1. My Morning Jacket at Santa Barbara Bowl – Santa Barbara, CA – September 23rd
Almost six years had passed since the last time Jim James and company performed at one of Southern California’s best music venues, but after surviving 18 months without witnessing any live music, the wait for MMJ’s return to the stage felt even longer. Fortunately for us, the Louisville-bred quintet brought its A game to kick off a string of West Coast dates and powered through a collection of 23 songs at the Santa Barbara Bowl that included the emotive “In Color” off the band’s new self-titled album as well as “Where to Begin” from the “Elizabethtown” soundtrack. MMJ have earned a reputation over the years as one of the best live acts still out there, and they certainly validated that claim with a 2.5-hour performance that made the 90-mile drive from LA on a weeknight totally worth it.

2. Modest Mouse at The Theatre at Ace Hotel – Los Angeles, CA – September 25th
3. Caribou at Greek Theatre – Los Angeles, CA – November 15th
4. Lord Huron at Hollywood Forever – Los Angeles, CA – September 30th
5. Primus “A Tribute to Kings” at Greek Theatre – Los Angeles, CA – October 17th

Top 5 Albums of 2021
1. The War on Drugs – I Don’t Live Here Anymore
What can we say about Adam Granduciel that hasn’t already been said? After composing and producing The War on Drugs’ best material during his previous two trips into the studio with the latter effort winning a Grammy, we knew it would be tough for the Philadelphia native to match that same level of excellence attained in 2014 and 2017 with Lost in the Dream and A Deeper Understanding. And though I Don’t Live Here Anymore doesn’t quite get there, it marks another LP from Granduciel and his cohorts that you can listen straight through from start to finish without skipping a track. Because in an era when our attention spans have been shrunk thanks in large part to technology, that’s something we should all applaud.

2. Modest Mouse – The Golden Casket
3. DARKSIDE – Spiral
4. My Morning Jacket – My Morning Jacket
5. Royal Blood – Typhoons

Top 5 Songs of 2021
1. Royal Blood – “Boilermaker”
The English alt-rock duo comprised of lead singer/bassist Mike Kerr and drummer Ben Thatcher shared “Boilermaker” in the lead-up to releasing its third full length this year, and the promotional single certainly stands out from the pack as one of the best songs on Typhoons. Produced by Queens of the Stone Age leader Josh Homme, it opens with Kerr’s fuzzed-out riff and quickly builds into a head-banging anthem over the course of three and a half minutes. If you haven’t heard it before, just make sure to also check out the badass music video that’s directed by and stars Liam Lynch. Enjoy!

2. My Morning Jacket – “In Color”
3. Modest Mouse – “Walking and Running”
4. The War on Drugs – “I Don’t Wanna Wait”
5. Bonobo – “Rosewood”

Favorite remix: Four Tet – “Never Come Back” (Caribou)

Andrew Pohl // San Francisco

Top 5 Shows of 2021
1. Kowloon Walled City at The Golden Bull – Oakland, CA – November 30th
Regardless of the fact that I didn’t go to many shows this year, this would have likely been my No. 1 even if I went to more. I had only recently been turned on to Kowloon Walled City, but I was immediately drawn to their heavy sound and they proved to replicate that sonic fury live. The Golden Bull is a nice, intimate setting for live music, and the fact that KWC were able to dial in such a balanced sound at a small club made a huge difference given how BIG they sound on their studio albums. Everyone was fixated on the band throughout its entire set, and I barely noticed anyone looking at a phone — one of the modern-day signs of a great show.

2. Quicksand at Great American Music Hall – San Francisco, CA – October 15th
3. Bad Religion & Alkaline Trio at The Masonic – San Francisco, CA – November 24th
4. The Slackers & The Aggrolites at Cornerstone Berkeley – Berkeley, CA – December 9th
5. Lagwagon with Red City Radio & Decent Criminal at Bottom of the Hill – San Francisco, CA – November 4th

Top 5 Albums of 2021
1. Quicksand – Distant Populations
During a turbulent time like what we’ve all been collectively experiencing since last year, I think this album resonated with me so much because Quicksand has always been such a solid standby. Distant Populations is heavy in all of the right ways without being abrasive while also effectively showcasing Walter Schreifels’ dynamic song-crafting abilities. Quicksand aren’t necessarily breaking the mold here, but they’re a band that had already set the bar high with their earlier albums and this LP is an excellent continuation of their contribution to the hardcore scene.

2. Turnstile – Glow On
3. IDLES – Crawler
4. Kowloon Walled City – Piecework
5. Snail Mail – Valentine

Top 5 Songs of 2021
1. IDLES – “The Wheel”
I love how IDLES have the ability to take a song about a heavy subject like chemical dependency and turn it into an absolutely infectious banger. “The Wheel” is a perfect example of this, leaving you drawn in and tapping your foot while giving you something to ponder. The way that it can make you feel equal parts uplifted and uncomfortable is part of the appeal to me, and this was easily one of my most played songs of the year.

2. Decent Criminal – “Reap”
3. The Dirty Nil – “Doom Boy”
4. Kills Birds – “Rabbit”
5. Snail Mail – “Valentine”

Adam Schatz at The Gold Room // Photo by Rochelle Shipman

Rochelle Shipman // Los Angeles

Top 5 Shows of 2021
1. Adam Schatz at The Gold Room – Los Angeles, CA – November 18th
The Landlady frontman actually served as the opener on this night, but armed with little more than his saxophone, keyboards and loops, it’s safe to say Schatz stole the entire show. Fresh off a tour playing with Japanese Breakfast, he stepped onstage and quite literally let loose. It was the most refreshing, freeform, organic set full of wit and wonder, offering a sharp reminder why we need to protect the live music space (and to buy the killer album Landlady put out this year, too).

2. Foxx Bodies with Suzie True & Lando Chill at Resident DTLA – Los Angeles, CA – November 7th
3. Islands at Lodge Room – Los Angeles, CA – September 9th
4. Spoon at Teragram Ballroom – Los Angeles, CA – September 28th
5. Armand Hammer & The Alchemist at Echoplex – Los Angeles, CA – September 19th

Top 5 Albums of 2021
1. Foxx Bodies – Vixen
The raw emotions that come through Foxx Bodies’ debut on indie label Kill Rock Stars grabbed me by the ankles and knocked me off my feet the first time I heard it. For an album that explores everything from mental illness, sexual abuse, eating disorders, gender fluidity and beyond, it’s equally shocking how upbeat and uplifting it comes off. It’s part empowering riot grrrl and part rollicking surf punk, full confessional. Trigger warning: it will change your life.

2. Olivia Rodrigo – Sour
3. Tyler, the Creator – Call Me If You Get Lost
4. Backxwash – I LIE HERE BURIED WITH MY RINGS AND MY DRESSES
5. Noga Erez – KIDS

Top 5 Songs of 2021
1. Hiatus Kaiyote – “Red Room”
This song is the antithesis to 2021. It’s so warm and beautiful, so intimate as though it was conceived in a world where social distancing doesn’t even exist. Nai Palm’s soft, raspy vocals envelop you, and the uncharacteristically subtle sounds (for Hiatus Kaiyote) deliver perhaps the most consistent semblance of peace felt this year.

2. Olivia Rodrigo – “Brutal”
3. Foxx Bodies – “BPD”
4. Yaya Bey – “fxck it then”
5. Little Simz feat. Cleo Sol – “Woman”

Favorite remix: Kari Faux feat. J.I.D – “While God Was Sleepin’… (Remix)”

Filed Under: Best of, Best of 2021, Editor's Picks, Featured Tagged With: A Tribute to Kings, Ace Hotel, Adam Schatz, Alkaline Trio, Armand Hammer, Backxwash, Bad Religion, Best of 2021, Bonobo, Bottom of the Hill, Caribou, Cleo Sol, Cornerstone Berkeley, Darkside, Decent Criminal, Echoplex, Four Tet, Foxx Bodies, Golden Bull, Great American Music Hall, Greek Theatre, Hiatus Kaiyote, Hollywood Forever, Hollywood Forever Cemetery, IDLES, Islands, J.I.D., Japanese Breakfast, Kari Faux, Kills Birds, Kowloon Walled City, Lagwagon, Landlady, Lando Chill, Little Simz, Lodge Room, Lord Huron, Modest Mouse, My Morning Jacket, Noga Erez, Olivia Rodrigo, Primus, Quicksand, Red City Radio, Resident DTLA, Royal Blood, Rush, Santa Barbara Bowl, Snail Mail, Spoon, Suzie True, Teragram Ballroom, The Aggrolites, The Alchemist, The Dirty Nil, The Gold Room, The Golden Bull, The Masonic, The Slackers, The Teragram Ballroom, The Theatre at Ace Hotel, The War on Drugs, Turnstile, Tyler the Creator, Yaya Bey

The Bam Team’s 5 Favorite Albums & Songs of 2020

December 29, 2020 by The Bam Team 1 Comment

Wow, 2020 … what can we say? This year will certainly be remembered for a lot of things, but none more so than the COVID-19 pandemic that has ravaged both the U.S. and world over the last 10 months and forced the live music industry to mostly shutter as musicians pivoted to livestreams and drive-in concerts to keep the show going as best they could and however possible. Yet along the way, we lost musical legends who spanned multiple generations from Neil Peart to Bill Withers to John Prine to Little Richard to Eddie Van Halen to MF DOOM — some due to COVID-19 unfortunately — making these past 12 months even more painful to endure than they already were. Ready to officially flush 2020 down the toilet and start anew? Don’t worry … you’re not alone!

In retrospect though, it has been a very quiet year for The Bam Team. You’ll notice there haven’t been a lot of updates in this space, and that’s partly due to the lack of live music on Planet Earth right now. But it’s also been a hectic time for all of us as we try to navigate our way out of these dark days and into some brighter ones, and like any good remedy nowadays, new music has definitely played its part in helping us physically and emotionally cope with the chaos.

It’s why after several months of inactivity here, we decided to dust the cobwebs off Showbams and deliver a modified version of our annual “Best of” lists like we have done since this blog first started (see our 2019 picks here). While that doesn’t mean we had time to hear and dissect every new album or song in the last 365 days — we are still in a pandemic after all — sharing our own individual picks offers a fun and stimulating opportunity for us to reflect on the year that was in music.

So, without further ado, Showbams presents The Bam Team’s five favorite albums and songs from 2020.

Listen to The Bam Team’s favorite songs of 2020:

Josh Herwitt // Los Angeles

Top 5 Albums of 2020
1. Run the Jewels – RTJ4
One might think that after three critically acclaimed albums with some of the most socially and politically charged material since Rage Against the Machine burst onto the scene, it would only seem natural for Run the Jewels’ act to turn a little stale by their fourth time around. But despite the three-year wait for RTJ4, the longest that the hip-hop duo has gone between releases, the final product — like a fine wine — has only gotten better with time. Anchored by stellar production (a RTJ trademark) and provocative rhymes, the 11-track offering sees the two emcees sounding off on everything from corporate greed to police brutality just days after the tragic death of George Floyd. It also boasts a guest list loaded with star power, with DJ Premier, 2 Chainz, Pharrell Williams, Zack de la Rocha, Mavis Staples and Josh Homme each lending a hand while El-P and Killer Mike inject truth serum into our ears with one verbal haymaker after another. In what proved to be a shitstorm of a year, this was the soundtrack a lot of us needed to survive 2020.

2. My Morning Jacket – The Waterfall II
3. Fleet Foxes – Shore
4. Tame Impala – The Slow Rush
5. Caribou – Suddenly

Favorite live album: Sylvan Esso – WITH

Top 5 Songs of 2020
1. Royal Blood – “Trouble’s Coming”
The British rock duo composed of lead singer/bassist Mike Kerr and drummer Ben Thatcher are gearing up to drop their third LP in 2021 and wisely chose to wet our palette with an absolute banger for its lead single. “Trouble’s Coming” has all the makings of a Royal Blood song — catchy bass riffs that sound like they’re coming out of a guitar, heavy-metal drums and Kerr’s falsetto vocals — while charting a slightly different path for the band, one that conjures up some serious 70’s disco vibes. Just watch this scene from Charlie’s Angels to see what we mean, and if you have a pair of fingerless leather gloves handy, you might as well put those on too. We think Sam Rockwell would approve.

2. My Morning Jacket – “Wasted”
3. Run the Jewels – “JU$T” feat. Pharrell Williams & Zack de la Rocha
4. Pearl Jam – “Dance of the Clairvoyants”
5. Sylvan Esso – “Ferris Wheel”

Favorite remix: Bonobo – “Final Days” (Michael Kiwanuka)

Andrew Pohl // San Francisco

Top 5 Albums of 2020
1. Hum – Inlet
This four-piece’s fifth studio effort came as a complete surprise when it dropped in June, and it was honestly THE album I needed. Being knee-deep into the COVID-19 pandemic, I wasn’t sure what the rest of the year would look like musically, and it was exactly the type of record that hits all the marks for me. It’s sonically huge, it showcases Hum’s trademark ultra-layered, dense instrumentation and it ebbs and flows between energetic and emotive. Inlet was easily my most-listened-to album in 2020.

2. Coriky – Coriky
3. PEARS – PEARS
4. Fiona Apple – Fetch the Bolt Cutters
5. Run the Jewels – RTJ4

Favorite live album: NOFX – The Decline (Live at Red Rocks)

Top 5 Songs of 2020
1. Run the Jewels – “Walking in the Snow”
Oh man, this track was just the thing I needed during what may have been one of the most tense times in modern history. And like all of RTJ4, it absolutely crushes as El-P and Killer Mike bring their signature styles to full effect on this dramatic, yet bouncy tune. The middle section, which sees Mike taking the lead, is not only effective, prophetic and timely, but it also serves as a reminder that the time for action is now and that history has a tendency to repeat itself if we’re not careful. Check out the song’s brand-new music video here, too.

2. Hum – “Desert Rambler”
3. IDLES – “War”
4. Middle-Aged Queers – “Gary’s Making Biscuits”
5. PEARS – “Zero Wheels”

Favorite remix: Squarepusher – “Pink Maggit” (Deftones)

Rochelle Shipman // Los Angeles

Top 5 Albums of 2020
1. Fiona Apple – Fetch the Bolt Cutters
I almost feel cheated that my two No. 1 picks went to the same artist, but this year belonged to Fiona as much as it did to Dr. Fauci. FTBC busted us out of our mental prisons and allowed us to imagine our lives were more exciting than they actually were in 2020. It reminded us that we are strong enough to survive anything, to use our voices to speak even louder for what we believe in and that we can work on our own healing even if we can’t quite get outside. Ms. Apple set women free together.

2. Fleet Foxes – Shore
3. Mura Masa – R.Y.C.
4. Kari Faux – Lowkey Superstar
5. Liv.e – Couldn’t Wait to Tell You…

Favorite live album: Dolores Diaz & The Standby Club – Live at O’Leaver’s

Top 5 Songs of 2020
1. Fiona Apple – “Shameika”
This is a badass, “can-do” tune that was inspired by a passing comment made decades ago, one Fiona surely never thought twice about until now. And as she pounds the piano with the strength of RBG, it’s clear that this is the song 2020 needed — not to mention that it came full circle, inspiring Shameika herself all these years later. Sweet.

2. Noname – “Song 33”
3. Open Mike Eagle feat. Kari Faux – “Bucciarati”
4. Liv.e – “Lessons From My Mistakes…but I Lost Your Number”
5. Quakers feat. Sampa the Great – “Approach with Caution”

Favorite remix: Thundercat feat. Smino & Guapdad 4000 – “Dragonball Durag”

Filed Under: Best of, Best of 2020, Editor's Picks, Featured Tagged With: 2 Chainz, Best of 2020, Bill Withers, Bonobo, Caribou, Coriky, Deftones, DJ Premier, Dolores Diaz & The Standby Club, Eddie Van Halen, Fiona Apple, Fleet Foxes, Greg Nice, Guapdad 4000, Hum, IDLES, John Prine, Josh Homme, Kari Faux, Little Richard, Liv.e, Mavis Staples, MF DOOM, Michael Kiwanuka, Middle-Aged Queers, Mura Masa, My Morning Jacket, Neil Peart, NOFX, Noname, Open Mike Eagle, Pearl Jam, Pears, Pharrell Williams, Quakers, Rage Against the Machine, Red Rocks Amphitheatre, Royal Blood, RTJ4, Run The Jewels, Rush, Sampa the Great, Smino, Squarepusher, Thundercat, Van Halen, Zack de la Rocha

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2018

December 28, 2018 by The Bam Team 2 Comments

David Byrne at Bill Graham Civic Auditorium // Showbams’ Photo of the Year, by Tim O’Shea

We have to be honest: 2018 was kind of a weird year for music. Sure, there were some major highlights — many of them listed below, in fact — but we also saw a serious changing of the guard. The decline of mainstream rock and the continued rise of hip-hop, R&B and pop was more noticeable than ever, from this year’s Coachella lineup to the cancellation of FYF Fest, making us wonder what the next twist or turn will be for the industry now that the demand for EDM has started to cool off following its boom circa 2012. That said, we still listened to a lot of new albums and caught plenty of concerts over the last 12 months, and it’s once again time for us to share our annual “Best of” lists, much like we have done over the past several years (see our 2017 picks here).

So, without further ado, Showbams presents The Bam Team’s five favorite shows, albums and songs from 2018.

See our favorite performances from 2018 here.

Listen to The Bam Team’s favorite songs of 2018:

Jamiroquai at Coachella 2018 // Photo courtesy of Coachella

Josh Herwitt // Los Angeles

Top 5 Shows of 2018
1. Queens of the Stone Age at The Forum – Inglewood, CA – February 17th
Just more than two months after his infamous assault on a photographer at The Forum for KROQ’s Almost Acoustic Christmas, Queens of the Stone Age leader Josh Homme made his return to the LA arena for a proper, sold-out affair with UK rock duo Royal Blood delivering what proved to be a headbanging opening set. From there, it only got better as Homme and the boys dazzled with a headlining performance that even included Villains producer Mark Ronson sitting in for most of the five-song encore and the band’s live debut of its “Goodbye Yellow Brick Road” cover. You can bet Elton John, whom Homme actually collaborated with during the writing and recording of QOTSA’s sixth album …Like Clockwork, would have been proud. I always know when I’ve seen a good rock ‘n’ roll show because my neck will be sore the following day, but after this one, it was sore for the next three days. Ouch.

2. Nine Inch Nails at Hollywood Palladium – Los Angeles, CA – December 12th, 14th-15th
3. Jamiroquai at Coachella, Weekend 1 – Indio, CA – April 13th
4. David Byrne at Santa Barbara Bowl – Santa Barbara, CA – August 24th
5. Foo Fighters/Nirvana reunion at Cal Jam 18 – San Bernadino, CA – October 6th

Top 5 Albums of 2018
1. Jungle – For Ever
Unlike previous years, picking a favorite album in 2018 wasn’t quite as easy for me. I’ll admit that I didn’t hear every one that was released this year, but I listened to a lot of them. So, call me boring and short-sighted if you like, but nothing totally knocked my socks off. After much deliberation, it was Jungle’s sophomore LP For Ever that stood the test of time for me (no pun intended). The English soul collective’s follow-up to its 2014 self-titled debut doesn’t veer off in a completely different direction from what came before, but it still moves the sonic needle forward enough. After two full lengths, Jungle have shown a knack for writing catchy, dance-fueled tunes that transport you to a different time and place — even if it’s only for a three- or four-minute stretch.

2. Khruangbin – Con Todo El Mundo
3. Arctic Monkeys – Tranquility Base Hotel & Casino
4. Kamasi Washington – Heaven and Earth
5. Big Red Machine – Big Red Machine

Top 5 Songs of 2018
1. Nine Inch Nails – “Over and Out”
When I first listened to Bad Witch, I immediately knew this one was my favorite track on the album. But hearing it performed live on the final night of NIN’s “Cold and Black and Infinite” North American tour sealed it for top honors in 2018. Layering a brooding, yet funky bass line on top of a glitchy, experimental beat, Trent Reznor shows that he isn’t just playing it safe and merely saving his creativity for scoring films with bandmate and longtime collaborator Atticus Ross. You can tell Reznor had his late friend David Bowie in mind when he wrote the song too as he conjures up an even deeper baritone from behind the microphone than the one we have come to know over the last 30 years.

2. Childish Gambino – “This Is America”
3. Jungle – “Heavy, California”
4. Wild Nothing – “Partners in Motion”
5. The Raconteurs – “Now That You’re Gone”

Molly Kish // San Francisco

Top 5 Shows of 2018
1. David Byrne at Fox Theater Oakland – Oakland, CA – August 16th
In support of his seventh solo album American Utopia, musical virtuoso David Byrne hit the road for one of this year’s most creative and ambitious tours. Over more than 150 dates that spanned the entire globe, the 66-year-old delivered Broadway-caliber performances with a traveling 11-piece band that served as a traveling retrospective of his solo and collaborative work. Meanwhile, the tour also doubled as a platform for him to deliver his “Reasons to Be Cheerful” manifestos on civic engagement, climate/energy, culture, economics, education, health, science/technology and urban transportation. He partnered with HeadCount while encouraging audiences every night to engage in public discourse through social media and their own personal stories on his website. And as a result, Byrne elevated the concert-going experience into more of an interactive, performance-art space that his fans became a living, breathing part of.

2. Young Fathers at The Independent – San Francisco, CA – November 10th
3. Erykah Badu & Thundercat at The Armory – San Francisco, CA – February 14th
4. Beck at The Independent – San Francisco, CA – August 8th
5. LCD Soundsystem with TV on the Radio at Greek Theatre Berkeley – Berkeley, CA – April 27th-28th

Top 5 Albums of 2018
1. Richard Russell – Everything Is Recorded by Richard Russell
A multi-artist project released as the debut album of XL Recordings founder Richard Russell, Everything Is Recorded is collaborative effort representing the ties between past and present sounds currently shaping the framework of hip-hop, funk and soul. Featuring collaborations with Sampha, Kamasi Washington, Syd, Damon Albarn, Peter Gabriel, Ibeyi, Obongjayar and more, the album also plays as the soundtrack to a 30-minute film, which documents the time each spent in the studio during its conception and is interspliced with archival footage of Gil Scott-Heron and Curtis Mayfield. With its underlying themes of loss and isolation, Everything Is Recorded effectively communicates Russell’s emotional journey as he battles a debilitating autoimmune disease in hope of finding salvation through the shared experience of creating a beautifully mastered piece of art.

2. George Fitzgerald – All That Must Be
3. Pusha T – DAYTONA
4. Robyn – Honey
5. Khruangbin – Con Todo El Mundo

Top 5 Songs of 2018
1. Childish Gambino – “This Is America”
If any song embodied the insanity and collective discontent of 2018, it was definitely Childish Gambino’s epic single “This Is America”. The juxtaposition of an a cappella choir leading into Donald Glover’s soft crooning over island beats and drum samples before staunchly diverting to a menacing base line reminiscent of 90’s gangster rap — as well as the hortative delivery of degrading lyrics about the current state of violence and American ideals — is near-perfect. Of course, the provocative music video that accompanied the track’s surprise release during his “Saturday Night Live” debut was incredible. The song, lyrics, video and marketing campaign could not have been a more flawless “slice of life” reflection of modern American society and justifiably has boomeranged into probably the most important moment of Childish Gambino’s career so far.

2. The Presets – “Downtown Shutdown”
3. Jon Hopkins – “Everything Connected”
4. Jungle – “Casio”
5. Parquet Courts – “Wide Awake”

Kevin Quandt // San Francisco

Top 5 Shows of 2018
1. David Byrne at Jazzfest – New Orleans, LA – April 29th
You know what they say: the first time is always the best. With David Byrne’s 2018 “American Utopia Tour” being universally acclaimed as one of the most enigmatic live shows of the year, it’s not surprising to see it top other “Best of” lists. Byrne and his merry band of “unplugged” pranksters created a feast for the eyes and ears, and his daytime set on the Gentilly Stage did not disappoint at all. While his Fox Theater Oakland shows were more intimate and featured some more dynamic lighting features, his performance at Jazzfest back in April was the most memorable for NOLA revelers.

2. Jamiroquai at Bill Graham Civic Auditorium – San Francisco, CA – April 17th
3. Polo & Pan at The Independent – San Francisco, CA – June 20th
4. Nine Inch Nails at Bill Graham Civic Auditorium – San Francisco, CA – December 4th
5. Rolling Blackouts Coastal Fever at Primavera Sound – Barcelona, Spain – June 2nd

Top 5 Albums of 2018
1. Khruangbin – Con Todo El Mundo
What a banner year for this Texas trio! Khruangbin have been on a steady rise the past few years as they turn on the masses to their infectious amalgamation of psychedelic soul, Thai surf rock and subtle funk. Having cemented their reputation as beasts in a live setting, Con Todo El Mundo proved their knack for penning tunes of equal strength with its emotive first single “Friday Morning” serving as a clear standout. “Evan Finds the Third Room” has also become a fan favorite, and the accompanying music video only lends to its growing charm. The sky’s the limit for Laura, Mark and DJ, so grab your ticket to fly.

2. Hookworms – Microshift
3. Amen Dunes – Freedom
4. Shame – Songs of Praise
5. Stephen Malkmus and the Jicks – Sparkle Hard

Top 5 Songs of 2018
1. Jonathan Wilson – “Trafalgar Square”
LA producer-turned-frontman Jonathan Wilson churned out one helluva album opener for his third solo LP Rare Birds, as this six-plus-minute romp has all the right pieces for true liftoff. A proper intro leads into a riff so heavy that it’ll break your mama’s back. Top-notch production is key to this track, as Wilson is a wiz behind the boards. As you cruise down the 405 with this whopper blaring, you’d be hard-pressed not to nod along. Extra points for those of you with a 1970’s convertible, too.

2. Tom Misch – “Water Baby” feat. Loyle Carner
3. Childish Gambino – “This Is America”
4. Jonathan Something – “Happy Day”
5. Men I Trust – “Seven”

Andrew Pohl // San Francisco

Top 5 Shows of 2018
1. The Smashing Pumpkins at Oracle Arena – Oakland, CA – August 27th
The Smashing Pumpkins are the quintessential 90’s arena-rock band, and they fully lived up to that billing at Oracle Arena for their Bay Area stop over the summer. I’ve seen them several times over the years, and although this time it was pegged as a “reunion tour” (minus D’Arcy, sigh), you never know what you’re going to get from them. Billy Corgan led the band through over three hours’ worth of material with some killer stage production to go with it. The show was definitely a marathon, but totally worth being there for. It came to light later that Corgan was also fighting off a bad case of food poisoning, but it didn’t show. It was great to see James Iha and Jimmy Chamberlain back onstage, too — the way it should be.

2. Nine Inch Nails at Bill Graham Civic Auditorium – San Francisco, CA – December 3rd
3. Against Me! & Turbonegro at UC Theatre – Berkeley, CA – May 25th
4. Alkaline Trio at The Warfield – San Francisco, CA – October 6th
5. Back To The Beach Festival – Huntington Beach, CA – April 28th-29th

Top 5 Albums of 2018
1. Shame – Songs of Praise
This album hit me like a ton of bricks in the best way. I had heard a ton of hype around Songs of Praise before giving it a first listen, and usually I am a healthy skeptic, but good Lord, does this record rip. It has a dark flavor and carries with it a lot of angst, and you can’t help but get caught up in the hooks that Shame offer. These five lads from South London simply killed it.

2. IDLES – Joy as an Act of Resistance
3. Kamasi Washington – Heaven and Earth
4. Hot Snakes – Jericho Sirens
5. Snail Mail – Lush

Top 5 Songs of 2018
1. Shame – “Concrete”
Conjuring up the ghost of Joy Division’s Ian Curtis without sounding like a complete poser is challenging for newer post-punk bands it seems — except for Shame’s Charlie Steen. Paired with some brilliant instrumentation, I just couldn’t stop listening to “Concrete” when I first heard it. I must have listened to the track a solid 10 times in a row on the first go. This song has an infectious quality to it and is a straight-up ripper.

2. The Soft White Sixties – “I Still Love You, San Francisco”
3. Hot Snakes – “Six Wave Hold-Down”
4. IDLES – “Colossus”
5. The Sword – “Come and Gone”

Filed Under: Best of, Best of 2018, Editor's Picks, Featured Tagged With: 311, Against Me!, Alkaline Trio, Amen Dunes, Arctic Monkeys, Back To The Beach, Back To The Beach Festival, Beck, Best of 2018, Big D & The Kids Table, Big Red Machine, Bill Graham Civic Auditorium, Bon Iver, Childish Gambino, Coachella, Coachella 2018, Coachella Music and Arts Festival, Coachella Music and Arts Festival 2018, Curtis Mayfield, Damon Albarn, David Byrne, Erykah Badu, Fishbone, Fox Theater Oakland, George Fitzgerald, Giggs, Gil Scott Heron, Goldfinger, Greek Theatre Berkeley, hepcat, Hollywood Palladium, Hookworms, Hot Snakes, Ibeyi, IDLES, Jamiroquai, Jon Hopkins, Jonathan Something, Jungle, Kamasi Washington, Khruangbin, Kurt Vile, LCD Soundsystem, Less Than Jake, Mad Caddies, Mark Ronson, Mela Murder, Men I Trust, Mustard Plug, Nine Inch Nails, Obongjayar, Oracle Arena, Outside Lands 2018, Outside Lands Music Festival 2018, Outside Lands night shows, Parquet Courts, Peter Gabriel, Polo & Pan, Primavera Sound, Primavera Sound 2018, Pusha T, Queens of the Stone Age, Richard Russell, Robyn, Rolling Blackouts Coastal Fever, Royal Blood, Sampha, Santa Barbara Bowl, Save Ferris, Shame, Smashing Pumpkins, Snail Mail, Stephen Malkmus, Stephen Malkmus & The Jicks, Sublime with Rome, Syd, The Aggrolites, The Aquabats, The Armory, The Forum, The Independent, The Internet, The Interrupters, The Mighty Mighty Bosstones, The National, The Presets, The Raconteurs, The Smashing Pumpkins, The Soft White Sixties, The Suicide Machines, The Sword, The UC Theatre, The Untouchables, The Warfield, Thundercat, Tom Misch, Turbonegro, TV on the Radio, Wild Nothing, Young Fathers

Cal Jam 18: The closest we might ever get to seeing Nirvana perform as Foo Fighters take us ‘way back’

October 12, 2018 by Josh Herwitt Leave a Comment

By Josh Herwitt //

Cal Jam 18 //
Glen Helen Regional Park & Festival Grounds – San Bernardino, CA
October 6th, 2018 //

When Dave Grohl decided last year to revive the original California Jam (or Cal Jam for short), there was something intriguing about the Foo Fighters turning a once-banner event into their own mini music festival.

After all, this was the same event that Deep Purple and Emerson, Lake & Palmer co-headlined at the now-demolished Ontario Motor Speedway in the spring of 1974, with Black Sabbath, the Eagles, Earth, Wind & Fire and more rounding out the bill.

But as major music festivals on U.S. soil have started to move away from rock ‘n’ roll — take a look at this year’s Coachella lineup if you don’t believe us — there have been fewer and fewer that are embracing the roughly 70-year-old genre.

That hasn’t deterred Grohl, though. In fact, it has only enticed him to bring Cal Jam back for a second straight year following a stellar 2017 edition that included the Foo Fighters, Queens of the Stone Age, Cage the Elephant, Liam Gallagher, The Kills, Royal Blood, Japandroids and so many more, including the UK’s latest Mercury Prize winners, Wolf Alice.

And although Cal Jam’s 2018 cast wasn’t quite as eye-popping as the one that took Glen Helen Regional Park by storm last October, it continued to expand in both size and scope with a new comedy tent on the grounds and a pop-up event in LA six weeks before that saw the Foos play a rare show as The Holy Shits, a secret moniker the band hasn’t used since 2014.

Greta Van Fleet

For this year’s installment, Grohl and company assembled another rock-centric roster, turning to legends like Iggy Pop with Post Pop Depression (featuring members of Queens of Stone Age and Arctic Monkeys), Tenacious D and Garbage as well as rising stars such as Greta Van Fleet, Manchester Orchestra and The Front Bottoms. Silversun Pickups were also originally listed on the bill, but were forced to cancel their appearance due to “unforeseen circumstances.” While it was certainly a bummer that the LA alt-rockers couldn’t make it out to San Bernardino, that didn’t stop us from making the 70-mile trek to the country’s largest outdoor music venue on a warm fall Saturday.

By the time we got through security and stepped inside the gates, Manchester Orchestra had just finished their 45-minute set on the main stage, which essentially was the 65,000-person Glen Helen Amphitheater that was constructed back in 1982 for the first US Festival. Next up was Greta Van Fleet, and boy, do these kids know how to rock. Zeppelin clearly runs deep in these four Michiganders’ veins, as they showcased songs off their forthcoming debut album Anthem of the Peaceful Army with frontman Josh Kiszka commanding the stage and offering his best Robert Plant impression. He even dresses the part, sporting some tight, white jeans with a water-colored blouse and necklace of feathers while his brothers Jake and Sam wore vests or shirts that looked like what you would find at a vintage clothing store.

If Greta Van Fleet evoked the spirit of the 70’s during their hour-long gig, Garbage made sure to conjure up plenty of 90’s nostalgia as Shirley Manson arrived onstage with red hair pulled back, a stripe of red face paint over her eyes, a red choker and a black-and-white ombré faux fur coat because it couldn’t have been real given her well-publicized support for PETA dating back more than a decade. Manson would eventually shed that one layer of warmth, revealing a black romper, red sweatbands and red fishnet stockings underneath as she and her cohorts — Duke Erikson (guitar, bass, keyboards), Steve Marker (guitar) and famed Nirvana producer Butch Vig (drums, percussion) — opened with their 2017 single “No Horses” on a surprisingly overcast day. Yet, the most memorable moment of Garbage’s performance came during “Only Happy When It Rains” — not because it’s still the quartet’s most popular song to this day, but because a few sprinkles, coincidentally enough, dropped from the dark, ominous sky. Hey, at least Manson must have been happy, right?

Night fell over the Inland Empire shortly thereafter, with Jack Black and Kyle Gass taking the stage for Tenacious D’s first full LA show since Festival Supreme in 2016. Though the 11-song performance hinged on the comedy rock duo’s previous studio material, the D are preparing to release their fourth album — and first in six years — Post-Apocalypto next month. “Double Team” from their 2001 self-titled debut LP, in the meantime, featured snippets of Van Halen’s “Panama” and Black Sabbath’s “War Pigs” before they encored with their cheeky tune “Fuck Her Gently” as the two actors/musicians have been known to do. Nevertheless, it was nice to see Black and Gass back onstage rocking out and making us chuckle because when you start to look around, there still aren’t too many who do what they do.

The same can be said for James Osterberg Jr., or more famously, Iggy Pop. At the age of 71, the Rock and Roll Hall of Famer hasn’t slowed down, and this was a particularly special occasion with his Post Pop Depression backing band after their 2016 world tour. Truth be told, anytime we get to see Queens of the Stone Age leader Josh Homme play is a treat, and with bandmates Troy Van Leeuwen and Dean Fertita as well as Arctic Monkeys drummer Matt Helders joining him, you couldn’t ask for a better group of musicians to showcase Iggy Pop’s massive catalog as a solo artist. To begin, the foursome jumped right into the title track on Iggy Pop’s Lust for Life, his 1977 commercial success, and from there delivered cuts from his other David Bowie-produced album The Idiot and Post Pop Depression. But the leathery, shirtless punk rocker is also a real hoot, and he showed his general appreciation for those of us who stood there and watched him let loose on the main stage, offering an emphatic “fucking thanks!” after pretty much every song ended. In that case … you’re fucking welcome, Iggy.

Garbage

Iggy Pop was a strong lead-in to the Foo Fighters’ headlining spectacle, which was supposed to start at 9:45 p.m. but actually kicked off 15 minutes prior. That’s because, after dropping a little hint earlier in the week, the Foos had something up their sleeves, but more on that in a jiffy. Grohl couldn’t have been in a much better mood, and in a lot of ways, Cal Jam feels like his own personal playground, from the fest’s outdoor movie theatre to the Foo Fighters Rock ‘N’ Roll Museum that’s filled with tons of memorabilia from the past 25 years. But Grohl also made a point on this night to celebrate the band’s history by playing one hit single after the next in chronological order, starting with “Run” and “The Sky Is a Neighborhood” on 2017’s Concrete and Gold and finishing with “For All the Cows” and “This Is a Call” from their 1995 self-titled debut. It was a little trip down memory lane, Foo Fighters style, even though there was more in store for us. What would follow we may never have the opportunity to see again.

As the Foos left the stage for their encore break, we waited patiently for them to return. The crowd, by now, had been taken for a two-hour ride with Grohl firmly at the wheel, pumping adrenaline into our veins with every minute that passed as the Foo Fighters know how to do so well during their usual two-and-a-half-hour jaunts. The video screens on each side of the stage were black until suddenly some backstage footage appeared showing Grohl with Krist Novoselic and what looked like Joan Jett. All of that would end up coming true in the last 30 minutes of Cal Jam 18, but it was a six-song encore with Grohl on drums, Novoselic on bass, the Foo Fighters’ Pat Smear on guitar and Deer Tick frontman John McAuley on both vocals and guitar as Kurt Cobain’s fill-in who got us hyped. Nirvana fans have waited 25 years for a reunion since Cobain’s sudden passing, and when you put it in perspective, it will probably go down as one of the year’s biggest surprises, even at a time in music when many industry experts say that rock now stands in the shadows of hip-hop and EDM. “Serve the Servants” came first, then “Scentless Apprentice” and “In Bloom” as McCauley, who played just a few hours earlier on the festival’s Sun Stage with Deer Tick, sang with the same kind of strain in his voice to make us think Kurt was actually up there.

But what about Jett? Well, the Queen of Rock ‘n’ Roll followed McCauley’s performance with three songs herself, including “Breed”, “Smells Like Teen Spirit” and finally “All Apologies” with Novoselic strapping on his accordion and Brody Dalle of The Distillers (Homme’s wife) taking over bass duties. This wasn’t the first time, however, that Jett had performed Nirvana material with Grohl, Novoselic and Smear. In 2014, the singer-songwriter joined the three of them onstage for “Smells Like Teen Spirit” during the Rock and Roll Hall of Fame induction ceremony. So while Jett wasn’t exactly making history with this cameo, it was still surreal to see Grohl paying homage to his former band with other All-Star musicians at what has now become the Foos’ annual hometown fest in a matter of two years.

Will Cal Jam be back in 2019? Can it survive Southern California’s ultra-competitive festival scene at a time when proven, well-funded ones like FYF Fest seemingly can’t?

We sure think so and hope so. With the oversaturation of three-day music festivals all over the world, there’s something refreshing and relaxing about watching a bunch of a great bands for a reasonable price over the course of one day. And if we learned anything from Cal Jam 18, it’s that you can never underestimate Dave Grohl or the power of rock ‘n’ roll.

Cal Jam 18 - Iggy Pop with Post Pop Depression

Filed Under: Editor's Picks, Featured, Festivals Tagged With: Arctic Monkeys, Billy Idol, Black Mountain, Black Sabbath, Black Sabbitch, Bridget Everett, Cage the Elephant, Cal Jam, Cal Jam 18, California Jam, Charlie Overbey, Charlie Overbey & The Broken Arrows, Cosmic Kahuna, Deer Tick, Eagles, Earth Wind & Fire, FEA, Festival Supreme, Foo Fighters, Gang of Youths, Garbage, Giants in the Trees, Glen Helen Amphitheater, Glen Helen Regional Park, Glen Helen Regional Park & Festival Grounds, Greta Van Fleet, Harland Williams, Iggy Pop, Iggy Pop with Post Pop Depression, Jack Black, Jamie Kennedy, Josh Homme, Kingfish, Kyle Gass, Liam Gallagher, Manchester Orchestra, METZ, Post Pop Depression, Queens of the Stone Age, Royal Blood, Skyler Stone, Slaves, Slaves (UK), Tenacious D, The Broken Arrows, The Front Bottoms, The Holy Shits, The Kills, Thunderpussy, US Festival, Wolf Alice, Yungblud

Our favorite performances from 2017

December 29, 2017 by The Bam Team 1 Comment

2017, where the hell did you go? It just felt like the other day that we were ringing in a new year, and yet, here we are again as we plow straight ahead into 2018.

But before we officially put a bow on 2017, it’s time for us to revisit the past 12 months at Showbams. This year, we had the opportunity to capture many amazing moments in live music, and while we couldn’t pay homage to every single performance we witnessed, we made a conscious effort to include a wide range of talent spread across the industry.

Whittling down our list, though, was not that easy. Those who didn’t make the cut but still deserve to be mentioned here include the following artists, DJs and bands (in alphabetical order) whom we either covered at their own show and/or at a music festival this year:

21 Savage, The Accidentals, Action Bronson, Alice Cooper, Alina Baraz, alt-J, Amber Mark, Andrew McMahon in the Wilderness, Animal Collective, Atlas Genius, The Avalanches, The Band Perry, Beach Slang, Belle and Sebastian, Black Moth Super Rainbow, Bleachers, Blonde Redhead, Bob Moses, Car Seat Headrest, Cate Le Bon, Cigarettes After Sex, Circles Around the Sun, City of Caterpillar, The Coathangers, Claude VonStroke, Chris Robinson, Con Brio, Conor Oberst, Courtney Barnett & Kurt Vile, Crystal Castles, The Crystal Method, Daniel Caesar, Dawes, Dead Meadow, Deafheaven, Deep Purple, Diet Cig, DIIV, Dirty Dozen Brass Band, Dr. Dog, Dr. Octagon, Duke Dumont, Eagles of Death Metal, Electric Guest, Emancipator, Emily King, Empire of the Sun, Foxygen, Future Islands, Gabriel Garzón-Montano, Gatecreeper, Girl Talk, Gone Is Gone, Grizzly Bear, Gucci Mane, Hamilton Leithauser, Hazel English, Hinds, The Hip Replacements, Hiss Golden Messenger, How to Dress Well, Iggy Pop, Isaiah Rashad, Jack Johnson, Jagwar Ma, Jamestown Revival, Jamie Isaac, Jay 305, Jen Cloher, Jessica Hernandez & The Deltas, Jessie Ware, Jim James, JR JR, Julie Byrne, Julien Baker, Justice, Karen Elson, Karl Denson’s Tiny Universe, KAYTRANADA, Kelis, K. Flay, Khalid, Khruangbin, Kilo Kish, King Gizzard and the Lizard Wizard, Kurt Vile, La Femme, LANY, Lauv, L.A. Witch, Lettuce, Lil Yachty, Little Dragon, Lo Moon, Lorde, Lord Huron, Miike Snow, Milky Chance, Minus the Bear, Mister Heavenly, MØ, Mondo Cozmo, Neon Indian, Nicki Bluhm, Norah Jones, North Mississippi Allstars, NVO, Oh Sees, OK Go, Once and Future Band, Pallbearer, The Palms, Passion Pit, Peaches, Perfume Genius, Petit Biscuit, Phoebe Bridgers, Playboi Carti, Pond, Porcelain Raft, PRAYERS, The Radio Dept., Real Estate, The Revivalists, Royal Blood, Sampha, ScHoolboy Q, Sheer Mag, serpentwithfeet, Silversun Pickups, Sleep, Sleigh Bells, SOFI TUKKER, Solange, Spiritualized, Styles P, Sunflower Beam, Talib Kweli, Tank and The Bangas, Tash Sultana, Tei Shi, Temples, Tennis, Tennyson, Thou, Thundercat, TOBACCO, Touché Amoré, Tool, Tove Lo, Travis Scott, Twin Peaks, Ty Segall, Unknown Mortal Orchestra, Vagabon, Vance Joy, Vic Mensa, Warpaint, Weezer, White Fence, Woods, YG, Young the Giant.

Now, it’s time for The Bam Team to present our favorite performances from 2017.

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2017

Listen to The Bam Team’s favorite songs of 2017:

Run the Jewels

Date: February 1st
Location: Shrine Expo Hall – Los Angeles

Yet, in just four years, Run the Jewels have already reached hip-hop’s mountaintop with their politically charged lyrics and hard-hitting beats. Just take last Wednesday’s sold-out show in LA for example. With the duo’s third studio album still only a few weeks old, 5,000 or so fans poured into the spacious Shrine Expo Hall to watch El-P and Killer Mike fuck shit up (for lack of a better term). And that’s exactly what they did after opening sets from The Gaslamp Killer, Nick Hook, Gangasta Boo and CUZ. -Josh Herwitt, photo by Josh Herwitt

BADBADNOTGOOD

Date: February 23rd
Location: The Fillmore – San Francisco

As one of the bands to take the coveted headlining spot for NoisePop25, BADBADNOTGOOD seemed as — perhaps more — excited as all of the fans who made it to their sold-out show at The Fillmore. Combining consummate instrumentation with classic MC-style showmanship led by drummer Alexander Sowinski, the Canadian jazz-rock quartet has mastered the art of keeping the audience guessing where they’re going. -Brett Ruffenach, photo by James Pawlish

Spoon

Date: March 7th
Location: Apogee Studio – Santa Monica, CA

In total, Spoon performed five songs from the new record, including “First Caress” to open a brief encore that left us eager for more. But as the five-piece rocked “Rainy Taxi” from 2014’s They Want My Soul to close, I couldn’t help but think to myself that this is one band I never should have slept on. -Josh Herwitt, photo by Larry Hirshowitz

Sigur Rós

Date: April 8th
Location: Greek Theatre – Berkeley, CA

Now a trio, Sigur Rós have been delivering goosebumps for over two decades — and it’s a delight to hear Jónsi’s voice-as-an-instrument this clear, this powerful and as confident as ever. It would be a wonderful treat to check in on this outfit every 5-10 years going forward and realize they are still going strong. -Mike Frash, photo by James Nagel

DREAMCAR

Date: April 9th
Location: Great American Music Hall – San Francisco

Fresh off a stop at Berkeley’s Hearst Greek Theatre the night before, Adams showcased some older favorites and a slew of new tunes from his 16th and latest studio album Prisoner, which came out in February. SoCal fans were treated to some extended full-band jamming, a couple of solo acoustic performances and Adams’ usual witty banter over the course of the evening.
-Jared Stossel, photo by Jared Stossel

A Perfect Circle

Date: April 13th
Location: Bill Graham Civic Auditorium – San Francisco

In the world of rock supergroups, there are few that have sprung up in the last few decades that can hold a candle to A Perfect Circle. From the onset, APC have been a powerhouse on the senses, combining members from bands such as Tool, The Smashing Pumpkins, Failure, Primus and more over the years. Their body of work has been met with high praise across the board, and they have been able to solidify themselves as one of the most unique and tenured groupings out there, as opposed to bands like Zwan and Velvet Revolver. -Andrew Pohl, photo by Mike Rosati

Radiohead

Date: April 14th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

Yes, the sound problems (all three instances) put a real damper on what was easily one of the most anticipated performances of the weekend. This was the third time Goldenvoice called on Radiohead to headline Coachella, and for one of rock’s most important bands over the last 30 years, it certainly wasn’t a charm as the saying goes. In that moment, it was pretty hard not to feel bad for Thom Yorke, who could only make light of the situation by cracking a joke even if it wasn’t supposed to be one — or so he claimed. But Radiohead more than made up for it with a masterful setlist that opened with A Moon Shaped Pool cuts “Daydreaming”, “Desert Island Disk” and “Ful Stop” before circling back to older hits such as “Everything in Its Right Place”, “There There”, “Idioteque” and even “Creep”. -Josh Herwitt, photo courtesy of Coachella

Kendrick Lamar

Date: April 16th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

All hail, King Kendrick! Or should we say “Kung Fu Kenny?” The Compton rapper reached hip-hop’s mountaintop more than two years ago with his Grammy-winning masterpiece To Pimp a Butterfly, but headlining Coachella was still on his to-do list. In fact, it was only the second time he had ever been booked to perform at Coachella after being listed on the last line of the 2012 poster. Closing out the fest is no short order for any artist, let alone one who dropped his new album less than 48 hours before taking the stage, but K-Dot lived up to the billing with a show that provoked as much thought as it entertained. -Josh Herwitt, photo courtesy of Coachella

The xx

Date: April 17th
Location: Bill Graham Civic Auditorium – San Francisco

Playfully alluding to their material’s emotional sentiment, Romy Madley Croft (vocals, guitar) and Oliver Sim (bass, vocals) managed to entrance all of us with their tension-filled gazes and syncopated dance moves. Prolonging vocal arrangements, especially during their accelerated live interpretation of “Infinity”, were also stunning to witness. About halfway through the set, Jamie Smith (beats, MPC, production), aka Jamie xx, took the lead and transformed the room into a giant disco party thanks to an onslaught of consecutive dance hits before finishing with “Loud Places” from his 2015 solo LP In Colour. -Molly Kish, photo by Norm de Veyra

Moderat

Date: April 20th
Location: Mayan Theater – Los Angeles

Moderat subsequently circled back to III, performing “Intruder” before exiting the stage to a rousing applause. Yet, when the house lights didn’t come on right away, the suspense began to build once again. Less than a minute later, the three-piece reemerged, giving the audience more than its money’s worth. Two-encore shows are usually reserved for high-profile groups with extensive catalogs like Radiohead, but Moderat have never played by any rules. -Josh Herwitt, photo by Josh Herwitt

The Flaming Lips

Date: May 9th
Location: The Theatre at Ace Hotel – Los Angeles

The Lips, of course, made sure to play that song, and even though it was without Watts, it still proved to be an unforgettable moment due to the fact that Coyne rode a life-size unicorn from one end of the stage to the other as he belted out lines like “Yeah, there should be unicorns / The ones with the purple eyes / It should be loud as fuck / Hope the swans don’t die” to open the tune while wearing a big smile across his face. If that’s not psychedelic to you, then I don’t know what is. -Josh Herwitt, photo by Josh Herwitt

Ryan Adams

Date: June 3rd
Location: Greek Theatre – Los Angeles

Jay Som

Date: June 17th
Location: Potrero del Sol Park – San Francisco

Melina Duterte’s band goes by the name Jay Som and hails from Oakland. Do yourself a favor and remember this name: Jay Som. The Polyvinyl-signed songstress bathed the crowd at the Potrero Stage in her dreamy vocals and inanely catchy tunes that appeal to a wide-range of music fan; her songs could feel just as viable in the 90’s college rock area as they do today. Highlights from the set included a vibe-soaked rendition of “Baybee” as well as “The Bus Song”, arguably the artist’s first real “hit.” -Kevin Quandt, photo by Emmeline Munson

AIR

Date: June 23rd
Location: The Masonic – San Francisco

AIR’s live performances focus on capturing the crisp, detailed production style that the duo has honed over two decades. It’s a vibrant, textured sound. Centered around acoustic guitar, synthesizers and the breathy timbre of the duo’s immaculate harmonized vocals, the use of live drums helped round out the contrast between both the artificial and acoustic sounds in songs like “Cherry Blossom Girl”. -Brett Ruffenach, photo by Steve Carlson

PLANETARIUM

Date: July 21st
Location: Fox Theater Oakland – Oakland

PLANETARIUM’s music, which channels Stevens’ reflections on astronomy, science and even the intricacies of human consciousness, is a fusion of styles from all four band members that evokes feelings of unity. The group’s performance was accompanied by otherworldly visuals that filled the backdrop as it traversed the Solar System with quite a few emotionally charged songs inspired by the planets and other celestial bodies like “Neptune” and “Jupiter”. -Norm de Veyra, photo by Norm de Veyra

The Drums

Date: July 21st
Location: The Fillmore – San Francisco

By the time The Drums took the stage, the intimate venue was packed to the brim with fans. The Brooklyn outfit made as much of an impression as it did when frontman Jonathan Pierce and company exploded onto the scene in 2009 with their initial EP Summertime! From then on, it became glaringly obvious with their eccentric band members and seemingly effortless style that they possessed an energetic presence. And at their SF show, it didn’t take long for the capacity crowd to fall into a groove as the venue’s whole atmosphere lit up. -Jacqueline Moore, photo by Jacqueline Moore

Miguel

Date: July 23rd
Location: Annenberg Space for Photography – Los Angeles

Once the sun set and Miguel stepped onstage, the audience was transported somewhere else entirely. Born and raised in LA, the 31-year-old’s silky-smooth voice floated through the cool evening breeze over the twinkle lights in the trees, giving the impression of an island retreat rather than a concert in the park. -Rochelle Shipman, photo by Rochelle Shipman

The War on Drugs

Date: August 5th
Location: Apogee Studio – Santa Monica, CA

Granduciel’s raspy voice, as well as his driving (no pun intended) guitar rhythms and reverb-laden riffs, are largely what separates The War on Drugs from the rest in a crowded indie-rock scene, but the sum of the band’s parts — Charlie Hall (drums), David Hartley (bass), Anthony LaMarca (guitar, keyboards), Robbie Bennett (keyboards) and finally Jon Natchez (saxophone, keyboards) — also creates a sound that while familiar, still feels uniquely different. -Josh Herwitt, photo by Larry Hirshowitz

Gorillaz

Date: August 11th
Location: Outside Lands Music and Arts Festival, Golden Gate Park – San Francisco

Easily one of the most anticipated acts of the weekend, Gorillaz’s Humanz tour made its West Coast debut on Day 1 at OSL. After a six-year hiatus, expectations ran extremely high for this headlining performance. On previous tours, the band’s members had played second fiddle to the cartoon projections of their alter egos onstage, but everyone was visible this time around. Several collaborators from Gorillaz’s previous albums, including Kali Uchis, Yukimi Nagano and Del the Funky Homosapien, came out to join them, and the Damon Albarn-led group still pulled some even bigger surprises with cameos appearances from De la Soul and Pusha T. -Molly Kish, photo by James Pawlish

Cage the Elephant

Date: August 12th
Location: Outside Lands Music and Arts Festival, Golden Gate Park – San Francisco

While the cancellation of Queens of the Stone Age was a blow a week prior to the event, the replacement that was lined up more than delivered a blistering set of rock ‘n’ roll. Cage the Elephant are now being widely considered festival-headliner material, and frontman Matt Shultz is making a strong claim for that accolade as he continues to elevate his stage act to near-Mick Jagger levels of pomp and energy. “Come a Little Closer” and “Ain’t No Rest for the Wicked” received hearty sing-alongs from a decidedly youthful crowd as Cage have become a favorite of Generation Z. -Kevin Quandt, photo by Marc Fong

J.I.D

Date: September 9th
Location: Day N Night Fest, Angel Stadium – Anaheim, CA

While the headliners thrilled as expected, it was at the side “Day” and “Night” stages where the festival’s biggest highlights were generated. J.I.D, the rising Atlanta rapper who is signed to J. Cole’s Dreamville imprint, absolutely thrilled during his set. Dazzling with his rapid-fire and agile flow, J.I.D showed off his ability to command a crowd with songs such as “General” and “EdEddnEddy” before jumping into the crowd for the tempo-changing hit “Never” that left the crowd chanting for “one more song!” -Joseph Gray & Rochelle Shipman, photo by Rochelle Shipman

SZA

Date: September 9th
Location: Day N Night Fest, Angel Stadium – Anaheim, CA

Saturday, meanwhile, featured the vintage gospel spirit and warm vibes that have elevated Chicago emcee Chance the Rapper to superstardom. Earlier in the day, SZA, this summer’s breakout star, delivered her first festival performance since the release of her well-received debut album Ctrl. Swaying, spinning and singing her raw emotions and shortcomings while coming of age, the Top Dawg Entertainment songstress didn’t disappoint. -Joseph Gray & Rochelle Shipman, photo by Rochelle Shipman

Bonobo (Live)

Date: September 27th
Location: Greek Theatre – Los Angeles

The real reason things felt different this time around, though, was the music. Extending and reimagining his tracks for easily one of the largest crowds he has ever performed in front of, Bonobo followed an uplifting opening set from Canadian electronic duo Bob Moses with an array of soothing sounds that paired beautifully with his lighting setup and entrancing stage production in the same way Scott Hansen (aka Tycho) creates an awe-inspiring audio-visual experience during his live-band performances. -Josh Herwitt, photo by Josh Herwitt

Coldplay

Date: October 4th
Location: Levi’s Stadium – Santa Clara, CA

Coldplay took the stage shortly before 9 p.m. as a video montage of fans who introduced them as “the biggest band in the world” played onstage. While I’m pretty sure there are a few other artists or groups from their side of the pond (ehem, U2) who might take issue with that claim, they certainly did nothing during their electric, almost two-hour performance to dissuade that sort of thinking. Chris Martin and company, in fact, wasted no time getting down to business, flooding the stadium with confetti and firing off pyrotechnics at a steady clip while opening with “A Head Full of Dreams” and subsequently all throughout the night. -Steve Carlson, photo by Steve Carlson

Broken Social Scene

Date: October 26th
Location: Fox Theater Oakland – Oakland

Here’s the thing about BSS — after 15 years, the web of musicians that makes up the collective have created their own individual projects, from Metric to Stars to Feist to Do Make Say Think to Emily Haines & The Soft Skeleton. And while many of the band’s members who have gone on to find success in their own solo careers didn’t happen to join the group on this particular tour, the sense of professionalism built into the BSS live experience remains prevalent. Every person who stepped onstage demonstrated consummate abilities in their own realms, never missing a beat or a note. -Brett Ruffenach, photo by Norm de Veyra

Filed Under: Best of, Best of 2017, Editor's Picks, Featured Tagged With: 21 Savage, Action Bronson, AFI, Air, Alice Cooper, Alina Baraz, Amber Mark Beach Slang, Andrew McMahon in the Wilderness, Animal Collective, Annenberg Space for Photography, Apogee Studio, Atlas Genius, BADBADNOTGOOD, Belle and Sebastian, Best of 2017, Bill Graham Civic Auditorium, Black Moth Super Rainbow, Bleachers, Blonde Redhead, Bob Moses, Broken Social Scene, Cage the Elephant, Car Seat Headrest, Cate le Bon, Chris Robinson, Cigarettes After Sex, Circles Around the Sun, City of Caterpillar, Claude VonStroke, Coachella, Coachella 2017, Coachella Music and Arts Festival, Coldplay, Con Brio, Conor Oberst, Courtney Barnett, Courtney Barnett & Kurt Vile, Crystal Castles, Daniel Caesar, Dawes, Day N Night Fest, Day N Night Fest 2017, Day N Night Festival, Day N Night Festival 2017, Dead Meadow, Deafheaven, Deep Purple, Diet Cig, DIIV, Dirty Dozen Brass Band, Dr. Dog, Dr. Octagon, DREAMCAR, Duke Dumont, Eagles of Death Metal, Electric Guest, Emancipator, Emily King, Empire of the Sun, Fox Theater Oakland, Foxygen, Future Islands, Gabriel Garzón-Montano, Gatecreeper, Girl Talk, Gone Is Gone, Gorillaz, Great American Music Hall, Greek Theatre, Greek Theatre Berkeley, Grizzly Bear, Gucci Mane, Hamilton Leithauser, Hazel English, Hinds, Hiss Golden Messenger, How to Dress Well, Iggy Pop, Isaiah Rashad, J.I.D., Jack Johnson, Jagwar Ma, Jamestown Revival, Jamie Isaac, Jay 305, Jay Som, Jen Cloher, Jessica Hernandez & The Deltas, Jessie Ware, Jim James, Jr. Jr., Julie Byrne, Julien Baker, Justice, k.flay, Karen Elson, Karl Denson's Tiny Universe, Kaytranada, Kelis, Kendrick Lamar, Khalid, Khruangbin, Kilo Kish, King Gizzard and the Lizard Wizard, Kurt Vile, L.A. Witch, La Femme, LANY, Lauv, Lettuce, Levi's Stadium, Lil Yachty, Little Dragon, Lo Moon, Lord Huron, Lorde, Mayan Theater, Miguel, Miike Snow, Milky Chance, Minus the Bear, Mister Heavenly, MO, Moderat, Music Festival Outside Lands Music Festival 2017, Neon Indian, Nicki Bluhm, No Doubt, Noise Pop, Noise Pop 2017, Noise Pop 25, Noise Pop Festival, Norah Jones, North Mississippi Allstars, NVO, Oh Sees, OK Go, Once and Future Band, Outside Lands, Outside Lands 2017, Outside Lands Music Festival, Pallbearer, Passion Pit, Peaches, Perfume Genius, Petit Biscuit, Phoebe Bridgers, Phono Del Sol, Phono del Sol 2017, Phono del Sol Music Festival 2017, Playboi Carti, Pond, Porcelain Raft, Potrero del Sol Park, PRAYERS, Real Estate, Royal Blood, Run The Jewels, Ryan Adams, Sampha, Schoolboy Q, serpentwithfeet, Sheer Mag, Shrine Expo Hall, Sigur Ros, Silversun Pickups, Sleep, Sleigh Bells, Sofi Tukker, Solange, Spiritualized, Spoon, Styles P, Sufjan Stevens, Sunflower Beam, Talib Kweli, Tank and the Bangas, Tash Sultana, Tei Shi, Temples, Tennis, Tennyson, The Accidentals, The Avalanches, The Band Perry, The Coathangers, The Crystal Method, The Drums, The Fillmore, The Hip Replacements, The Masonic, The National, The Palms, The Radio Dept., The Revivalists, The War on Drugs, The xx, Thou, Thundercat, Tobacco, Tool, Touché Amoré, Tove Lo, Travis Scott, Twin Peaks, Ty Segall, Unknown Mortal Orchestra, Vagabon, Vance Joy, Vic Mensa, Warpaint, Weezer, White Fence, Woods, YG, Young The Giant

Outside Lands 2017: Our 10th anniversary awards

August 28, 2017 by The Bam Team Leave a Comment

Photos by Marc Fong & James Pawlish // Written by Kevin Quandt & Molly Kish //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 11th-13th, 2017 //

Outside Lands celebrated its 10th anniversary this August, and it was a weekend that we can definitively say had its share of ups, downs and unexpected twists. While many found plenty to gripe about, some took away a more positive experience, proving that music festivals and live music events are truly unpredictable even when you have some of the best in business at the helm. That said, the increasingly over-inflated market of music festivals right now can be volatile and may not be a cakewalk for concert promoters as more and more folks are drawn to large-scale events such as Lollapalooza, Coachella and Outside Lands.

Some stated that the 2017 edition of OSL lacked fireworks when the lineup dropped. Others said the lineup catered closer to the 25-35 demographic. There was no lack of opinions with regard to the acts that Another Planet Entertainment and Superfly booked, but it was clear they did have a vision and a bill that stood apart from the pack with a rare group of festival legends in The Who, Gorillaz and Metallica. Below those names led to further intrigue with the return of Queens of the Stone Age, Fleet Foxes and A Tribe Called Quest after a multiyear absence from the live arena.

But many now know that two out of those three sub-headliners were unable to perform for one reason or another, and while these sorts of things are generally out of anyone’s hands, they still take a toll on everyone involved in the days, hours and even minutes leading up to those highly anticipated sets. Alas, when you have such festival production pros who were backed by three insanely spot-on headliners, these bumps in the road can create something different than initially intended, yet equally satisfying.

So, without further ado, here are our awards from the 2017 edition of Outside Lands.

Gorillaz

Best three-time OSL performer: Hamilton Leithauser
One highlight this year was the debut of Hamilton Leithauser’s solo act on the Sutro Stage. Having played the festival in 2008 and 2012 with his primary outfit, The Walkmen, his set marked the rare occasion of an artist performing at Outside Lands for the third time, and while Leithauser did have to battle some minor sound issues, he rallied past them like the consummate professional that he is. Short of “Alexandra”, Leithauser exclusively dug into tracks from his collaborative album with fellow New Yorker Rostam Batmanglij (formerly of Vampire Weekend) by the name of I Had a Dream That You Were Mine. The spirited crooner still remains at the top of his game, and his vocal performance can’t be rivaled by even the best. One can only hope that this will not be Leithauser’s final time onstage at OSL as fans clamor to know what’s next from this crooning, indie god. -KQ

Best cameo’d performance of the weekend: Gorillaz
Easily one of the most anticipated acts of the weekend, Gorillaz’s Humanz tour made its West Coast debut on Day 1 at OSL. After a six-year hiatus, expectations ran extremely high for this headlining performance. On previous tours, the band’s members had played second fiddle to the cartoon projections of their alter egos onstage, but everyone was visible this time around. Several collaborators from Gorillaz’s previous albums, including Kali Uchis, Yukimi Nagano and Del the Funky Homosapien, came out to join them, and the Damon Albarn-led group still pulled some even bigger surprises with cameos appearances from De la Soul and Pusha T. The two-hour set also saw Little Simz deliver a blistering performance of “Garage Palace” as well as a string of radio hits that included “Feel Good Inc.”, Clint Eastwood” and “Demon Daze”. With longtime fans and a new generation of contemporaries on hand, there was something truly special about seeing a packed crowd sing along with some cartoon legends. -MK

Best reason to sit in Golden Gate Park with your friends and listen to music: Real Estate
Real Estate continue to tour off this year’s stellar LP release, In Mind, and they demonstrated their live prowess at OSL with a sphincter-tight set of jangle pop. “Stained Glass” got the show started for the rather sizable crowd, which only grew over their allotted time. The Sutro Stage has become an ideal locale for mellower acts to play for slightly-more-seated audiences, and this set felt more loungey than others even though fan favorites “It’s Real” and “Green Aisles” punctuated a strong, breezy performance from Martin Courtney, Alex Bleeker and crew. -KQ

Most in need of performance pointers: KAYTRANADA
KAYTRANADA’s debut LP 99.9% was a highlight from 2016, and the Canadian producer has been continuing his victory lap with banner festival sets all around the world. While there’s no denying the infectious nature of his tracks like “Glowed Up” and “Got It Good” in a large-group setting, we yearn to get a little more out KAYTRA when he’s onstage. To be fair, he has loosened up a little and will toss a quick little dance move or hand gesture, but he still really doesn’t engage his audience much, whether it’s in the intimate confines of Mezzanine or in front of 25,000 strong at Outside Lands’ Twin Peaks Stage. Kay, like many others, was pretty stoked for A Tribe Called Quest to follow, but we all know how that ended. -KQ

Cage the Elephant

Next “big” rock headliner (TIE): Cage the Elephant and Royal Blood
While the cancellation of Queens of the Stone Age was a blow a week prior to the event, the replacement that was lined up more than delivered a blistering set of rock ‘n’ roll. Cage the Elephant are now being widely considered festival-headliner material, and frontman Matt Shultz is making a strong claim for that accolade as he continues to elevate his stage act to near-Mick Jagger levels of pomp and energy. “Come a Little Closer” and “Ain’t No Rest for the Wicked” received hearty sing-alongs from a decidedly youthful crowd as Cage have become a favorite of Generation Z.

But Cage did have some competition at OSL, and these guys are moving at a helluva pace for the crown. Royal Blood have been one of the hottest rock acts over the past few years. I mean, their first single wasn’t even released four years ago. Royal Blood quickly rose to fame in the UK, then set their sights on Europe and lately have become the new darlings of alt-rock radio here in the U.S. with one of their newest singles, “Lights Out”. The bass-and-drums duo make a serious racket for only two blokes onstage, but they put on a show that rivals any full-band act with four or five members. Similar to Cage, the kiddos were swirling up a decent little pit in front of the stage while Mike Kerr belted out an impressive setlist with minimal effort and contributed to the low end in a serious manner. -KQ

Best use of Thai funk in a group setting: Khruangbin
Sure, many think K-bin (short for “Khruangbin”) have Thai origins with their Thai name (which means “airplane”) and their Thai funk-infused groove rock. But this rising trio that met and formed in Texas have steadily built a following based around an infectious sound that feels home both on the dance floor and at the lounge. Mark Speer on guitar is a phenom to behold; his playing style, coupled with his tone, has a true lyrical quality that’s perfect for the trio, which opted to not have a lead vocalist. It was clear that the band, like many fans in attendance, were bummed about ATCQ’s sudden cancellation, so they decided to bring one of their classics, “Electric Relaxation”, to life as drummer Donald Johnson delivered the chorus. Many chuckled and grooved to the track before the band jumped back into a set that featured “Mr. White” and “The Infamous Bill”. We can only hope a sophomore LP is not too far off. -KQ

Best use of a festival billing for a greater purpose: Solange
After a weekend marred with schedule changes and cancellations, Solange was the festival’s saving grace on Day 3. Despite starting 15-20 minutes late, she descended upon the glowing stage in a choreographed flight pattern, followed by her backing band and team of dancers, and segued directly into a soulful montage of hits from 2016’s A Seat at the Table, extending each breakdown with some interpretive dance routines. An outstanding cover of Thundercat’s “Heartbreaks + Setbacks” was seamlessly woven midway into her set before leading into an all-out dance party with deep cuts from her 2012 LP True. Solange then took a minute to touch upon the events that were happening concurrently in Charlottesville. As the only artist on the OSL bill to do so, she addressed the tragedy and utilized the stage as a final public platform before deleting her Twitter account the next day. The evening ended in dramatic fashion with the power getting shut off and the performance concluding with the crowd singing the lyrics to “Rise” in the dark. -MK

Outside Lands 2017 - Belle and Sebastian

Filed Under: Editor's Picks, Featured, Festival Reviews, Festivals Tagged With: A Tribe Called Quest, Above & Beyond, Action Bronson, Alt-J, Belle and Sebastian, Bleachers, Bomba Estéreo, Cage the Elephant, Dawes, Del The Funky Homosapien, Dr. Octagon, Electric Guest, Empire of the Sun, Fleet Foxes, Foxygen, Future Islands, GastroMagic, Golden Gate Park, Goldroom, Gorillaz, Hamilton Leithauser, Heineken Dome, How to Dress Well, Hundred Waters, James Vincent McMorrow, k.flay, Kali Uchis, Kaytranada, Khruangbin, Little Dragon, Lorde, Louis the Child, Maggie Rogers, Metallica, MUNA, Music Festival Outside Lands Music Festival 2017, Noname, Outside Lands, Outside Lands 2017, Outside Lands Music Festival, Outside Lands Music Festival 2017, Queens of the Stone Age, RAC, Rag'n'Bone Man, Real Estate, Rebelution, Rostam, Rostam Batmanglij, Royal Blood, S U R V I V E, Schoolboy Q, Shovels & Rope, Sleigh Bells, Sofi Tukker, SOHN, Solange, Temples, The Avett Brothers, The Lemon Twigs, The Who, Thundercat, Tove Lo, Vampire Weekend, Vance Joy, Warpaint, Young The Giant

Outside Lands 2017: Top 5 things to see, eat & drink

August 10, 2017 by Kevin J Quandt Leave a Comment

Photo by James Pawlish // Written by Kevin Quandt //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 11th-13th, 2017 //

Outside Lands returns this weekend for its 10th anniversary, and to get you ready for three fun-filled days in Golden Gate Park, we’ve outlined our top sets that you won’t want to miss, this year’s biggest scheduling conflicts, some potential guest appearances and the very best beverages to drink.

Also, don’t forget to create your own schedule here, and enter for a chance to GO4FREE to XXYYXX’s show this Saturday, August 12th at a secret location here.

TOP SETS NOT TO MISS

A Tribe Called Quest: While we see how this may be a controversial choice to top this list with the untimely passing of founding member Phife Dawg, it appears this may be the final time the Bay, or even the U.S., get to see the legendary hip-hop group perform. The group’s FYF Fest and Panorama performances featured multiple references to being the final ATCQ shows in those cities, so all the chatter about how extensive this “farewell tour” will be has reached a fevered pitch. Pro (Q)tip: Wanna hear Tribe’s popular hits? They’ll be featured at the end of their set.

Lorde: Sure, she has found herself toward the top of many festival lineups this year, and for good reason, as Lorde is one of the most popular artists out there right now, and her latest release Melodrama will surely be in top contention for Album of the Year. At only the age of 20, the singer’s recent sophomore success has also translated to the stage in impressive ways and will surely satiate the 18-25 demographic before The Who close out the event on Sunday.

Royal Blood: The unfortunate cancellation of Queens of the Stone Age has put a dampening on fans of all things rock, especially since Saturday was stacked in said department. Though some will be pleased with Cage the Elephant as the replacement, it does leave a glaring gap for many hoping to get another hour-plus of fist-banging rock and f’in roll. So, let’s longingly look to the upstart UK hard-rock duo that continues to make waves across the global festival circuit and delivers some amalgamation of Muse and The Black Keys. Expect to hear a solid smattering of tracks from their most excellent recent release How Did We Get So Dark?

Fleet Foxes: Has it really been six years since Robin Pecknold and band last played the Bay Area? Yup! A lot has changed in those years, but thankfully they are still producing their own unique brand of cool-kid folk and should fit in nicely for their premier performance in Golden Gate Park. We’ll be hearing many tracks for the first time live to go along with a different band lineup onstage. While no one who attends the event ever wishes for Karl the Fog, he could fit semi-decently into this set like during Sigur Rós in 2012.

The Who: The legendary rock bands of our parents’ generation are quickly folding up shop and The Who may be the next to wave a fond farewell. While many attendees have griped in various online forums about this closing headline slot, it seems only fitting considering that Sunday has become the fest’s more legacy-leaning day. Roger Daltery and Pete Townsend are backed by a killer band and have been churning out enigmatic setlists the past few years, so expect to hear all your favorites with a few rare gems.

SCHEDULING CONFLICTS, THOUGHTS & QUERIES

Friday

• Sub-headliner jumble: End of ATCQ vs. Future Islands vs. beginning of Fleet Foxes.

• alt-J vs. Gorillaz: There’s likely a fair amount of fan crossover between these two acts.

• “Bouncin’ for Beignets” moves to Friday afternoon from its previous weekend mid-day slot.

Saturday

• Royal Blood vs S U R V I V E: Seems like an odd conflict, but these artists are playing their first OSL this year and are some of 2017’s most buzzy acts.

• Anyone else notice that two-hour-and-35-minute gap after Kaytranada and Empire of the Sun? We did, too. Our bet is we’ll be getting either an EDM or hip-hop late addition. Does Afrojack fly up from Vegas for the day?

Sunday

• Solange will now be closing the Sutro stage. We surmise her set was on Saturday after Kaytranada before the shift.

• The Heineken Dome has a mystery set scheduled from 5:10-5:40 p.m. that’s billed as a “Pop-Up Guest Performance.” Our bet is DJ Qbert gets this slot as he’ll be onsite for his GastroMagic set earlier in the day.

• This will be the first time Another Planet has put three acts against each other in the form of The Who, Solange and Above & Beyond.

POTENTIAL GUEST APPEARANCES

• Little Dragon vocalist Yukimi Nagano comes out with Kaytranada to perform “BULLETS”.

• Lady Gaga with Metallica … remember this year’s Grammys?

• Del the Funky Homosapien joining Gorillaz for “Clint Eastwood”. He’ll be at the GastroMagic stage the next day for Kimchi 3030.

• Kali Uchis and Rag’n’Bone Man joining Gorillaz for their Humanz tracks.

BEST BEVERAGES TO DRINK

Fort Point Beer Company: Fort Point has been making waves from their Presidio location over the past few years but has recently started to see the brand grow out from the Bay. Their flagships Villager, a West Coast IPA, and KSA, a Kölsch style ale, will surely please the palate whether we get a typical foggy summer day or are blessed with clear skies.

Whitechapel (Cocktail Magic): You like gin? Yeah, us too. Well, all us are in for a treat as SF’s hottest gin bar will be serving up a few of their signature cocktails in the Mclaren Pass section of the fest. While it’s unlikely they’ll schlep over all 400 varieties of gin they offer at their Tenderloin brick-and-mortar, they’ll certainly offer some of the most complex cocktails offered at any major U.S. music festival.

Bushido’s “Way of the Warrior”: OSL wine curator Peter Eastlake knows his stuff, and while winos will find many of their favorites, it’s this sake debut that makes us a little excited. The can graphics feature some rad little samurai fox character while the contents display notes of raspberry and watermelon rind with a spicy finish. I mean, sake in a can? Yeah, I’ll take two … and arigatou.

Filed Under: Featured, Festivals Tagged With: A Tribe Called Quest, Above & Beyond, Action Bronson, Alt-J, Belle and Sebastian, Bleachers, Bomba Estéreo, Cage the Elephant, Dawes, Del The Funky Homosapien, Dr. Octagon, Electric Guest, Empire of the Sun, Fleet Foxes, Foxygen, Future Islands, GastroMagic, Golden Gate Park, Goldroom, Gorillaz, Hamilton Leithauser, Heineken Dome, How to Dress Well, Hundred Waters, James Vincent McMorrow, k.flay, Kali Uchis, Kaytranada, Khruangbin, Little Dragon, Lorde, Louis the Child, Maggie Rogers, Metallica, MUNA, Music Festival Outside Lands Music Festival 2017, Noname, Outside Lands, Outside Lands 2017, Outside Lands Music Festival, Outside Lands Music Festival 2017, Queens of the Stone Age, RAC, Rag'n'Bone Man, Real Estate, Rebelution, Rostam, Rostam Batmanglij, Royal Blood, S U R V I V E, Schoolboy Q, Shovels & Rope, Sleigh Bells, Sofi Tukker, SOHN, Solange, Temples, The Avett Brothers, The Lemon Twigs, The Who, Thundercat, Tove Lo, Vampire Weekend, Vance Joy, Warpaint, Young The Giant

Outside Lands reveals its 2017 schedule

August 1, 2017 by Josh Herwitt Leave a Comment

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 11th-13th, 2017 //

One day after Outside Lands announced some stunning news that Saturday sub-headliner Queens of the Stone Age will not be performing this year “due to injury” (and then quickly replaced them with Cage the Elephant), the three-day festival has unveiled what every live music fan clamors for … set times!

Take a peek at the festival’s 2017 schedule for its 10th anniversary here and start making your plans for which artists you’ll be seeing at Golden Gate Park this August.

Of course, when it comes to scheduling conflicts, this year — just like every year at Outside Lands — isn’t void of them. For starters, festivalgoers on Friday will have to choose between Electric Guest/Tove Lo, Fleet Foxes/Future Islands and Gorillaz/alt-J, and that’s just Day 1.

Meanwhile, Saturday sees Warpaint and The Lemon Twigs pitted up against one another, along with Dawes vs. Thundercat, Royal Blood vs. S U R V I V E, Vance Joy vs. Kaytranada, Cage the Elephant vs. Foxygen, and Metallica vs. Empire of the Sun. Plus, there’s this …

The question is, who will it be? Our money is on an EDM act (i.e. Afrojack, A-Trak, Tiësto), considering the festival has barely any superstar DJs performing this year besides English progressive-trance trio Above & Beyond, but anything’s still possible with a little less than two weeks to go.

And finally, Sunday offers its own set of difficult choices, with Bleachers and Maggie Rogers scheduled only 20 minutes apart (as well as James Vincent McMorrow and Sofi Tukker) and The Who, Solange and Above & Beyond all performing at the same time as they close down the fest.

But with so many quality options from top to bottom, you really can’t go wrong. So, keep that in mind when you’re stressing over who you should see. Whatever you do though, make sure to pick up a comfortable pair of running shoes before heading to the park and download the mobile app here.

Pumped for Outside Lands? Go back in time and check out our coverage from 2016 here.

Outside Lands reveals 2017 lineup, headlined by Metallica, The Who & Gorillaz

April 4, 2017 by Josh Herwitt Leave a Comment

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 11th-13th, 2017 //

Outside Lands is going BIG for its 10th anniversary.

The three-day music festival returns to Golden Gate Park this August with a lineup for the ages, headlined by Metallica, The Who and Gorillaz. All three headliners were mentioned among our OSL predictions this year, with Metallica pretty much becoming a sure bet last week after Ranger Dave’s not-so-subtle tweet.

Natives of the Bay, Metallica have been on the road in support of their 10th LP Hardwired… to Self-Destruct, and their headlining set at Outside Lands will come toward the tail end of their North American tour during a string of West Coast shows. The Who, on the other hand, have only a limited number of 2017 gigs planned right now, culminating with a six-night residency in Las Vegas that concludes on Friday, August 11th. With that said, we know then that Roger Daltrey, Pete Townshend and company will perform at OSL on Saturday or Sunday, with the latter being all the more likely. The festival, after all, has been known to schedule its “older” headliners for the Sunday night slot a la Lionel Ritchie (2016), Elton John (2015), Tom Petty (2014), Paul McCartney (2013) and Stevie Wonder (2012), and we expect The Who to get the same kind of treatment in 2017.

But for Gorillaz fans in the U.S., Outside Lands could be the one place to see the band perform this summer. The festival is one of two North American dates for the Damon Albarn-led group, which headlines its own Demon Dayz Festival in June before making a stop at Festival d’été de Québec in Quebec City a month later. The same could even be said for sub-headliner Queens of the Stone Age, considering that OSL is their first scheduled North American show this year. The same, however, definitely can’t be said for Lorde, who is making the festival rounds with Coachella, JazzFest, Governor’s Ball, FPSF, Bonnaroo, Glastonbury, Rock Werchter, OpenAir St. Gallen, Fuji Rock, Lollapalooza, Osheaga and now OSL all on her current tour schedule.

Other standout acts lined up for OSL this year include A Tribe Called Quest, alt-J, Above & Beyond, Fleet Foxes, Empire of the Sun, The Avett Brothers, Belle and Sebastian, Solange, Future Islands, ScHoolboy Q, Young the Giant, Rebelution, Vance Joy, Tove Lo, Bleachers, Little Dragon, Kaytranada, Action Bronson, Sleigh Bells, Royal Blood, Shovels & Rope, Dr. Octagon, Louis the Child, Thundercat, Dawes, Warpaint, Rag’n’Bone Man, Bomba Estéreo, Temples, Real Estate, RAC, James Vincent McMorrow, K.Flay, MUNA, Hamilton Leithauser, Sofi Tukker, Maggie Rogers, Foxygen, Goldroom, SOHN, Electric Guest, How to Dress Well, Hundred Waters, Noname and many more. Check out the poster above for the rest of this year’s bill.

Boasting six consecutive sellouts to date, Outside Lands is sure to do the same in 2017 and will once again include a full lineup of comedy performances in addition to its famed Beer Lands, Wine Lands and Choco Lands + Cheese Lands. Of course, you’d have a tough time finding much better food and drink at a music festival than what Outside Lands offers.

If you missed out on Eager Beaver tickets last Thursday, you can buy Outside Lands tickets starting this Thursday, April 6th at 10 a.m. It’s worth mentioning, though, that with the new lineup also comes increased ticket prices. Three-day GA passes are up to $375 and three-day VIP passes have climbed to $795. Shuttle passes and parking passes, meanwhile, will be sold for $48 and $255, respectively. And though the festival makes no mention of it yet, single-day tickets are usually sold at a later time.

UPDATE (June 6th): Outside Lands has unveiled its daily lineups for 2017, and not to pat ourselves on the back, but our predictions for which days the festival’s headliners would perform were right on point, with Gorillaz performing Friday, Metallica storming the stage Saturday and The Who closing things down Sunday. Check out the daily schedules below before single-day tickets go on sale this Thursday, June 8th at 10 a.m. PT.

UPDATE (July 31st): Outside Lands has announced that Queens of the Stone Age, after all, will not perform this year “due to injury” and have been replaced by Cage the Elephant. No details on the “injury” have been released at this time.

Due to injury, Queens of the Stone Age's previously announced appearance August 12 at Outside Lands has been cancelled.

— Outside Lands Help (@outsidelands411) July 31, 2017

Queens apologize for any inconvenience & we look forward to returning to the Bay Area at a later date. https://t.co/mPYv68KRod

— QOTSA (@qotsa) July 31, 2017

JUST ANNOUNCED: Cage The Elephant are performing at @outsidelandssf in San Francisco on August 12th. 🎟️👉 https://t.co/lPDUFeqHZo #ol10 pic.twitter.com/NsnYoJNW4x

— Cage The Elephant (@CageTheElephant) July 31, 2017

UPDATE (August 1st): The festival has revealed the schedule for its 10th edition. Take a peek here and start mapping out who you’ll be seeing at Golden Gate Park.

Can’t wait for Outside Lands’ 10th edition? Check out our coverage from 2016 here.

The 25 best live music acts of 2015

December 28, 2015 by The Bam Team 3 Comments

Around this time last year, we shared our 25 favorite live performers of 2014 after spending the past 12 months covering many excellent bands, musicians and DJs. So, with 2015 almost in the books, we thought we would give the same exercise another try, except this year, we made the call to exclude any artists we named in 2014. What fun would it really be to list them two years in a row anyway?

In the end, it wasn’t an easy task whittling down our list to 25, but some tough decisions had to be made. Those who didn’t make the cut but still deserve to be mentioned here include the following artists and bands (in alphabetical order) who we either covered at their own show and/or at a music festival this year:

AlunaGeorge, Ariel Pink, BADBADNOTGOOD, Bad Religion, Battles, Beirut, Belle and Sebastian, Big Grams, Billy Idol, Black Lips, The Black Keys, Blonde Redhead, BØRNS, BROODS, Built to Spill, Catfish and the Bottlemen, Chet Faker, Chromeo, City and Colour, Classixx, Cold War Kids, Dâm-Funk, Damien Rice, Death Cab for Cutie, Dengue Fever, Django Django, Dr. Dog, Edward Sharpe and the Magnetic Zeros, Failure, The Flaming Lips, Flight Facilities, Goldroom, Glen Hansard, The Glitch Mob, Gorgon City, Holly Herndon, Interpol, Israel Nash, James Bay, Jeff Tweedy, Jenny Lewis, The Jesus and Mary Chain, JMSN, Jose Gonzalez, Jurassic 5, Kanye West, Kindness, King Tuff, Marina and the Diamonds, Miami Horror, Milky Chance, Modest Mouse, Morrissey, MS MR, Les Sins, Lotus, Natalie Prass, Neon Indian, ODESZA, Of Montreal, Oneohtrix Point Never, Panda Bear, Penguin Prison, Phantogram, Portugal. The Man, Preservation Hall Jazz Band, Purity Ring, Ratatat, Royal Blood, San Fermin, Shlohmo, Slow Magic, SOHN, St. Paul and The Broken Bones, STRFKR, Surfer Blood, Talib Kweli, Tame Impala, Tennis, Toro y Moi, Tycho, Umphrey’s McGee, Unknown Mortal Orchestra, Vintage Trouble, Vulfpeck, Widespread Panic, YACHT.

Now, without further ado, The Bam Team presents our 25 favorite live performers of 2015.

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2015

Listen to The Bam Team’s favorite songs of 2015:

25. Lord Huron

The audience reacted with just as much enthusiasm during classic Lord Huron tunes as they did in hearing brand-new material, especially during fan favorites like “She Lit a Fire” and back-to-back rockabilly-tinged jams “The World Ender” and “Fool for Love”. At this point, the crowd had not only warmed up to Lord Huron’s infectious stage presence, but also gave into their buoyant vibes as mini dance parties broke out throughout the venue. -Molly Kish, photo by Steve Carlson

24. Puscifer

Maynard James Keenan and friends have established themselves as not just a group of musicians who play songs on stage, but rather an assemblage of entertainers that provide their viewers and fans with something they may not have ever seen before — a true experience. Paying homage to the likes of Alice Cooper, Pink Floyd and the glory days of the rock opera, Puscifer have a very special way of combining their music with a stage show that offers so much more than just music. -Scotland Miller, photo by Mike Rosati

23. Viet Cong

Once the appetizer had been digested, Viet Cong were taking the stage and beginning a theme of quirky banter that eased the crowd into the blistering set as opposed to bombardment. Within the first few chords, it was evident that continued time on the road found the band at the peak of perfection. -Kevin Quandt, photo by Diana Cordero

22. Kate Tempest

This decade will likely be known for the death of “genre,” the end of how groups have been contained into categories like R&B or rap since the birth of record labels. And with dance music on the rise, digitized conventions are creeping into pop, rap and indie music on the regular. With music more accessible than ever and for free, listeners are willing to experiment with their auditory material — and amalgamation is the natural result. Tempest represents this change as much or more than anyone as we enter the smack-dab middle of this decade. And that includes Kanye West, Sylvan Esso or Run the Jewels. -Mike Frash, photo by James Nagel

21. Deerhunter

Deerhunter’s Bradford Cox talked about how he decided on the way over to the island that he wouldn’t play many songs, how he took ayahuasca on Saturday night in LA and he was surprised at how reserved the TIMF audience was. He said we were “polite like the Japanese.” Bradford, that’s what we call “respect” — and you’ve earned it. -Mike Frash, photo by Marc Fong

20. Faith No More

It can be hard to know what to expect from a crew like Faith No More and their eccentric, yet prolific members. The entire stage was dressed in white, from the curtains to the amplifiers to the mic stands. Lining the entire length of the stage and any flat surface that would support them were thousands of dollars worth of beautiful, fresh flowers. The abundance of purples and pinks, reds and yellows created a very comfortable and soothing, yet incredibly eerie feeling as to what was about to happen next. Once the setup was complete and the lights dropped, the crowd was let in to the stark contrast that is the weird world of Faith No More. -Scotland Miller, photo by Greg Ramar

19. Sufjan Stevens

Stevens spoke of the need for community in the throes of grief, and the audience ably did their part to help him through this very public grieving process. At the end of the main set, a young woman crashed the stage to offer a bemused Sufjan something (a hug? words of love and encouragement?), and it seemed wholly appropriate, as if the audience needed in some small way to collectively reach out to the man after he bared his soul so openly. -Steve Carlson, photo by Steve Carlson

18. Allen Stone

In many ways, Stone’s ideological stance on technology shapes not only his set as a performer but also his fan base. Watching an Allen Stone show, one can feel certain that all pretenses will be left at the door and those surrounding you will be committing their full attention to the music. Midway through Stone’s set, the venue was completely under his charismatic spell. The audience actively followed the Seattle-born frontman’s lead as he prompted a group participation “2-step” and rolled through crowd favorites from his self-titled LP and latest album Radius. -Molly Kish, photo by Tom Dellinger

17. The Kills

Mosshart, tall and slender, strutted her way through just about all of it, displaying a bravado that exudes both sex and confidence, while Hince handled his axe like a bona fide rock star, eventually playing some slide guitar during the gritty, blues-infused track “Pots and Pans” that got the crowd roaring after it was over. After all, it’s that blues/garage-rock overlap, along with the chemistry exhibited between Mosshart and Hince onstage, that makes The Kills such a captivating rock ‘n’ roll act to see live these days. -Josh Herwitt, photo by Josh Herwitt

16. The Chemical Brothers

Directly following their dramatic entrance to a recording of Junior Parker’s epic “Tomorrow Never Knows”, the duo kicked off their career-spanning set with crowd favorite “Hey Boy, Hey Girl” from 1999’s Surrender. They launched into a full-blown frenzy from that moment on, and the UK dance legends went hard (no pun intended) throughout the rest of their two-hour performance, debuting live remixes of new material from their 2015 release Born in the Echoes while interspersing nostalgia-inducing EDM classics off their seven previous albums. -Molly Kish, photo by Justin Yee

15. Eagles of Death Metal

EODM have the perfect style as a rock band, one that takes itself just seriously enough. As a whole, they are a hard, fast and tightly-wound production, with their silly lyrics and even sillier frontman bringing a perfect balance to what you want to see at a rock show. Closing with “Speaking in Tongues”, EODM walked off the stage at the Great American Music Hall knowing that they had accomplished what they came to do — to prove that rock ain’t dead. -Brett Ruffenach, photo by Mike Rosati

14. Florence + the Machine

Welch lapped around the inside ring of the bowl, stopping briefly at the sound stage. What a cool moment. -James Nagel, photo by James Nagel

13. Sturgill Simpson

Simpson has stage presence, that is without a doubt. The conviction of his voice bolsters his words as he describes a life of highs and lows, trials and tribulations. This was evident on renditions of songs like “Turtles All the Way Down”. If there is a song to capture your attention and convince you of Simpson’s talents as a songwriter, this is one of them. Just like that of his predecessors, he writes music that goes against the grain of popular country music. It may be defined as “outlaw country,” but I personally feel it is music that resonates with a wider audience than that of its counterparts. -Kory Thibeault, photo by Kory Thibeault

12. alt-J

The 2012 Mercury Prize winners echoed a semblance to that of Sigur Rós or Volcano Choir, leaving audience members entranced in a near-altered state while observing the foursome. The biggest fan responses erupted during the band’s singalong favorites “Breezeblocks”, “Fitzpleasure” and their token cover of Bill Withers’ “Lovely Day”. -Molly Kish, photo by Mike Rosati

11. Hot Chip

In recent years, only ever getting the chance to see the outfit in stripped-down DJ sets or as part of side projects/collaborations, the afternoon crowd full of die-hard, nu-disco fans were not disappointed as the UK dance veterans set the polo fields ablaze. Refraining from any slow builders, Hot Chip performed an hour-long set of career-spanning bangers, keeping the crowd moving with hit after hit, that seamlessly blended into one another. The set procured one of the most viral dance party moments of the festival, with the audience spiraling into a collective bliss as it came to a close. -Molly Kish, photo by Josh Herwitt

10. Dan Deacon

One of the toughest things to do in the world of electronic music is to sound organic, to imbue a sense of heart into the digitized nature of ones and zeroes. The Baltimore native accomplishes this through his hilarious and improvisational free-form, stand-up comedy, which thrives on wandering non sequiturs. And he mirrors this by adapting his insane-train of sound to meet and exceed the energy in the room. The “America” suite finished off the show with an extended doom metal quality that gave a sense that no aesthetic boundaries can contain Deacon’s sense of musical exploration. -Mike Frash, photo by Pedro Paredes

9. FKA twigs

British singer-songwriter Tahliah Debrett Barnett, better known as FKA twigs, has been all the rage lately after performing at Coachella in April, and she closed out FYF in style, donning an elaborate burgundy- and gold-colored robe for her Sunday night set. Just the week before, the 27-year-old fiancée of actor/musician Robert Pattinson released her brand-new EP M3LL155X, and with it receiving high marks from a number of music outlets, there were quite a few fans who stuck around after 11:30 p.m. on a “school night” to watch her perform some of them, including the opening track “Figure 8”, “In Time” and “Glass & Patron”. FKA twigs might be one of the most compelling live acts out there right now, and after scheduling Purity Ring to close out The Lawn the night before, FYF seemed to make a point of letting women rule that stage in the late-night hours this year. -Josh Herwitt, photo by Josh Herwitt

8. Empire of the Sun

As Steele belted out “Alive”, the hit single off the band’s sophomore studio album Ice on the Dune, to close things out, he brought the audience to a transcendent place of exhilaration. Crowd members embraced and danced amongst a like-minded family of people lost in the moment, even if it involved intergalactic creatures dancing in colored smoke and a crowned Emperor playing without his bandmate on stage. EOTS shows are a special kind of magic that regardless of the material’s absurd nature, translate into an experience unlike anything else. -Molly Kish, photo by Steve Carlson

7. My Morning Jacket

Though it was more than understandable to see the band play a large majority of The Waterfall for its first performance at the Santa Barbara Bowl in almost four years, there were plenty of other deep cuts mixed in over the next two hours, from “Bermuda Highway” to “Mahgeetah” to “Touch Me I’m Going to Scream Pt. 2”. After all, it’s no secret that My Morning Jacket have always been good to their most loyal and dedicated fans, and in once again taking song requests as part of their “Spontaneous Curation Series,” they made sure to dig up many of the classics from their seminal album Z, including “Wordless Chorus” and “Off the Record” one after the other in the middle of a loaded, four-song encore. -Josh Herwitt, photo by Josh Herwitt

6. Jamie xx

Throughout his tour, Smith has refused to compromise his individual style for the sake of appeasing either extreme of his now commercially hybrid audience. Whereas those familiar with his early XL Records mixtapes were satiated by his intermingling of Gil Scott-Heron and Idris Muhammad samples between hits, his newfound post-In Colour fans experienced equally breathtaking moments with the crowd hitting peak energy levels during the encore chorus of “Loud Places” amidst the glow of a warped-speed, neon-green strobe light. Other notable moments included the near-religious choral drop of “Gosh” that escalated the packed house to spiritual levels of enthusiasm, bathed in the glowing sparkle of Smith’s staggeringly iridescent ceiling to floor disco ball and stage lights. -Molly Kish, photo by James Nagel

5. Elton John

The star-spangled legend sat at his majestic piano as the sun went down on Sunday and moved the crowd with his brilliant playing. The adoring audience hung on every word and joined in singing his most popular hits. Walking off stage quickly after his last song, the audience demanded more and Elton happily obliged. With rumors of Lion King songs being played at past performances, some doting fans wanted a second encore to the tune of “Circle of Life”. While he didn’t indulge the Lion King fans, his stellar performance was a perfect ending to an amazing weekend at Outside Lands, leaving everyone’s festival tank full of love. -Nik Crossman, photo by James Nagel

4. Father John Misty

Father John (Sassypants) Misty has his festival game on point, and he has progressed his I Love You, Honeybear songs into epic plateaus since premiering them in the Santa Cruz mountains last February. He spewed banter like an Stephen Colbert-esque contrarian, saying, “Look at these suckers with their hair blowing all over the place.” And as he approached the mic for more improv-snark later on, Tillman paused to say, “Sorry, I have nothing to say. Ha.” FJM was speechless for once, but granted, it might have been set up for “Bored in the USA”, a song that should be considered an American classic at this point. -Mike Frash, photo by Pedro Paredes

3. Kendrick Lamar

As Kendrick Lamar’s incredible performance began to wrap up with his newest single “Alright”, a group of fans in the crowd proceeded to lift someone up in a wheelchair, who, if I recall correctly, was the same guy who had his photo famously taken at Outside Lands in 2013. Kendrick took notice and called him out — his sense of sincere appreciation for a place like the Bay Area was written all over his face. -Brett Ruffenach, photo by Marc Fong

2. Caribou

Described by fellow musician Dan Deacon as “one of the most brilliant acts touring right now” just before their set, Caribou lived up to the hype. Starting with “Our Love”, the four-piece band led by Dan Snaith perfectly set the stage for the next hour — a series of tightly wound compositions that, as the song progresses, expand in rhythmic complexity before reaching a climax that will get even the most tired Sunday afternoon crowd moving. Heavily augmenting its live performances from its studio recordings, the band’s live rendition of “Jamelia” in particular was a highlight of the set. Caribou is a band not to be missed. -Brett Ruffenach, photo by Justin Yee

1. D’Angelo & The Vanguard

One of the most anticipated sets of the entire weekend was none other than D’Angelo’s — and for good reason. The R&B/neo-soul singer-songwriter hadn’t put out an album in 14 years until he suddenly dropped his 2014 masterpiece Black Messiah last December, so you knew that getting the rare opportunity to see Michael Eugene Archer work a crowd at FYF would be something special. Sounding more like a youthful James Brown than a wannabe Prince (we still don’t totally understand where those comparisons are coming from), D’Angelo and his eight-piece backing band The Vanguard took the audience for a ride as they doled out new and old hits. -Josh Herwitt, photo by Josh Herwitt

Filed Under: Best of, Best of 2015, Editor's Picks, Featured Tagged With: Allen Stone, Alt-J, Bad Religion, Battles, BØRNS, Beirut, Belle and Sebastian, Best of 2015, Big Grams, Billy Idol, Black Lips, Blonde Redhead, Broods, Built To Spill, Catfish and the Bottlemen, Chet Faker, Chromeo, City and Colour, Classixx, Cold War Kids, D'Angelo, D'Angelo and the Vanguard, dam-funk, Damien Rice, Dan Deacon, Death Cab For Cutie, Deerhunter, Dengue Fever, Django Django, Dr. Dog, Eagles of Death Metal, Edward Sharpe and the Magnetic Zeros, Empire of the Sun, Failure, Faith No More, Father John Misty, FKA twigs, Flight Facilities, Florence & the Machine, Glen Hansard, Goldroom, Gorgon City, Holly Herndon, Hot Chip, Interpol, Israel Nash, James Bay, Jamie xx, Jeff Tweedy, Jenny Lewis, JMSN, Jose Gonzalez, Jurassic 5, Kanye West, Kate Tempest, Kendrick Lamar, Kindness, King Tuff, Les Sins, Lord Huron, Lotus, Marina and the Diamonds, Miami Horror, Milky Chance, Modest Mouse, Morrissey, MS MR, My Morning Jacket, Natalie Prass, Neon Indian, Odesza, Of Montreal, Oneohtrix Point Never, Panda Bear, Penguin Prison, Phantogram, Portugal. The Man, Preservation Hall Jazz Band, Purity Ring, Puscifer, Ratatat, Royal Blood, San Fermin, Shlohmo, Slow Magic, SOHN, St. Paul and The Broken Bones, STRFKR, Sturgill Simpson, Sufjan Stevens, Surfer Blood, Talib Kweli, Tame Impala, Tennis, The Black Keys, The Chemical Brothers, The Flaming Lips, The Glitch Mob, The Jesus and Mary Chain, The Kills, Toro Y Moi, Tycho, Umphrey's McGee, Unknown Mortal Orchestra, Viet Cong, Vintage Trouble, Vulfpeck, Widespread Panic, YACHT

Royal Blood give Slim’s a royal ass-kicking with Metallica drummer Lars Ulrich joining duo onstage

April 17, 2015 by The Bam Team Leave a Comment

Photos by Mike Rosati // Written by Anthony Presti //

Royal Blood //
Slim’s – San Francisco
April 15th, 2015 //

Royal Blood, a band from England that burst onto the scene in 2013, made their mark in SF by selling out Slim’s with back-to-back shows. Their sound is like a mesh of revered rockers Queens of the Stone Age, Jack White, Led Zeppelin, CKY and Muse. The one thing that sets them apart is that all their viciousness stems from two dudes playing a bass guitar and drums. Singer/bassist Mike Kerr’s tone relies on modest equipment, paired with heavily distorted bass and a “cocktail” of pedals, while drummer Ben Thatcher contributes steady and precise power drumming reminiscent of a young Dave Grohl. It’s no surprise that they’ll actually be touring with the Foo Fighters later this year.

Those lucky enough to snag a ticket for the band’s two sold-out shows were in for a treat. While there may be only two guys on stage, there was no lack of enthusiasm. On Wednesday night, Thatcher approached the stage wearing a Giants baseball cap and blasting hip-hop that got the crowd pumped. Kerr slyly stepped onto the stage and plunged into the second track from their self-titled album, “Come on Over”. It was impressive to witness such a full sound as Kerr hit notes on his bass that most the time sounded like dueling guitars. “San Francisco, make some noise! We’ll be new friends tonight,” Kerr shouted after a roaring applause and just before the duo busted into “You Can Be So Cruel”.

For such a young band, it’s impressive how many songs they have that are recognizable. Some songs sound like ones you might have heard before, but they have a knack for writing heavy tunes that carry a pulse and catchy choruses that you don’t mind getting stuck in your head. There’s a reason why they’ve been acknowledged by bands like Arctic Monkeys, Foo Fighters and even Jimmy Page, and it’s surely just the beginning. They know how to ignite a crowd with their banter, as Kerr gave props to the Wednesday night crowd by admitting “we played here last night, and you guys are kind of kicking their asses.”

With hard work comes reward, and the band played its entire album. Other crowd-pleasers were “Little Monster”, the blues-ridden “Figure It Out”, “Blood Hands” and its final song “Out of the Black” when Metallica’s Lars Ulrich came out and played drums while Thatcher stage dove and crowd surfed.

Setlist:
Come on Over
You Can Be So Cruel
Figure It Out
Better Strangers
Little Monster
Blood Hands
Careless
Ten Tonne Skeleton
Loose Change
Out of the Black